[C]onsider the inchoate American gang identified as “Bohemian” in New York Times rock critic Ann Powers’ new book, Weird Like Me: My Bohemian America. Powers casually links rock music with her version of bohemia, that world of young and not-so-young hipsters living and behaving in nontraditional ways. Rock, she writes, “inspires fans to dye their hair green and wear thigh-high leather boots; to defy their parents, skip school, and tell off the boss; or even, sometimes, to take a new turn and change their lives completely.” Her bohemia is inexorably linked with progressive politics, not holding down a decent job, being kind to gays and minorities, and all else that’s “cool.”
Powers fails to recognize that her bohemia is predicated upon a market liberalism that throws off so much wealth that you can live like a Pharaoh just by scavenging what other people throw out — as she and her slacker buddies did in San Francisco in the ’80s and early ’90s. Her bohemian lifestyle is part of the same system that underwrites free markets, consumerism, and tolerance for all sorts of offensive speech and alternative lifestyles. In other words, the liberty to be bohemian is a glorious result of the very capitalist reality that Powers says a real bohemian must be against.
Brian Doherty, “Rage On: The strange politics of millionaire rock stars”, Reason Online, 2000-10.
Update: Broken link fixed, thanks to “somercet1” for the heads-up.
