Like many Canadian teenage girls who came of age in the 1990s, I grew up on 2% milk, dime-store candy and tales of the occult. I was slightly too old for the Harry Potter craze, falling instead for Buffy the Vampire Slayer and films such as The Craft. One of my special favorites was Sabrina the Teenage Witch, an ABC series about a magical American teenager who lives with her 500-year-old aunts and a talking cat.
Witchcraft fascinated me. When girls reach that liminal time between child and woman, our bodies transform — and, with them, our sense of control. It’s a strange thing to go from being cosseted and encouraged to desired and despised. It feels a little like dark magic — though not the kind one can control. Unless, of course, you are a witch.
Like the magical artifacts Harry Potter is always stumbling upon, witchcraft offers power. It promises a way to re-shape the world to a girl’s advantage, to gain freedom from parents, to toy with boys’ hearts while numbing one’s own. Male magic fantasies tend to be centred around power and combat — with lightning perpetually emanating from wands and fingertips into the chests of adversaries blown backwards. However, the sort of witchcraft that interests me is more subtle, and sometimes passes unseen. (In real life, such powers originate in sex — but it takes time for a girl to learn that.) It’s no coincidence that the world of witchcraft becomes a dark mirror of our society, reflecting the dispositions and paranoias of our times. When times are good, the witch is portrayed as a benign, bubbly figure; when they are not, the witch becomes malevolent and dark, in line with medieval lore.
Jen Gerson, “Sabrina the Woke Witch is a Disgrace to Baphomet”, Quillette, 2018-11-26.
July 13, 2021
QotD: Girls and witchcraft
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