Quotulatiousness

January 30, 2016

The vast chasm between Trump supporters and the “conservative establishment”

Filed under: Politics, USA — Tags: , , , — Nicholas @ 03:00

In Politico, Tucker Carlson explains why the conservative establishment so badly misjudged the folks who are now vociferously supporting The Donald:

Consider the conservative nonprofit establishment, which seems to employ most right-of-center adults in Washington. Over the past 40 years, how much donated money have all those think tanks and foundations consumed? Billions, certainly. (Someone better at math and less prone to melancholy should probably figure out the precise number.) Has America become more conservative over that same period? Come on. Most of that cash went to self-perpetuation: Salaries, bonuses, retirement funds, medical, dental, lunches, car services, leases on high-end office space, retreats in Mexico, more fundraising. Unless you were the direct beneficiary of any of that, you’d have to consider it wasted.

Pretty embarrassing. And yet they’re not embarrassed. Many of those same overpaid, underperforming tax-exempt sinecure-holders are now demanding that Trump be stopped. Why? Because, as his critics have noted in a rising chorus of hysteria, Trump represents “an existential threat to conservatism.”

Let that sink in. Conservative voters are being scolded for supporting a candidate they consider conservative because it would be bad for conservatism? And by the way, the people doing the scolding? They’re the ones who’ve been advocating for open borders, and nation-building in countries whose populations hate us, and trade deals that eliminated jobs while enriching their donors, all while implicitly mocking the base for its worries about abortion and gay marriage and the pace of demographic change. Now they’re telling their voters to shut up and obey, and if they don’t, they’re liberal.

It turns out the GOP wasn’t simply out of touch with its voters; the party had no idea who its voters were or what they believed. For decades, party leaders and intellectuals imagined that most Republicans were broadly libertarian on economics and basically neoconservative on foreign policy. That may sound absurd now, after Trump has attacked nearly the entire Republican catechism (he savaged the Iraq War and hedge fund managers in the same debate) and been greatly rewarded for it, but that was the assumption the GOP brain trust operated under. They had no way of knowing otherwise. The only Republicans they talked to read the Wall Street Journal too.

On immigration policy, party elders were caught completely by surprise. Even canny operators like Ted Cruz didn’t appreciate the depth of voter anger on the subject. And why would they? If you live in an affluent ZIP code, it’s hard to see a downside to mass low-wage immigration. Your kids don’t go to public school. You don’t take the bus or use the emergency room for health care. No immigrant is competing for your job. (The day Hondurans start getting hired as green energy lobbyists is the day my neighbors become nativists.) Plus, you get cheap servants, and get to feel welcoming and virtuous while paying them less per hour than your kids make at a summer job on Nantucket. It’s all good.

Apart from his line about Mexican rapists early in the campaign, Trump hasn’t said anything especially shocking about immigration. Control the border, deport lawbreakers, try not to admit violent criminals — these are the ravings of a Nazi? This is the “ghost of George Wallace” that a Politico piece described last August? A lot of Republican leaders think so. No wonder their voters are rebelling.

Tanks – WW1 Uncut: Dan Snow – BBC

Filed under: Britain, History, Military, WW1 — Tags: , — Nicholas @ 02:00

Published on 17 Apr 2014

Tanks were invented by the British during the First World War. Historian Dan Snow traces their development, from prototype to battlefield fixture.

QotD: Government funding for the arts

Filed under: Economics, Government, Media, Quotations — Tags: , , , — Nicholas @ 01:00

People who oppose Soviet-style collective farms, government subsidies to agriculture, or public ownership of grocery stores because they want the provision of food to be a private matter in the marketplace are generally not dismissed as uncivilized or uncaring. Hardly anyone would claim that one who holds such views is opposed to breakfast, lunch, and dinner. But people who oppose government funding of the arts are frequently accused of being heartless or uncultured. What follows is an adaptation of a letter I once wrote to a noted arts administrator who accused me of those very things. It articulates the case that art, like food, should rely on private, voluntary provision.
Thanks for sending me your thoughts lamenting cuts in arts funding by state and federal governments. In my mind, however, the fact that the arts are wildly buffeted by political winds is actually a powerful case against government funding. I’ve always believed that art is too important to depend on politics, too critical to be undermined by politicization. Furthermore, expecting government to pay the bill for it is a cop-out, a serious erosion of personal responsibility and respect for private property.

Those “studies” that purport to show X return on Y amount of government investment in the arts are generally a laughingstock among economists. The numbers are often cooked and are almost never put alongside competing uses of public money for comparison. Moreover, a purely dollars-and-cents return — even if accurate — is a small part of the total picture.

The fact is, virtually every interest group with a claim on the treasury argues that spending for its projects produces some magical “multiplier” effect. Routing other people’s money through the government alchemy machine is supposed to somehow magnify national wealth and income, while leaving it in the pockets of those who earned it is somehow a drag. Assuming for a moment that such preposterous claims are correct, wouldn’t it make sense from a purely material perspective to calculate the “average” multiplier and then route all income through the government? Don’t they do something like that in Cuba and North Korea? What happened to the multiplier in those places? It looks to me that somewhere along the way it became a divisor.

Lawrence W. Reed, “#34 – ‘Government Must Subsidize the Arts'”, The Freeman, 2014-12-05.

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