Turow, along with Authors Guild executive director Paul Aiken and Authors Guild board member (and apparent Shakespeare expert) James Shapiro, have an op-ed piece in the NY Times that a whole bunch of you have been sending in, in which they assert that Shakespeare might not have been able to survive the web era, because of all of this “piracy.” The argument is quite a bit stretched, but see if you can follow me: because playwrights had physical scarcity, in that they could keep people out of the playhouses unless people paid to enter, it allowed playwrighting to flourish. They call this a “cultural paywall.” Then there’s some sort of bizarre leap about how copyright is really the same thing. It’s not. And, then it leaps to something about how stricter copyright laws are, ipso facto, better. The evidence for this? Shhhh, don’t bother the Authors Guild bosses with logic! And, of course, the inevitable punchline is the idea that Shakespeare wouldn’t have survived in this online era with all this piracy and stuff.
Of course, it’s difficult to think of a worse example than Shakespeare for this argument (and sort of bizarre that Shapiro would sign off on an op-ed that so thoroughly misrepresents Shakespeare). Of course, as most of you know, an awful lot of Shakespeare’s works are copies (sometimes directly) of earlier works. Sometimes they’re derivative, but other times, he copied wholesale from others. So the bigger question might not be if Shakespeare could survive all the file sharing going on today, but whether or not he’d be able to produce any of his classic works, since they’d all be tied up in lawsuits over copyright infringement.
Mike Masnick, “Would Shakespeare Have Survived Today’s Copyright Laws?”, Techdirt, 2011-02-18
February 19, 2011
QotD: “Would Shakespeare Have Survived Today’s Copyright Laws?”
1 Comment
RSS feed for comments on this post.
Sorry, the comment form is closed at this time.
Shakespeare survived without any copyright laws.
Comment by Flea — February 21, 2011 @ 12:03