In the Nineties, a change began to take place. Reviewers and interviewers started describing Flashman (and me) as politically incorrect, which we are, though by no means in the same way.
This is fine by me. Flashman is my bread and butter, and if he wasn’t an elitist, racist, sexist swine, I’d be selling bootlaces at street corners instead of being a successful popular writer.
But what I notice with amusement is that many commentators now draw attention to Flashy’s (and my) political incorrectness in order to make a point of distancing themselves from it.
It’s not that they dislike the books. But where once the non-PC thing could pass unremarked, they now feel they must warn readers that some may find Flashman offensive, and that his views are certainly not those of the interviewer or reviewer, God forbid.
I find the disclaimers alarming. They are almost a knee-jerk reaction and often rather a nervous one, as if the writer were saying: “Look, I’m not a racist or sexist. I hold the right views and I’m in line with modern enlightened thought, honestly.”
They won’t risk saying anything to which the PC lobby could take exception. And it is this that alarms me – the fear evident in so many sincere and honest folk of being thought out of step.
I first came across this in the United States, where the cancer has gone much deeper. As a screenwriter [at which Fraser was almost as successful as he was with the 12 Flashman novels; his best-known work was scripting the Three Musketeers films] I once put forward a script for a film called The Lone Ranger, in which I used a piece of Western history which had never been shown on screen and was as spectacular as it was shocking – and true.
The whisky traders of the American plains used to build little stockades, from which they passed out their ghastly rot-gut liquor through a small hatch to the Indians, who paid by shoving furs back though the hatch.
The result was that frenzied, drunken Indians who had run out of furs were besieging the stockade, while the traders sat snug inside and did not emerge until the Indians had either gone away or passed out.
Political correctness stormed onto the scene, red in tooth and claw. The word came down from on high that the scene would offend “Native Americans”.
Their ancestors may have got pie-eyed on moonshine but they didn’t want to know it, and it must not be shown on screen. Damn history. Let’s pretend it didn’t happen because we don’t like the look of it.
I think little of people who will deny their history because it doesn’t present the picture they would like.
My forebears from the Highlands of Scotland were a fairly primitive, treacherous, blood-thirsty bunch and, as Robert Louis Stevenson once wrote, would have been none the worse for washing. Fine, let them be so depicted, if any film maker feels like it; better that than insulting, inaccurate drivel like Braveheart.
The philosophy of political correctness is now firmly entrenched over here, too, and at its core is a refusal to look the truth squarely in the face, unpalatable as it may be.
George MacDonald Fraser, “The last testament of Flashman’s creator: How Britain has destroyed itself”, Daily Mail, 2008-01-05.
January 31, 2017
QotD: Parts of the “Wild West” we won’t see on TV or in the movies
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