Protest-theatre is a creation of the political left, which uses it in an attempt to endow quotidian political fights with the dignity and importance of genuine popular struggles for fundamental rights. It is designed to endow debates over teacher pensions or hydraulic fracturing with the hysterical romance of revolution. In some cases, it is meant only to show that a movement is numerous enough to make trouble for own its sake.
It is, in other words, a form of cheap stakes-raising, with just a whisper of possible mob violence thrown in. The right, organized in this instance by Ezra Levant’s Rebel Media web-channel, is now borrowing the tactic. This was one of the Copernican political discoveries of the late Trump presidential campaign: a right-wing populist, if Trump is that, can use protest-theatre too.
The “lock her up” chant in Alberta’s capital was a sort of mangled, improvised collective allusion to Trump, whose crowds had chanted this about Hillary Clinton. They did that because Hillary Clinton has done a certain amount of stuff in her long political career that she probably could have been locked up for. I am not aware that this can be said of Premier Notley. She may have done unwise things, and has definitely made some inexplicable political errors, and may even have pursued unethical policies. But she has done it in legally legitimate ways, and her ministry has yet to face a major scandal in the traditional sense — an event that would have a reasonable person asking if the cops should be called.
Colby Cosh, “After the ‘lock her up’ fiasco, it seems Canada is fresh out of grown ups”, National Post, 2016-12-07.
December 9, 2016
QotD: Protest-theatre in Alberta
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