Quotulatiousness

August 31, 2015

Ten years later – how the media covered Katrina

Filed under: History, Media, USA — Tags: , , , — Nicholas @ 05:00

W. Joseph Campbell describes the media’s role in contributing to — and sometimes inventing — the persistent myths of what happened in New Orleans during and after Hurricane Katrina made land-fall:

I call it the “myth of superlative reporting,” the notion that in the aftermath of Hurricane Katrina’s onslaught 10 years ago, journalists bravely held powerful officials accountable for their inept responses to a storm blamed for the deaths of 1,800 people.

Dan Rather, the former CBS News anchorman, gave voice to the “myth of superlative reporting,” describing Katrina coverage as “one of the quintessential great moments in television news,” ranking “right there with the Nixon/Kennedy debates, the Kennedy assassination, Watergate coverage, you name it.”

A quintessential great moment is was not.

The reporting of Katrina, as I wrote in my 2010 media-mythbusting book, Getting It Wrong, “was in important respects flawed and exaggerated. On crucial details, journalists erred badly, and got it wrong” in describing horrors the storm supposedly unleashed across New Orleans after making landfall east of the city on August 29, 2005.

Journalists reported snipers firing at medical personnel, I noted. They reported shots were fired at helicopters, halting evacuations from the Convention Center in New Orleans. They told of bodies being stacked like cordwood inside the Convention Center.

News reports also spoke of roving gangs that terrorized occupants of the Louisiana Superdome, where many people had taken shelter. The reports said children were victims of sexual assault, that one seven-year-old was raped and her throat was slit. They reported that sharks were plying the flooded streets of New Orleans.

None of those reports, as it turned out, was verified or substantiated.

“If anyone rioted,” said a bipartisan congressional report about Katrina, “it was the media.

“Many stories of rape, murder, and general lawlessness were at best unsubstantiated, at worst simply false.”

Erroneous and over-the-top reporting, I wrote in Getting It Wrong, “had the cumulative the effect of painting for America and the rest of the world a scene of surreal violence and terror, something straight out of Mad Max or Lord of the Flies.”

Here’s what I wrote ten years ago, based on the media reports coming out of Louisiana:

(more…)

The NDP and federal corporate taxes

Filed under: Cancon, Economics, Government — Tags: , , , — Nicholas @ 04:00

In Maclean’s, Stephen Gordon looks at how the New Democratic Party is talking about their approach to corporate taxation during the current election campaign:

… the OECD says that the current combined (that is, federal plus state/provincial) corporate income tax rate in the US is 39 per cent. In Canada, it’s 26.3 per cent (the federal rate of 15 per cent plus an average provincial rate of 11.3 per cent.) Getting us up to something resembling the U.S. rate (in the absence of changes in provincial rates) would require increasing the federal rate to around 27 per cent.

The NDP has made use of several different reference points since then. For example, rolling back the cuts made under the Conservative government would bring the rate back up to 22 per cent. Increasing the federal rate to 19 per cent would bring us up to the average of the other G7 countries. The NDP’s target is apparently now down to 17 per cent or so.

As far as the prospects for Canadian economic growth go, this steady reduction is good news: corporate income taxes are the most harmful to economic growth. The growing recognition of the negative effects of corporate tax rates explains why Canada and other OECD countries have made it a point to reduce corporate income taxes over the past few decades […]

If you look at just the relationship between federal corporate income tax rates and federal income tax revenues, you get pretty much the same story. Even though federal corporate tax rates have fallen by more than half over the past 30 years, corporate income tax revenues have continued to fluctuate around two per cent of GDP.

Canadian corporate tax rates and revenue 1985-2014

There are at least two reasons why you might think that higher corporate tax rates might not result in higher corporate tax revenues:

  1. Higher corporate tax rates reduce the after-tax rate of return on investment. Everything else being equal, this reduces investment, capital accumulation and profits. Less profits means less corporate income to tax.
  2. Higher corporate taxes produce an incentive for multinational firms to shift taxable activities away from high-tax jurisdictions.

In the short and medium term, the second point is probably more important.

Newspapers in the 21st century – what are they for?

Filed under: Business, Media, USA — Tags: , — Nicholas @ 03:00

Colby Cosh on the confusion even among newspaper folks themselves on their real role in today’s society:

But the newspaper is part of a different ecosystem now. A front page is a late contribution to an ongoing conversation in a way it was not in 1963, or even 2003. Editors making decisions about what images to use had heard Alison Parker’s screams; they knew many readers had heard them. That non-graphic touch made the photo of Parker with the killer’s weapon in the foreground “graphic” — too graphic for the proverbial breakfast table. (Although I would remind sensitive editors and media critics that the “breakfast table” is an incredibly outmoded way of thinking about our jobs, much like the idea that we are presenting news in a utilitarian, isolated way to readers who haven’t heard it.)

The truth is that the minds of most newspaper creators and editors are not completely clear about what these strange flat objects are good for in the year 2015. The New York Daily News, which does know what it is for, was unflinching in its front-page treatment of the WDBJ shooting. It caught immediate hell, but its confidence in its mission is a virtue. The paper knows that it exists partly because when something happens, New Yorkers can’t wait to see what those crazy-ass bastards in the tabloids will do with it.

Does the newspaper do harm with its relative sensationalism? It seems impossible to know. But it is certainly not the infliction of harm that critics and second-guessers fear most: it is the giving of offence.

Brendan O’Neill | Freedom of Speech and Right to Offend | Proposition

Filed under: Britain, Liberty — Tags: , , — Nicholas @ 02:00

Published on 25 Aug 2015

The Motion: This House Believes the Right to Free Speech Always Includes the Right to Offend.

Debate speaker 1 of 6. Watch all the speakers for this debate in order of appearance: https://www.youtube.com/watch?v=BtWrl…

Brendan O’Neill is the editor of Spiked Online and a columnist for The Australian and The Big Issue.

ABOUT THE OXFORD UNION SOCIETY: The Union is the world’s most prestigious debating society, with an unparalleled reputation for bringing international guests and speakers to Oxford. It has been established for 192 years, aiming to promote debate and discussion not just in Oxford University, but across the globe.

H/T to Samizdata for the link.

QotD: Artistic memories of other futures

Filed under: History, Media, Quotations — Tags: , , , — Nicholas @ 01:00

Two exhibitions in New York this season revisit memories of futures past: Nam June Paik’s “Becoming Robot” (which will be at the Asia Society until January 4) looks to a cybernetics-obsessed midcentury avant-garde, while the Guggenheim’s “Reconstructing the Universe” show of Italian futurist works (which has just closed) documented a movement that, while aesthetically quite distinct from Paik’s, is organized around the same essential vision: man’s aspiring to the condition of machine.

[…]

There are occasionally clever pieces: A seated Buddha contemplates a television-and-camera set-up that contemplates him back, the Buddha and his image on the screen suggesting an infinite feedback loop. A reclining Buddha stretches atop two television screens showing a video of a nude woman reclining in the same position. (Paik very often cuts to the root of the avant-garde sensibility: “How do we get some naked chicks in this?”) His robots are still interesting to look at, some of them primitive mechanical assemblages, some of them televisions and other electronic devices piled together anthropomorphically, though the contemporary commercially made robot toys on display for context are at least as interesting, their nameless creators liberated from such pressures as attend those who understand themselves as artists. Though it should be noted that the makers of the Micronaut robot toys I loved as a child were not entirely immune from the puerile sexual obsessions of the so-called avant-garde: This, for example, was on the market long before anybody ever exclaimed: “Drill, baby, drill!”

The Italian futurists, whose love for machines and violence and the machinery of violence and whose hatred of women would do so much to shape the aesthetics of fascism, foresaw a less sexy future than Paik’s, if one that was no less mechanical: Biplanes soar over the Roman Colosseum, cities are fitted together like clockworks, machinery everywhere is ascendant. By the time Mussolini makes his inevitable appearance, he, too, has been reduced to a piece of artillery, his face simply another item in the Italian arsenal, a big, fleshy cannonball.

One of the purposes of art, high or low, is to make visible the philosophical; the fascist understanding of society as one big factory or one big machine was expressed in futurist art.

Kevin D. Williamson, “Futures Trading: We are no longer thinking about the future because we believe we are there”, National Review, 2014-10-01.

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