This should be entertaining: not the film, the reactions to the announcement of a romantic remake of 1984:
The literary world is agog, reeling, aghast, at the news that Kristen Stewart is going to star in a romantic remake of 1984. You read that right. Romantic. Remake. 1984.
[…]
Anyway, the news has sent literary types into a flat spin. “THIS IS MY ROOM 101,” bellowed Chocolat author Joanne Harris on Twitter. “This is more chilling than ANYTHING actually in 1984,” said publisher Gollancz, adding: “Ministry of Truth announces ‘romantic adaptation’ of 1984. Then announces its own closure as there is nothing left for it to do.” And “just to finish my terrible mood off, I read this about one of my favourite books. *head implodes*,” tweeted author Sarah Pinborough.
Pinborough managed to find a bright spot, however — “I’m quite entertained by the thought of a million Twilight fans rushing out to buy 1984 after it”. Let’s hope she’s right — and literary Twitter has been cheering itself up by imaging how, exactly, this Orwellian romance will play out. Will Big Brother be overthrown? Will Winston and Julia’s love conquer all? And what about the rats — what place do they have in a love story of epic, epic, epic proportion?
H/T to Terry Teachout:
"Nineteen Eighty-Four," the romcom: http://t.co/z7njQe7rLH
— Terry Teachout (@terryteachout) January 15, 2014
Update, 20 January: “If you want a picture of the future, imagine Kristen Stewart stomping on your favorite book — forever.“
Those aghast at the news might also not have considered how well Kirsten Stewart can play an expressionless automaton.
Jokes aside, there is perhaps a legitimate silver lining to Hollywood interpreting the greatest anti-totalitarian novel of the 20th century as a romance.
The struggle against fascism and totalitarianism consumed most the 20th century. It was the defining conflict of Orwell’s life, and he dedicated most of his short time here to fighting it, both on the page and in the trenches as a militiaman in the Spanish Civil War.
By contrast, the youngest generation in the West, and even in former Eastern Bloc countries, has grown up in a post-Soviet world that has never faced a truly existential threat. They weren’t even born when the fearsome year of 1984 rolled around. (This probably explains the title change, because what tween Twilight fan wants to go see another ‘80s movie?)