Andrew Orlowski looks at the overwhelming legislative victory for the music industry in the UK:
Back in January, a senior music business figure explained to me that Clause 17, which gave open-ended powers to the Secretary of State, was unlikely to survive the wash-up. But he didn’t much care; the other sections which compelled the ISPs to take action against infringers were good enough. Anything else was a bonus – possibly even a distraction. Yet to the amazement of the music business, web blocking is now legislation.
I think this is a watershed in internet campaigning. It’s not just a tactical defeat, it’s a full-on charge of the light brigade, and the biggest defeat for internet freedom in the UK since it opened for business. I’ve spent time talking to legislators and protagonists, and concluded that it was avoidable. Much of the argument was already lost when the Bill was introduced last November, admittedly, but campaigners’ tactics made a bad situation worse. This explodes the idea — sometimes called the ‘Overton Window’ in the jargon — that by adopting an extreme position, you pull the centre ground your way. The digital rights campaigners forced waverers into the music business camp, and hardened their support for tougher measures against file sharers.
In the end, the BPI wiped the floor with the Open Rights Group.
