[Libertarians have] always been strong on analysis and criticism. We have our philosophers and economists and historians, and these are among the best. We aren’t wholly without our novelists and musicians and artists. There’s you. There’s Heinlein. There’s Rand. There are many others.
But we haven’t so far put cultural production at the top of our list of things to do. It’s been treated as barely even secondary to uncovering and explaining the workings of a natural order. So far as this has been the case, however, it’s been a big mistake. There’s little benefit in preaching to an audience that doesn’t understand why your message is important.
The socialist takeover of the English mind during the early 20th century was only in part the achievement of the Webbs and J.A. Hobson and E.H. Carr and Harold Laski and Douglas Jay, and all the others of their kind. They were important, and if they hadn’t written as they did, there would have been no takeover. But for every one who read these, there were tens or hundreds who read and were captured by Shaw and Wells and Galsworthy and Richard Llewellyn, among others. These were men who transmitted the socialist cases to a much wider audience.
Just as importantly, where they did not directly transmit, they helped bring about a change in the climate of opinion so that propositions that were rejected out of hand by most thoughtful men in the 1890s could become the received wisdom of the 1940s. They achieved a similar effect in the United States, and were supplemented there by writers like Howard Fast, and, of course, by the Hollywood film industry.
More recently in England, the effect of television soap operas like Eastenders has been immense and profound. Their writers have taken the dense and often incomprehensible writings of the neo-Marxists and presented them as a set of hidden assumptions that have transformed the English mind since 1980. No one can fully explain the Labour victory of 1997, or the ease with which law and administration were transformed even before them, without reference to popular culture.
Though I’ll say outright that she’s never been one of my favourites, there’s no doubt that Ayn Rand was a great novelist and a great libertarian. And there’s no doubt at all that her novels did more than anything else to revive libertarianism in America — and perhaps even in England. But what I’m talking about at the moment isn’t long didactic novels where characters speak for three pages about the evils of central banking. What I do believe we need is good, popular entertainment of our own creation that is based on our own assumptions.
I think the most significant objective propagandist of my lifetime for the libertarian and conservative cause in England was the historical novelist Patrick O’Brian. I’ve read all his historical novels, some more than once, and I don’t think he ever sets out an explicit case against the modern order of things. What he does instead is to create a world – that may once have existed largely as he describes I – that works on different assumptions from our own. If this world is often unattractive on account of its poverty and brutality, its settled emphasis on tradition and on personal freedom and responsibility has probably done more to spread the truth in England than the Adam Smith Institute and the Institute of Economic Ideas combined.
Sean Gabb, quoted in “Wayne John Sturgeon talks to Sean Gabb of the Libertarian Alliance”, Sean Gabb, 2013-08-26.
October 20, 2017
QotD: Culture wars of the 20th century
Filed under: Books, Liberty, Media, Quotations — Tags: AynRand, Culture, Libertarianism, SeanGabb, Socialism — Nicholas @ 01:00
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