Michael Curtis on the renewed demands that the British government return the Elgin Marbles to Athens:
Some of the sculptures in the Elgin Marbles collection on display in the Duveen Gallery of the British Museum.
Photo by Paul Hudson via Wikimedia Commons.
The internecine wars in Washington, D.C., continue over government funding, a coronavirus relief bill, government shutdown, but on September 9, 2020 one form of political truce between Republicans and Democrats on foreign affairs was announced. Eighteen members of the U.S. Congress, bilateral members of the Congressional Caucus on Hellenic issues, including the chairs of the House Oversight and Rules committees, and Foreign Affairs subcommittee on issues relating to Europe, had written a letter to British Prime Minister Boris Johnson.
It informed him, in case he didn’t know, that the Elgin marbles, EM, had been the source of controversy among allies for many decades. The letter urged the British government, already saddled by labyrinth Brexit discussions, to negotiate with the Greek government in earnest over the return of the Elgin marbles to Greece by 2021, the 200th anniversary of the modern Greek nation. The eighteen Congress people joined other Americans intruding in British affairs. On September 16, 2020 both Joe Biden and Nancy Pelosi said there can be no US-UK trade deal if Brexit negotiations undermined the 1998 Good Friday peace agreement. However, the letter of the Congress group has raised the problem of the restitution of cultural objects taken from their country of origin.
Prime Minister Johnson does not need reminding that it was Thomas Bruce, Earl Elgin, British Ambassador to the Ottoman Empire, which included Greece, who took the marbles from the Parthenon in Athens, 1801-1805. The Parthenon, the central building of the Acropolis of Athens. was built around 488 B.C. to honor a goddess called Athena, and was at different times a Christian church and a mosque. The pillars and sculptures of the Parthenon were made of marble.
Elgin, with a passion for classical antiquities, made the case that the art works in the temples of Greece, then under Ottoman control would be destroyed because of Turkish indifference. Some had been destroyed in 1687 when the Venetians attacked Athens. The Sublime Porte granted Elgin’s request to take away pieces of stone with old inscriptions or figures. Perhaps this was gratitude for British action in blocking the advance of Napoleon in Egypt. Elgin took pediment sculptur friezes, metopes, and fragmented pieces from the walls of the Parthenon, and brought them to Britain. In 1816 he sold the sculptures to the British government which then sent them to the British Museum where they have remained.
Though the letter by the 18 members of Congress might be considered impertinent, it contained no threat of any kind but attempted to spark action on a disputed issue which has emotional appeal and symbolic importance, the presence of the Elgin marbles in the British Museum. In recent years the issue has been raised by officials of the European Union as well as by celebrated private citizens such as the actor George Clooney and his wife, and co-stars Bill Murray and Matt Damon, who while working on the 2014 film The Monuments Men, about art stolen by the Nazis, thought return of the Elgin marbles to Greece was the “right thing” to do.
The protection of history has always had some controversy. That said all we need look at is the Muslim’s and their propensity to destroy that which they deem blasphemous to see that Western civilization needs to keep a hand in preserving all forms of history without care or concern of its origin. Thankfully the West is secular enough to recognize that preserving all of history is worthwhile and not based on any religion. And let’s face it, just pay the Greeks off a bit again, they need the cash. Or alternatively threaten to charge them with storage and preservation fees, with interest.
Comment by Dwayne — September 29, 2020 @ 01:24
That used to be true, but in these suddenly progressive days when even non-political statues, plaques, and other forms of public art are under constant threat of being “cancelled”, it may not be true here any more. As even progressive heroes are revealed to have had feet of clay, and then move quickly into the cultural abattoir and down the memory hole they go…
Comment by Nicholas — September 29, 2020 @ 13:35