Perhaps the first foreign author I encountered as a child was Giovanni Guareschi — in English translation, of course, I’m not a natural linguist — and I’d read most of his stories by the time I was twelve. They didn’t always make a lot of sense to me as far as the political aspects were concerned, but the human stories always hit home. Clearly, Sarah Hoyt (who is a natural linguist … she read them in the original Italian, although I’d expect they would work very well for Portuguese readers) feels much the same way about the Don Camillo stories:
A still from one of the 1952-1965 film adaptations of the Don Camillo stories, with Fernandel as Don Camillo and Gino Cervi as Mayor Peppone.
There is a poignant scene in one of the Giovanni Guareschi Don Camillo books, (set in mid-century Italy, where communism and Catholicism are fighting it back and forth. They’re humorous, profoundly human, and easy reads. The stories are like 200 words each.) in which, during a period of high strife, the priest goes out to bless the river. Btw, if you need examples of how to be a flea on the side of the commies, that character is terribly subversive in little ways (as well as liking to hit them on the head. I might have taken him for a model when I was a pre-teen. Sigh. And Comrade Don Camillo is the best book for how to turn things on their heads if you’re in deep hiding in a lefty stronghold, either professional or geographic.)
Anyway, in the little village on the Po river where the priest and the communist mayor fight it out, the river is an ever present danger, and people cope with it the way they have coped with such things throughout history: every year the priest goes to the river and blesses it, in the hopes that it will become (I am remembering in Italian, the English translation is probably different) “A well behaved citizen and stay within its bounds”.
Now, this is not magic, of course, and the priest explains that. Blessing the river does not guarantee that the river won’t burst out of its bed and flood the village (later on in the book there are accounts of a flood, and if you think that a book can’t paint a picture, be sure it can. For the rest of my life, I’ll carry the image of the priest saying mass in the deserted and flooded village, while across the river, on the safe bank, his flock who fled the flood kneel on the muddy soil at the tolling of the consecration bell. BTW Guareschi is the writer I’d like to be when I grow up. Trained as a journalist, he uses minimal words, but the images stay with you.) It’s just that blessing it gives people hope it won’t, and allows them to live in a precarious place, at a precarious time without losing their minds. (It is important to remember that whatever else humans are, they’re creatures of ritual and habit, and sometimes those are the only panaceas for difficult situations.)
Well, the communists have their dander up, so they tell the priest they want to march in the procession to bless the river with their flags and paraphernalia and the priest says no, they say anyone in the procession will get beaten. They demand the priest cancel it, and people lose their minds. So, the priest says he’ll go alone, if needed. Needless to say, the communists follow, in what is an intimidation maneuver (they have no new moves, really.)
So, Don Camillo, without looking back, gets to the river and prays that the Lord will keep the river within its bounds. And of course, because he knows the audience at his back, he says “If the houses of decent people could float, I’d ask you for a flood like Noah’s. But since the houses of decent people are made of the same stone and brick and sink like the houses of scoundrels, I beg you to make the river behave.”
In case you’re wondering what went wrong in America, and why we are where we are: we forgot our houses can’t flood.
