Quotulatiousness

August 3, 2016

The scandal of the Chevalier d’Eon

Filed under: Europe, France, History — Tags: , , , , , — Nicholas @ 02:00

In Atlas Obscura, Linda Rodriguez McRobbie tells the story of the French soldier, diplomat and spy, the Chevalier d’Eon (also known as Mademoiselle la Chevaliere d’Eon):

Mademoiselle de Beaumont or The Chevalier D'Eon. (Photo: Library of Congress/LC-DIG-ds-03347)

Mademoiselle de Beaumont or The Chevalier D’Eon. (Photo: Library of Congress/LC-DIG-ds-03347)

When the Chevalier d’Eon left France in 1762, it was as a diplomat, a spy in the French king’s service, a Dragoon captain, and a man. When he returned in July 1777, at the age of 49, it was as a celebrity, a writer, an intellectual, and a woman — according to a declaration by the government of France.

What happened? And why?

The answer to those questions is complex, obscured by layers of bad biography, speculation and rumor, and shifting gender and psychological politics in the years since, as well as d’Eon’s own attempts to reframe his story in a way that would make sense to his contemporary society. (Note: In consultation with d’Eon’s biographer, I have decided to use the male pronoun when talking about d’Eon before the gender shift and the female pronoun after.) Professor Gary Kates of Pomona College is one of the first modern academics to look closely at the life — or lives — of the Chevalier d’Eon, in his comprehensive biography Monsieur d’Eon Is a Woman. Kates had access to d’Eon’s personal papers, a treasure trove of manuscripts, diaries, financial records, documents, and letters housed at the University of Leeds, and his work is widely considered the best place to start when considering d’Eon.

The story Kates tells is a complex narrative, involving Ancien Regime intrigue, secret spy rings, political necessity, burgeoning celebrity culture, and nascent feminism. The meaning of d’Eon’s transformation has been dissected for centuries; feminist writer Mary Wollstonecraft praised d’Eon in their lifetime and contemporary trans groups have named themselves in d’Eon’s honor.

Even so, Kates cautions that the history of this fascinating figure is far from complete. “I don’t think I’ve written the definitive book on d’Eon,” he says. How could he? This is a person who lived enough for three lifetimes.

QotD: The lure of “new” old art

Filed under: Architecture, Books, Media, Quotations — Tags: , — Nicholas @ 01:00

What is it about stories like these [the discovery of “lost” artistic masterworks] that we find so unfailingly seductive? No doubt the Antiques Roadshow mentality is part of it. All of us love to suppose that the dusty canvas that Aunt Tillie left to us in her will is in fact an old master whose sale will make us rich beyond the dreams of avarice. And I’m sure that the fast-growing doubts surrounding Go Set a Watchman (which were well summarized in a Feb. 16 Washington Post story bearing the biting title of “To Shill a Mockingbird”) have pumped up its news value considerably.

But I smell something else in play. I suspect that for all its seeming popularity — as measured by such indexes as museum attendance — there is a continuing and pervasive unease with modern art among the public at large, a sinking feeling that no matter how much time they spend looking, reading or listening, they’ll never quite get the hang of it. As a result, they feel a powerful longing for “new” work by artists of the past.

To be sure, most ordinary folks like at least some modern art, but they gravitate more willingly to traditional fare. Just as “Our Town” (whose form, lest we forget, was ultramodern in 1938) is more popular than “Waiting for Godot,” so, too, are virtually all of our successful “modern” novels essentially traditional in style and subject matter. In some fields, domestic architecture in particular, midcentury modernism is still a source of widespread disquiet, while in others, like classical music and dance, the average audience member does little more than tolerate it.

Terry Teachout, “The lure of ‘new’ old art”, About Last Night, 2015-02-27.

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