Culture, like politics, is not immune to these billowing waves of combat. And we can look to the past to see that cultural repercussions usually follow from battles. The catalysts for modernism were Verdun, the Somme, and the general carnage of the First World War trenches. Out of those infernos spread the belief that the old foundations of staid manners, traditional genres of art and literature, unquestioning patriotism — dulce et decorum est pro patria moria — and national politics had somehow led to Europe’s millions being gassed and blown apart for years in the mud of the French countryside without either victory or defeat.
Perhaps the present brand of postmodernism was born primarily in France as well. After the humiliating drive of the Panzers through the Ardennes in May, 1940, the collapse of Europe’s largest army in six weeks, and the rescue by the Americans and the British in August, 1944, theories were easier to accept than facts. For a few elite but stunned postwar Frenchmen, fiction was more palatable than reality, text and discourse a refuge from a truth as unacceptable as it was bothersome.
Victor Davis Hanson, Ripples of Battle, 2003.
June 22, 2024
QotD: The rise of post-modernism
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