Quotulatiousness

March 31, 2018

If anybody could be described as Machiavellian, it’d surely be Machiavelli, right?

Filed under: Books, Europe, History, Italy — Tags: , , , , — Nicholas @ 03:00

At the Foundation for Economic Education, Paul Meany tries to rescue the reputation of Niccolò Machiavelli:

Portrait of Niccolò Machiavelli by Santi di Tito (1536-1603)
Via Wikimedia Commons.

If you have ever studied Shakespeare, you might have heard your teacher use the word “Machiavellian” to describe amoral characters such as Iago from Othello or Edmund from King Lear. “Machiavellian” denotes a person or action that disregards morality and is wholly self-serving. The origin of the word derives from the famous Florentine politician and writer Niccoló Machiavelli.

[…]

Published posthumously, The Prince left Machiavelli with an infamous reputation as an amoral, atheistic, and cynical writer. In 1559, the Catholic Church put Machiavelli’s works on the Index of Prohibited Books. In the play The Jew of Malta by Christopher Marlowe, written in 1589, Machiavelli appears in the prologue, boldly exclaiming, “I count religion but a childish toy, and hold there is no sin but ignorance.”

Machiavelli came to be associated with an Elizabethan term, “Old Nick,” used to denote the devil. There is a subject of modern psychology, known as the “dark triad,” which focuses on three malevolent personality traits: narcissism, psychopathy, and Machiavellianism.

However, this deeply negative image of Machiavelli did not always exist. In the 17th and 18th centuries, a more positive view of Machiavelli emerged, with authors such as the Republican James Harrington referring to Machiavelli as “the prince of politicians.” During the Italian Renaissance, humanist Giovanni Battista Busini fondly described Machiavelli as “a most extraordinary lover of liberty.”

This praise might seem confusing; after all, the word “Machiavellian” denotes someone who is cunning and unscrupulous. How could a man so devious and pragmatic be called a lover of liberty? The answer lies with Machiavelli’s other book, known as Discourses on Livy, which presents a very different image of his political beliefs.

[…]

The stark differences between Machiavelli’s Discourses on Livy and The Prince come from the nature of the aims of each book. The Prince aims to refine the conduct of a single prince, while Discourses on Livy offers guidance for the entire citizen body. The Prince was written to address a unique political opportunity that quickly evaporated, whereas Discourses on Livy was written to articulate the principles required by republics that sought longevity, liberty, and prosperity.

To this day, there still remains a huge debate over the intricacies and contradictions that characterize Machiavelli’s writings. Machiavelli was an extremely nuanced and original thinker whose reputation should not exclusively be that of an evil schemer. He argued for a republic whose liberty is safeguarded by the common person, in which free, unhindered debate provides the best course of action, and where compromises between opposing groups create harmony. Discourses on Livy reveals another side of Machiavelli, a man committed to the ideals of freedom through the means of representative government.

February 26, 2013

Why did Machiavelli write The Prince?

Filed under: Books, History, Italy, Media — Tags: , , , — Nicholas @ 10:45

In History Today, Alexander Lee discusses the situation in Florence leading up to the time when Niccolò Machiavelli wrote his (in)famous work:

In 1512, however, everything fell apart. After a series of military defeats, Soderini was forced from office. With the help of Pope Julius II, Giuliano di Lorenzo de’ Medici was installed as the de facto ruler of Florence. The Republic collapsed.

Immediately, Giuliano purged the government and instituted a city-wide witch-hunt. As a prominent republican, Machiavelli was summarily dismissed from his positions in late 1512, and in 1513, a warrant was issued for his arrest. Accused of plotting against the Medici, he was tortured using a cruel technique known as the ‘strappado’ — which left his shoulders dislocated, and his whole body in excruciating pain — before being released and exiled to his country estate.

It was at this point that Machiavelli penned The Prince. Broken, depressed, and penniless, he saw it as his best chance of getting into the Medici’s good books, and of recouping his losses. Dedicating the book first to Giuliano di Lorenzo de’ Medici — the very man who had destroyed his life — and, after Giuliano’s death, to his nephew, Lorenzo, Machiavelli set out to provide not just a guide to princely government, but a positive justification of all of the terrible things to which he had fallen victim. Much like a fallen Politburo members at a Soviet show trial, Machiavelli defended his persecution in the hope of securing favour. Only later did he feel safe enough to express his republican sympathies more openly.

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