TimeGhost History
Published 27 Dec 2019Did you go to the cinema this holiday? Or binge a bit of streaming? D’you feel modern about it? You’d be wrong… Holiday movies is a tradition that goes back almost 125 years!
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Hosted by: Indy Neidell
Written by: Spartacus Olsson
Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Mikołaj Cackowski
Sound design: Marek KamińskiSources:
Mark Doliner https://flic.kr/p/oV46FY
Portrait of the Actress Carrie Fisher member of the jury in the 70 Edition of Venice International Film Festival 2013 by Riccardo GhilardiSoundtracks from Epidemic Sound:
Howard Harper-Barnes – “A Sleigh Ride Into Town”
Howard Harper-Barnes – “My Only Wish Is Love”
Mike Franklyn – “Christmas Bliss”
The Snowy Hill Singers – “It Was On A Christmas Night” (Instrumental Version)A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
December 28, 2019
Star Wars and the First Xmas Film – December 27th – TimeGhost of Christmas DAY 4
American railways are simultaneously world-beating and terrible
That’s because, as Sean Smith and Peter Earle point out, there are two very different entities running on America’s rails:
American railways are the envy of the world.
Many might shake a collective head at that statement. In the case of passenger rail that is an appropriate reaction. Since it was pieced together – a government-constructed Franken-rail system built of numerous bankrupt railways which were essentially nationalized – Amtrak has been a reliable money sink, losing tens of billions of dollars since 1970.
Any traveler that has used Amtrak to any significant extent has firsthand experience with the crumbling infrastructure, frequent delays, and general unpleasantness that accompanies U.S. passenger rail service. Even the oft-cited bright spot of Amtrak, the “high speed” Acela system (which shuttles between Boston and Washington D.C) pales in comparison when compared to high-end passenger rail systems in Western Europe, Japan, and China.
Bullet trains routinely travel at least 200 mph, whereas Acela trundles along at a pedestrian 84 mph, and there is no indication (and probably no intention) of that gap closing anytime soon.
U.S. passenger rail services in general are money-losing and antiquated versus their global counterparts, an inarguable (and to public transport proponents, embarrassing) fact. Passenger rail is just one part of the story, and serves as an excellent example of how not to manage a rail system. In fairness, efforts to turn Amtrak around (mainly through aggressive cost cutting) do seem to be having an impact, as current year losses total a shade under $30 million. It’s an admirable effort to be sure, but decades of losses, poor service, and general mismanagement cannot be ignored.
The U.S. freight railway system, conversely, is the envy of the world, and this is not hyperbole or chest thumping; the facts back it up. Since the Staggers Act of 1980, which deregulated freight rail, improvements have been substantial. U.S. freight railways carry 81% more ton-miles of freight, and costs have fallen 46%. (It isn’t common for an industry to increase its capacity by 81% while reducing costs by nearly half.) That level of success has even been noted by the Community of European Railway and Infrastructure Companies, which might be surprising, given the common assumption that Europe has a monopoly on rail excellence.
Compared side by side, it seems a conundrum: Amtrak limps along, still relying upon billions of dollars worth of taxpayer-financed subsidies, while U.S. freight railways evince growing profitability and capacity amid rapidly falling costs. Why are U.S. freight rails so profitable when U.S. passenger rail – sometimes traveling the same routes, on some of the same rails – remains a perennial money pit?
Shpagin’s Simplified Subgun: The PPSh-41
Forgotten Weapons
Published 15 Dec 2017http://www.patreon.com/ForgottenWeapons
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After making the decision to mass produce a submachine gun, the Soviet Union adopted the Degtyarev PPD-38 and PPD-40, but this design was too expensive for the huge scale of production that the USSR intended. A new design was needed, and was put into development almost as soon as the PPD was entering production.
Shpagin won the design competition with the PPSh-41, a weapon which required virtually no lathe work at all. It was assembled from a combination of heavy-gauge stampings and simple milled parts, and it fit the Soviet requirements quite well. Shpagin retained the high rate of fire and large drum magazines from the PPD, and even had a semiauto selector switch in his submachine gun, a bit unusual in a weapon intended for minimum expense.
The drum magazines proved to be the weak point of the design, being only somewhat interchangeable between weapons and being rather complex to manufacture as well as bulky to carry and fairly easy to damage. A 35-round box magazine was introduced later on which ameliorated some of these issues, although not all of them. The PPSh-41 would go on to be deemed itself too complex, and supplemented by the PPS-43 submachine gun, although it was never fully replaced during World War Two. In addition to Soviet service, it would be copied and manufactured by several other nations.
Thanks to Marstar for letting me examine and shoot their PPSh-41!
If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
QotD: The “missing” mass of the universe
For something to exist, it has to be observed.
For something to exist, it has to have a position in time and space.
And this explains why nine-tenths of the mass of the universe is unaccounted for.
Nine-tenths of the universe is the knowledge of the position and direction of everything in the other tenth. Every atom has its biography, every star its file, every chemical exchange its equivalent of the inspector with a clipboard. It is unaccounted for because it is doing the accounting for the rest of it, and you cannot see the back of your own head.*
Nine-tenths of the universe, in fact, is the paperwork.
* Except in very small universes.
Terry Pratchett, Thief of Time, 2001.