In Maclean’s, Colby Cosh explains that the future of classical music may well lie in the ballpark:
The Colorado Rockies have commissioned and recorded a theme song from composer Charles Denler, creator of introductory music for Oprah and NBC’s Dateline. According to the Denver Business Journal, the new Rockies theme, “Take the Field”, will come with multiple versions for particular game situations.
Denler, who has a trunkful of TV and film soundtracks to his credit, said some 80 members of [the Colorado Symphony] recorded “a big ‘Star Wars’-y variation and a very serious, pensive, we’re-going-to-make-it-through-this variation, and the main theme, which is very upbeat and very aggressive in a good sportsman kind of way.”
It is hard to hear of this idea without reflecting on the fact that orchestral and big-band music is a killer app of Western civilization, but one whose frontline practitioners, in the form of regional orchestras, are said to be in a state of permanent crisis. Sports fans love Sam Spence’s lumbering NFL Films soundtracks and still wriggle orgiastically at the sound of “Brass Bonanza”. There would appear to be space for creative enterprise here: I wonder, for example, if Mr. Denler’s contract would allow him to sell a full-on three-movement Rockies Symphony once his main theme becomes familiar to fans. Different variations for different game situations is a good idea, but perhaps only a first step; maybe each inning should have its own theme? Individual players represented by their own Wagnerian motifs?
