At the Foundation for Economic Education, Paul Meany tries to rescue the reputation of Niccolò Machiavelli:
Portrait of Niccolò Machiavelli by Santi di Tito (1536-1603)
Via Wikimedia Commons.If you have ever studied Shakespeare, you might have heard your teacher use the word “Machiavellian” to describe amoral characters such as Iago from Othello or Edmund from King Lear. “Machiavellian” denotes a person or action that disregards morality and is wholly self-serving. The origin of the word derives from the famous Florentine politician and writer Niccoló Machiavelli.
[…]
Published posthumously, The Prince left Machiavelli with an infamous reputation as an amoral, atheistic, and cynical writer. In 1559, the Catholic Church put Machiavelli’s works on the Index of Prohibited Books. In the play The Jew of Malta by Christopher Marlowe, written in 1589, Machiavelli appears in the prologue, boldly exclaiming, “I count religion but a childish toy, and hold there is no sin but ignorance.”
Machiavelli came to be associated with an Elizabethan term, “Old Nick,” used to denote the devil. There is a subject of modern psychology, known as the “dark triad,” which focuses on three malevolent personality traits: narcissism, psychopathy, and Machiavellianism.
However, this deeply negative image of Machiavelli did not always exist. In the 17th and 18th centuries, a more positive view of Machiavelli emerged, with authors such as the Republican James Harrington referring to Machiavelli as “the prince of politicians.” During the Italian Renaissance, humanist Giovanni Battista Busini fondly described Machiavelli as “a most extraordinary lover of liberty.”
This praise might seem confusing; after all, the word “Machiavellian” denotes someone who is cunning and unscrupulous. How could a man so devious and pragmatic be called a lover of liberty? The answer lies with Machiavelli’s other book, known as Discourses on Livy, which presents a very different image of his political beliefs.
[…]
The stark differences between Machiavelli’s Discourses on Livy and The Prince come from the nature of the aims of each book. The Prince aims to refine the conduct of a single prince, while Discourses on Livy offers guidance for the entire citizen body. The Prince was written to address a unique political opportunity that quickly evaporated, whereas Discourses on Livy was written to articulate the principles required by republics that sought longevity, liberty, and prosperity.
To this day, there still remains a huge debate over the intricacies and contradictions that characterize Machiavelli’s writings. Machiavelli was an extremely nuanced and original thinker whose reputation should not exclusively be that of an evil schemer. He argued for a republic whose liberty is safeguarded by the common person, in which free, unhindered debate provides the best course of action, and where compromises between opposing groups create harmony. Discourses on Livy reveals another side of Machiavelli, a man committed to the ideals of freedom through the means of representative government.
Machiavelli wrote The Prince in hopes of getting a job with the current strongman of Florence. M. was a careerist and talking about his motivations and values without talking about that fact is ahistorical and insufficient.
Comment by steve muhlberger — March 31, 2018 @ 09:56
I’ve read The Prince, but not his Discourses, which is why I thought this was an interesting approach to Machiavelli’s character and motivations. (And I thought “everybody knew” why he wrote The Prince … perhaps not?)
Comment by Nicholas — March 31, 2018 @ 10:03