Quotulatiousness

March 26, 2018

Rick McGinnis on Jordan Peterson’s 12 Rules For Life: An Antidote to Chaos

Filed under: Books, Education, Religion — Tags: , , , , , — Nicholas @ 03:00

Peterson’s book and lecture series has been much in the news lately, so Rick McGinnis shares his thoughts, particularly about the message and intended audience for 12 Rules for Life:

It was probably inevitable that this sudden notoriety would create a demand for a book-length statement of principles from Peterson, and he obliged earlier this year with 12 Rules For Life: An Antidote to Chaos. Deceptively packaged as a self-help tome, the book expands on a series of postings Peterson made on Quora, a crowdsourcing website that, instead of asking for money, invites its readers to contribute answers to questions posed by other readers.

The book’s structure is straightforward; after sketching in the origin of the dozen precepts, he states them at the outset of each chapter, explains them in varying degrees of complexity with examples from his practice as a clinical psychologist, anecdotes from his own life or – and this is proving to be most tantalizing – ruminations on quotes from history, philosophy, mythology or (most often of all) the Bible.

On the surface, Peterson’s edicts for a good life are self-evident: Stand straight; Obey the Golden Rule; Choose your friends wisely; Set yourself reasonable expectations; Raise your children well; Don’t be a hypocrite; Cherish meaning; Don’t lie; Listen before you speak; Choose your words carefully; Let children fail so they learn to succeed; Be kind to animals.

But lest you think that short paragraph should save anyone the price of the book, it has to be understood that we are at least a generation, perhaps several, from the point where these commonsensical statements were known, understood or accepted by any sane adult. We are, at the end of a century of phenomenal technological advances and cataclysmic history, sorely in need of a book-length exposition on phrases that you’d once expect to find on needlework samplers.

Early on and quite often, Peterson comes across with butt-clenching dread as the smartest-man-in-the-room, laying out the stories behind the facts, culled from his years of reading and research, with the force and volume of a firehose. He relies heavily on evolutionary biology to explain our hardwired need to create and find our place in hierarchies, with examples that distill our endlessly troubling social responses to bluff, authority, and even violence down to chemical and neurological mechanisms set in place way back in time with far less complex creatures (a scenario that’s easily satirized as “we are all lobsters”).

It’s been observed – and confirmed by Peterson – that the ideal audience for his book is young people in general and young men in particular. As a former young man, I can attest that being told by a wise older man, clearly on your side but unwilling to sugar coat the facts, that the bully and the big-man-on-campus are better armed than you are to jockey for status and fulfillment – the alpha lobsters, waving their claws around to appreciable effect – is very much less than comforting. Peterson’s ideal audience will have to endure the climb up a very steep hill of biological determinism to reach the far more hospitable plateau beyond.

I’m not saying Peterson is wrong. From the perspective of an older man, I’ve seen this lobster battle played out too many times to deny its plausibility. But I’d be remiss if I didn’t suggest that the ideologies that he decries, imagining that there is no biological determinism – not even the binary division of gender – or even a landscape governed by measurable standards or objective truth, is far more appealing to young people raised to believe in an ever-expanding entitlement of “rights” and a pursuit of “justice” that needs to triumph above history or biology.

It’s when Peterson tries to explain the philosophical and even theological roots of our cultural systems that things might be rewarding, for both young and older readers. He has a core group of texts that he relies upon, with particular emphasis on Dostoyevsky and Solzhenitsyn on the modern side, and while he will evoke ancient mythology – the gods of Egypt make several appearances, though even he can’t overcome the essential strangeness of their myths – he reaps more rewardingly from the Bible, especially in one passage where he analyzes the difference between the Old and New Testament God.

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