Patrick Hayes reviews the autobiography (draft) recently published against the wishes of the author:
The folks at publishing house Canongate must have thought they’d hit the jackpot when they secured the rights to the memoirs of the person whom the Guardian had compared to Nelson Mandela and Mother Teresa. The so-called ‘spectral’ Wikileaks founder Julian Assange, apparently living the life of Jason Bourne, was to give an unprecedented glimpse into his formative years as a freedom fighter and the events that led him to found Wikileaks, the whistleblowers’ website. Hollywood wanted in, as did dozens of leading publishers around the world. Even better, Assange’s book was to be ‘part memoir, part manifesto’ — something like A Long Walk to Freedom and the Communist Manifesto rolled into one. What could go wrong?
Pretty much everything, that’s what. In a matter of months, the liberal commentariat fell out of love with the silver-haired whistleblower extraordinaire. The oft-dubbed Silver Fox had proved to be a skunk and the Guardian, the New York Times and Der Spiegel, which had all secured deals to publish Wikileaks material, couldn’t distance themselves fast enough from him. Fevered speculation about who would play Assange in an upcoming movie — Neil Patrick Harris? Paul Bettany? Bill Hader? Tilda Swinton? — abruptly stopped. Not only that, but Assange, who seemed to have only reluctantly agreed to pen the book in order to cover legal fees, bolted midway through the project, declaring ‘All memoir is prostitution’.
However, Assange no longer had his advance, so he couldn’t break the contract and, to recoup costs, Canongate went ahead and published a draft anyway, billing it as an ‘Unauthorised Autobiography’. On publication day last week, Assange revealed that the title itself was a half-truth, announcing that he had not written a word of the book himself. Instead, it had been ghost-written by novelist Andrew O’Hagan, who was reportedly given £100,000 to write up 50 hours of interviews that he’d conducted with Assange. Many biographers spend a lot more time interviewing their subjects.
