Published on 22 Apr 2017
In this week’s episode, Indy talks about flamethrower units, the handling of war prisoners and different types of artillery fuses.
April 22, 2017
April 10, 2017
Published on Mar 29, 2016
Othais and Mae delve into the story of this WWI classic. Complete with history, function, and live fire demonstration.
C&Rsenal presents its WWI Primer series; covering the firearms of this historic conflict one at a time in honor of the centennial anniversary. Join us every other Tuesday!
Capacity: 1 rnd
weight: 37.7 lbs
Das Tankgewehr Mauser M 1918
DWJ – 1972 – Volume 4
Die Panzerbuchse 18
K. D. Meyer
March 21, 2017
Streamed live 9 hours ago
Othais’ channel: https://www.youtube.com/candrsenal
In our series about the rifles and pistols today, Othais got his hands on the standard issue rifles and pistols of the British Army in World War One.
March 11, 2017
The Services should just acknowledge the reality of contracting anything in the seven-figure realm, and change initial award announcements to read: “The Initial Conditional Award of Contract XYZ is to Defense Conglomerate 1369. Work will commence after all Congressional Outraged Publicity-Seeking Posturing is exhausted and Butthurt Losing Contractor Challenges are adjudicated. We hope to run both those actions concurrently, and anticipate work will commence a minimum of 3-5 years behind schedule and costs grow at an exponential rate during this period, hence the budget supplemental is already in draft form for Newsies, Think Tanks, and Outraged Congresspersons to grind axes with.” Added caveat for this particular contract: “Additionally, a website has been established to collect all the comments from .40/.45 cal and steel-frame fanboyz to rant about How Stupid This Choice Is.”
John Donovan, posting to Facebook, 2017-02-28.
February 26, 2017
Published on 25 Feb 2017
Indy sits in a French Chair this time and answers your questions about World War 1. This week we talk about the German disc grenades and the heroes that were celebrated in Austria-Hungary.
January 23, 2017
Published on 13 Oct 2015
Covering some of the same territory is my post on British battleship design from the end of the Napoleonic era to the 1880s.
December 6, 2016
Published on 5 Dec 2016
Indy is sitting int he chair of madness again and answers all your questions about the First World War. This week we talk about the Belgians and Hand Grenades.
November 27, 2016
Published on 26 Nov 2016
Another exciting episode of Out of the trenches this time featuring questions about German anti tank tactics, night combat, the detection of enemy aircraft prior to radar and more.
November 20, 2016
M. Harold Page, guest-posting at Charles Stross’s blog:
Little Harry blinks at me through his heavy Sellotaped glasses. “What’s that for?”
“It’s a submachine gun,” I say. “It fires lots of bullets.” I mime. “Bang bang bang!”
I’m helping out on a school trip. Normally I avoid volunteering – it’s too easy for self employed parents to end up as the school’s go-to. However this visit is to Edinburgh Castle and my daughter Morgenstern was very keen I should put in a showing…
So here I am helping to herd 5-year olds through the military museum. Morgenstern is nowhere in sight, but little Harry has latched onto me.
“Oh,” says Harry. He copies my mime and sprays the room. “Bang bang bang bang bang bang bang bang bang bang bang bang bang.”
“Not like that,” I say. “Three round bursts or you’ll run out of bullets. Plus the thing pulls up.” I mime. “So like this: Bang bang bang!… Bang bang bang!”
Solemnly, Harry discharges three imaginary bullets. “Bang bang bang!”
“Right,” I say, “Now, the other side have guns too. You have to use cover… better if you have a hand grenade, of course.”
His blue eyes widen. “What’s a hand grenade?”
So together we have a great time clearing each gallery with imagined grenade, automatic fire and bayonet.
Later on the way back to the bus Harry says, “My Daddy says wars are bad because people get killed…”
Yes, I had in fact spent the afternoon teaching (my best recollection of) World War Two house clearing tactics to the son of a local clergyman and peace activist.
November 9, 2016
Published on 8 Nov 2016
All about the Carcano Carbine on C&Rsenal: https://www.youtube.com/watch?v=mG3-i…
In our last live stream with Othais we talked about the Italian rifles and pistols of WW1. This is the slightly edited version in which we focus on the rifles. Check out Othais’ channel for more details.
October 25, 2016
I expected to enjoy Dr. William Short’s Viking Weapons and Combat Techniques (Westholme Publishing, 2009, ISBN 978-1-59416-076-9), and I was not disappointed. I am a historical fencer and martial artist who has spent many hours sparring with weapons very similar to those Dr. Short describes, and I have long had an active interest in the Viking era. I had previously read many of the primary saga sources (such as Njal’s Saga Egil’s Saga, and the Saga of Grettir the Strong) that Dr. Short mines for information on Viking weaponscraft, but I had not realized how informative they can be when the many descriptions of fights in them are set beside each other and correlated with the archeological evidence.
For those who don’t regularly follow my blog, my wife Cathy and I train in a fighting tradition based around sword and shield, rooted in southern Italian cut-and-thrust fencing from around 1500. It is a battlefield rather than a dueling style. Our training weapons simulate cut-and-thrust swords similar in weight and length to Viking-era weapons, usually cross-hilted but occasionally basket-hilted after the manner of a schiavona; our shields are round, bossless, and slightly smaller than Viking-era shields. We also learn to fight single-sword, two-sword, and with polearms and spears. The swordmaster’s family descended from Sicilo-Norman nobles; when some obvious Renaissance Italian overlays such as the basket hilts are lain aside, the continuity of our weapons with well-attested Norman patterns and with pre-Norman Viking weapons is clear and obvious. Thus my close interest in the subject matter of Dr. Short’s book.
Dr. Short provides an invaluable service by gathering all this literary evidence and juxtaposing it with pictures and reconstructions of Viking-age weapons, and with sequences of re-enactors experimenting with replicas. He is careful and scholarly in his approach, emphasizing the limits of the evidence and the occasional flat-out contradictions between saga and archeological evidence. I was pleased that he does not shy from citing his own and his colleagues’ direct physical experience with replica weapons as evidence; indeed, at many points in the text, .the techniques they found by exploring the affordances of these weapons struck me as instantly familiar from my own fighting experience.
Though Dr. Short attempts to draw some support for his reconstructions of techniques from the earliest surviving European manuals of arms, such as the Talhoffer book and Joachim Meyer’s Art of Combat, his own warnings that these are from a much later period and addressing very different weapons are apposite. Only the most tentative sort of guesses can be justified from them, and I frankly think Dr. Short’s book would have been as strong if those references were entirely omitted. I suspect they were added mostly as a gesture aimed at mollifying academics suspicious of combat re-enactment as an investigative technique, by giving them a more conventional sort of scholarship to mull over.
Indeed, if this book has any continuing flaw, I think it’s that Dr. Short ought to trust his martial-arts experience more. He puzzles, for example, at what I consider excessive length over the question of whether Vikings used “thumb-leader” cuts with the back edge of a sword. Based on my own martial-arts experience, I think we may take it for granted that a warrior culture will explore and routinely use every affordance of its weapons. The Vikings were, by all accounts, brutally pragmatic fighters; the limits of their technique were, I am certain, set only by the limits of their weapons. Thus, the right question, in my opinion, is less “What can we prove they did?” than “What affordances are implied by the most accurate possible reconstructions of the tools they fought with?”.
As an example of this sort of thinking, I don’t think there is any room for doubt that the Viking shield was used aggressively, with an active parrying technique — and to bind opponents’ weapons. To see this, compare it to the wall shields used by Roman legionaries and also in the later Renaissance along with longswords, or with the “heater”-style jousting shields of the High Medieval period. Compared to these, everything about the Viking design – the relatively light weight, the boss, the style of the handgrip – says it was designed to move. Dr. Short documents the fact that his crew of experimental re-enactors found themselves using active shield guards (indistinguishable, by the way from my school’s); I wish he had felt the confidence to assert flat-out that this is what the Vikings did with the shield because this is what the shield clearly wants to do…
Eric S. Raymond, “Dr. William Short’s ‘Viking Weapons and Combat’: A Review”, Armed and Dangerous, 2009-08-13.
October 23, 2016
Published on 22 Oct 2016
Start your free trial of the Great Courses Plus at: http://ow.ly/KUvh30491YZ
Indy is sitting int he chair of wisdom again and answers all your questions about the First World War. This week we talk about technical and tactical innovation, pals battalions and the German officers in the Ottoman Army.
October 2, 2016
Published on 1 Oct 2016
In this slightly shorter episode, Indy talks about indirect machinegun-fire and welfare facilities for children.
September 25, 2016
Published on 24 Sep 2016
Sitting in the Chair of Temporary Insanity, Indy talks about Galicia’s big role in war on Location, if Pilots were issued guns, and a story from a viewers great grandpa.
September 17, 2016
… the movie is seriously anti-historical in one respect; we are supposed to believe that traditionalist Samurai would disdain the use of firearms. In fact, traditional samurai loved firearms and found them a natural extension of their traditional role as horse archers. Samurai invented rolling volley fire three decades before Gustavus Adolphus, and improved the musket designs they imported from the Portuguese so effectively that for most of the 1600s they were actually making better guns than European armorers could produce.
But, of course, today’s Hollywood left thinks firearms are intrinsically eeeevil (especially firearms in the hands of anyone other than police and soldiers) so the virtuous rebel samurai had to eschew them. Besides being politically correct, this choice thickened the atmosphere of romantic doom around our heroes.
Another minor clanger in the depiction of samurai fighting: We are given scenes of samurai training to fight empty-hand and unarmored using modern martial-arts moves. In fact, in 1877 it is about a generation too early for this. Unarmed combat did not become a separate discipline with its own forms and schools until the very end of the nineteenth century. And when it did, it was based not on samurai disciplines but on peasant fighting methods from Okinawa and elsewhere that were used against samurai (this is why most exotic martial-arts weapons are actually agricultural tools).
In 1877, most samurai still would have thought unarmed-combat training a distraction from learning how to use the swords, muskets and bows that were their primary weapons systems. Only after the swords they preferred for close combat were finally banned did this attitude really change. But, hey, most moviegoers are unaware of these subtleties, so there had to be some chop-socky in the script to meet their expectations.
One other rewriting of martial history: we see samurai ceremoniously stabbing fallen opponents to death with a two-hand sword-thrust. In fact, this is not how it was done; real samurai delivered the coup de grace by decapitating their opponents, and then taking the head as a trophy.
No joke. Head-taking was such an important practice that there was a special term in Japanese for the art of properly dressing the hair on a severed head so that the little paper tag showing the deceased’s name and rank would be displayed to best advantage.
While the filmmakers were willing to show samurai killing the wounded, in other important respects they softened and Westernized the behavior of these people somewhat. Algren learned, correctly, that ‘samurai’ derives from a verb meaning “to serve”, but we are misled when the rebel leader speaks of “protecting the people”. In fact, noblesse oblige was not part of the Japanese worldview; samurai served not ‘the people’ but a particular daimyo, and the daimyo served the Emperor in theory and nobody but themselves in normal practice.
Eric S. Raymond, “The Last Samurai”, Armed and Dangerous, 2003-12-15.