“What’s a continuator?” I pretend to hear you ask. Those are the folks who pick up the fallen pen of other (almost always greater) authors to write endings for unfinished works:
There’s a long list of great authors who have left work unfinished, often because of illness or death. Jane Austen, the Bronte sisters, Albert Camus, Franz Kafka, to name but a few. An industry has grown up around them, of so-called “continuators” — writers eager to finish the stories that they began.
There have been a number of continuations of Austen’s Sanditon, including efforts by Juliette Shapiro and Reginald Hill, author of the Dalziel and Pascoe series. Austen had only got 11 chapters in when she stopped, enough to establish the characters, but leaving the continuators plenty of room for manoeuvre.
But why would a writer choose to finish the work of another author, rather than create original work? Surely that leads to pastiche?
It’s dangerous territory, suggests Prof John Mullan, who is currently writing a book on Austen. “What we expect when we read the work of Austen, or Dickens, or Laurence Sterne, is a particular voice, and that’s terribly difficult to bring off.”
It’s a risky strategy for an author, but perhaps it speaks to a profound need in all of us. The literary critic Frank Kermode wrote in his book Sense of an Ending about our deep-rooted need to be rewarded with conclusions.
John Sutherland, emeritus professor at University College London, agrees. “Kermode famously observed that when we hear a clock go tick tick tick, what we hear is tick tock tick tock, because we like beginnings and endings. We’re hardwired, like lemmings going over a cliff.”
My experiences with continuators has been quite mixed. I’ve never been able to read anything by Spider Robinson since he “finished” a novel from Robert A. Heinlein’s very early period. I hated it so much that it actually diminished my admiration for Heinlein’s entire body of work (I eventually recovered). On the other hand, I quite enjoyed Great King’s War which was a sequel to H. Beam Piper’s Kalvan of Otherwhen. John F. Carr and Roland J. Green did an excellent job of writing in the same voice as Piper and took his characters in believable directions.
