Quotulatiousness

June 4, 2018

L. Neil Smith on his time in the salt mines of the Star Wars universe

Filed under: Books, Business — Tags: , , — Nicholas @ 03:00

Around the time I picked up my first L. Neil Smith novel (Tom Paine Maru), I saw his name on a couple of Star Wars tie-in novels. I didn’t buy them, as I’ve rarely found tie-in work to be worth much unless you’re a huge fan of the larger franchise. By the time I’d gotten around to reading Tom Paine Maru and rushed back to buy all the rest of Smith’s available works, the Star Wars books had gone. I haven’t seen any of them in my travels since then. In the latest Libertarian Enterprise, Smith explains how the books came to be:

In 1983, I was chosen (or condemned — it depends how you look at these things), by Del Rey Books, a division of Random House, and Lucasfilm Ltd., to write three little ”exploitation” novels about the Star Wars character Lando Calrissian, specifically because I wasn’t Brian Daley, author of three similar books about another Star Wars character, Han Solo.

“Lando Calrissian, meet Londo Mollari. Lando, Londo. Londo, Lando … ”

The late Brian Daley was one of the kindest, gentlest, most generous men I’ve ever known, a colleague to be proud of, and it was bewildering trying to figure out why the movie company had told the book publisher, when arranging for the second set of books, “Anybody but Brian Daley!”

Brian loved Millennium Falcon. He was like a little kid when he got invited to go out to Hollywood and was most excited that he got to clamber around inside the set. But it turned out that he had accidentally and unknowingly allowed himself to become associated with the losing faction in some kind of petty internal corporate feud and found himself rendered persona non grata.

My editor at Del Rey obligingly brought my name up. I was extremely reluctant to write in anybody else’s corpus, but I needed the money very badly — around that time I’d spent two weeks with nothing in the house to eat but a bag of shredded coconut. When requested, my editor sent LucasFilm a “sample” of my work — a copy of my highly-political libertarian first novel, The Probability Broach. I’d love to have been there, a fly on the wall, when they saw it. Remember Beaker, from Muppet Labs, with a shock of bright red hair, a big red nose, great big eyes, whimpering and terrified of every known phenomenon? It must have been a lot like that.

In any case, LucasFilm freaked out, and, hypocritically asked that Brian be brought back into the project as my co-author, apparently to temper my politically incorrect passions. My editor told me later that he blew up dramatically, and told them “These are authors we’re dealing with here, not Hollywood writers, they don’t write by committee!” They backed down eventually, but I had to promise I would write no politics in the books — which, given the attitude they were displaying, I interpreted to mean as much politics as I could possibly squeeze in before they squealed.

I was told to write about Lando but leave all other Star Wars characters and other things alone (I did end up using mynocks). I told them I would have the spaceship, or I would give the project a miss. Brian started calling us “the Brotherhood of the Falcon”. My editor advised me to politely decline any invitations to come to Hollywood, and stay out of company politics, which I gladly did. I invented a number of animals for the books but was told that only animals made up by George Lucas could be capitalized.

In the beginning, they gave me sixteen weeks to write three books which I regarded as tough, but doable. “But wait! We have to approve your outlines first!” And by the time they finished — altering my arch-villain Rokur Gepta to something other than a “Dark Lord of Sith” and making other insignificant changes, I had nine weeks left. For two and a half months, I got up each morning and wrote. My cute little fiancee came home for lunch and then I wrote. We had supper and I wrote. Then I collapsed and started the whole thing over the next day. Forget anything resembling a real life. This was just before word processors came along, and I did the whole thing in one draft, as Robert Heinlein advised, on a Sperry-Remington knock-off of an IBM Selectric II. It took a long, long time to recover my health.

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