Jonah Goldberg on the differences in the way actors were viewed historically and today:
It may be hard for some people to get the joke these days, but for most of human history, actors were considered low-class. They were akin to carnies, grifters, hookers, and other riffraff. In ancient Rome, actors were often slaves. In feudal Japan, Kabuki actors were sometimes available to the theatergoers as prostitutes — a practice not uncommon among theater troupes in the American Wild West.
In 17th century England, France, and America, theaters were widely considered dens of iniquity, turpitude, and crapulence. Under Oliver Cromwell’s Puritan dictatorship, the theaters were forced to close to improve moral hygiene. The Puritans of New England did likewise. A ban on theaters in Connecticut imposed in 1800 stayed on the books until 1952.
Partly out of a desire to develop a wartime economy, partly out of disdain for the grubbiness of the stage, the first Continental Congress in 1774 proclaimed, “We will, in our several stations, … discountenance and discourage every species of extravagance and dissipation, especially all horse-racing, and all kinds of gaming, cock-fighting, exhibitions of shews [sic], plays, and other expensive diversions and entertainments.”
[…]
The most recent Golden Globes ceremony has already been excoriated for being a veritable geyser of hypocritical effluvia, as the same crowd that not long ago bowed and scraped to serial harasser and accused rapist Harvey Weinstein, admitted child rapist Roman Polanski, and that modern Caligula, Bill Clinton, congratulated itself for its own moral superiority.
The interesting question is: Why have movie stars and other celebrities become an aristocracy of secular demigods? It seems to me an objective fact that virtually any other group of professionals plucked at random from the Statistical Abstract of the United States — nuclear engineers, plumbers, grocers, etc. — are more likely to model decent moral behavior in their everyday lives. Indeed, it is a bizarre inconsistency in the cartoonishly liberal ideology of Hollywood that the only super-rich people in America reflexively assumed to be morally superior are people who pretend to be other people for a living.
I think part of the answer has to do with the receding of religion from public life. As a culture, we’ve elevated “authenticity” to a new form of moral authority. We look to our feelings for guidance. Actors, as a class, are feelings merchants. While they may indeed be “out of touch” with the rest of America from time to time, actors are adept at being in touch with their feelings. And for some unfathomably stupid reason, we now think that puts us beneath them.
