… on the internal evidence of Mein Kampf, it is difficult to believe that any real change has taken place in Hitler’s aims and opinions. When one compares his utterances of a year or so ago with those made fifteen years earlier, a thing that strikes one is the rigidity of his mind, the way in which his world-view doesn’t develop. It is the fixed vision of a monomaniac and not likely to be much affected by the temporary manoeuvres of power politics. Probably, in Hitler’s own mind, the Russo-German Pact represents no more than an alteration of time-table. The plan laid down in Mein Kampf was to smash Russia first, with the implied intention of smashing England afterwards. Now, as it has turned out, England has got to be dealt with first, because Russia was the more easily bribed of the two. But Russia’s turn will come when England is out of the picture — that, no doubt, is how Hitler sees it. Whether it will turn out that way is of course a different question.
Suppose that Hitler’s programme could be put into effect. What he envisages, a hundred years hence, is a continuous state of 250 million Germans with plenty of “living room” (i.e. stretching to Afghanistan or thereabouts), a horrible brainless empire in which, essentially, nothing ever happens except the training of young men for war and the endless breeding of fresh cannon-fodder. How was it that he was able to put this monstrous vision across? It is easy to say that at one stage of his career he was financed by the heavy industrialists, who saw in him the man who would smash the Socialists and Communists. They would not have backed him, however, if he had not talked a great movement into existence already. Again, the situation in Germany, with its seven million unemployed, was obviously favourable for demagogues. But Hitler could not have succeeded against his many rivals if it had not been for the attraction of his own personality, which one can feel even in the clumsy writing of Mein Kampf, and which is no doubt overwhelming when one hears his speeches …. The fact is that there is something deeply appealing about him. One feels it again when one sees his photographs — and I recommend especially the photograph at the beginning of Hurst and Blackett’s edition, which shows Hitler in his early Brownshirt days. It is a pathetic, dog-like face, the face of a man suffering under intolerable wrongs. In a rather more manly way it reproduces the expression of innumerable pictures of Christ crucified, and there is little doubt that that is how Hitler sees himself. The initial, personal cause of his grievance against the universe can only be guessed at; but at any rate the grievance is here. He is the martyr, the victim, Prometheus chained to the rock, the self-sacrificing hero who fights single-handed against impossible odds. If he were killing a mouse he would know how to make it seem like a dragon. One feels, as with Napoleon, that he is fighting against destiny, that he can’t win, and yet that he somehow deserves to. The attraction of such a pose is of course enormous; half the films that one sees turn upon some such theme.
George Orwell, “Review of Mein Kampf” by Adolf Hitler”, 1940.
October 7, 2018
QotD: Hitler’s over-arching “grand strategy”
Comments Off on QotD: Hitler’s over-arching “grand strategy”
No Comments
No comments yet.
RSS feed for comments on this post.
Sorry, the comment form is closed at this time.
