{"id":87218,"date":"2024-05-19T02:00:48","date_gmt":"2024-05-19T06:00:48","guid":{"rendered":"https:\/\/quotulatiousness.ca\/blog\/?p=87218"},"modified":"2024-02-07T13:34:27","modified_gmt":"2024-02-07T18:34:27","slug":"rush-meets-looney-tunes","status":"publish","type":"post","link":"https:\/\/quotulatiousness.ca\/blog\/2024\/05\/19\/rush-meets-looney-tunes\/","title":{"rendered":"Rush Meets LOONEY TUNES???"},"content":{"rendered":"<p align=\"center\"><iframe loading=\"lazy\" width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/HDzSpLc5mRM?si=MgNntvVQ-QCqb1Ht\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<blockquote><p><strong>pdbass<\/strong><br \/>\nPublished Jan 4, 2024<\/p>\n<p>Remember that time Rush worked music from cartoons into one of their greatest recordings? <\/p>\n<p>Digging into &#8220;La Villa Strangiato&#8221; from 1978&#8217;s <em>Hemispheres<\/em>, breaking down Geddy Lee&#8217;s wicked bass solo (and its Jazz connections) and showing you how pianist\/composer Raymond Scott will always be linked to this iconic prog rock instrumental.<br \/>\n<!--more--><\/p>\n<p>Website &#8211; <a href=\"http:\/\/www.paulthompson.us\" rel=\"noopener\" target=\"_blank\">http:\/\/www.paulthompson.us<\/a><br \/>\nInstagram @pdbass74<br \/>\nTwitter @pdbass74<\/p>\n<p>#bass #basshistory #transcription #analysis #paulthompson\n<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>pdbass Published Jan 4, 2024 Remember that time Rush worked music from cartoons into one of their greatest recordings? Digging into &#8220;La Villa Strangiato&#8221; from 1978&#8217;s Hemispheres, breaking down Geddy Lee&#8217;s wicked bass solo (and its Jazz connections) and showing you how pianist\/composer Raymond Scott will always be linked to this iconic prog rock instrumental.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[6,7,28,13],"tags":[349,200,915,772],"class_list":["post-87218","post","type-post","status-publish","format-standard","hentry","category-cancon","category-history","category-media","category-usa","tag-jazz","tag-music","tag-progrock","tag-rush"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2hpV6-mGK","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/quotulatiousness.ca\/blog\/wp-json\/wp\/v2\/posts\/87218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quotulatiousness.ca\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quotulatiousness.ca\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quotulatiousness.ca\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/quotulatiousness.ca\/blog\/wp-json\/wp\/v2\/comments?post=87218"}],"version-history":[{"count":1,"href":"https:\/\/quotulatiousness.ca\/blog\/wp-json\/wp\/v2\/posts\/87218\/revisions"}],"predecessor-version":[{"id":87219,"href":"https:\/\/quotulatiousness.ca\/blog\/wp-json\/wp\/v2\/posts\/87218\/revisions\/87219"}],"wp:attachment":[{"href":"https:\/\/quotulatiousness.ca\/blog\/wp-json\/wp\/v2\/media?parent=87218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quotulatiousness.ca\/blog\/wp-json\/wp\/v2\/categories?post=87218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/quotulatiousness.ca\/blog\/wp-json\/wp\/v2\/tags?post=87218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}