Quotulatiousness

March 1, 2024

Understanding the modern media

It’s hard for Baby Boomers and even some older Gen X folks to grasp just how much the mainstream media has changed since the 1960s and 70s. Helpfully, Severian provides the context to properly understand what drives them and why they do the things they do:

Proposed coat of arms for Founding Questions by “urbando”.
The Latin motto translates to “We are so irrevocably fucked”.

There is no local news, because all “news” is Apparat audition tape. Back when — back when they were called “reporters” — news people had a clear career progression within a specific industry. A hungry young reporter for the Toad Suck, Nebraska, Times-Picayune might end his days as a reporter for the New York Times or Washington Post, but that was as high as he could reasonably expect to go. Same with the television division — the bobblehead at WSUX in Toad Suck might end up, at most, on CNN or Fox.

These days, though, they call themselves “journalists”, and “journalist” is just an entry-level Apparat post. They’re not just auditioning for the NYT or CNN, of course. A hungry young “journalist” might end xzhyr career at either, of course, but also as a corporate communications director, a political campaign consultant, a professor of “journalism”, a Diversity Outreach Coordinator, any one of a million “Media strategies” and “Media consulting” gigs … or, of course, as an outright lobbyist, because all of those are just euphemisms for “lobbying” anyway.

And that’s before you consider that all the “independent” papers and stations have been bought up by huge conglomerates, and depend on advertising revenue. Noam Chomsky was right — the Media does dance to the tune its corporate paymasters’ call. He was just wrong on those paymasters’ political orientation. Combine all that, and even the most straight-up, just-the-facts-ma’am local “news” story will find some way to insert The Sermon. If you don’t see The Sermon, you’ve either found an incompetent journalist (which happens) … or you might be looking at something subtle.

[…]

The Media, like Skynet, is self-aware. This significantly complicates the stoyachnik‘s task, as The Media understands its own power, and it increasingly wants to drive Narratives itself, especially as its power is on the verge of… well, not collapse exactly, but certainly a sea change. Because The Media is not monolithic, and that’s part of its self-awareness. So many “journalists” do nothing but hit refresh on Twitter all day, and Twitter knows this — that makes Twitter the real power broker. Google, too, obviously is more self-aware than traditional Media. That ludicrous AI image generator represents years of effort; they expended enormous resources to get precisely that result. They understand how utterly dependent the lower layers of The Media are on them; they are more self-aware.

Let us […] use Google’s own AI “summarizer” to refamiliarize ourselves with the tale of Comrade Ogilvy:

    Comrade Ogilvy is an imaginary character in the novel 1984, created by Winston Smith to replace Comrade Withers, an Inner Party member who has fallen into disgrace and been vaporized. Comrade Ogilvy supposedly lived a patriotic and virtuous life, supported the party as a child, designed a highly effective hand grenade as an adult, and died in action at the age of 23 while protecting important dispatches for his country. He did not drink or smoke, was celibate, and only conversed about Party philosophy, Ingsoc. Comrade Ogilvy displays how easy it is for a member of The Party to be pulled from thin air, and how determined The Party is to keep unpersons from the media.

The Apparatchiks at Google are more self-aware than the Apparatchiks at, say, the New York Times. That is, they understand their place in the Apparat better, and see the networks more clearly. They know how mal-educated “journalists” are, far better than the “journalists” themselves do. Google, like Winston Smith, knows full well that there’s no Comrade Ogilvy. But the “journalists” at the New York Times who are utterly reliant on Google for their “facts” do NOT know this. How could they?

And thus, the only White people in all of human history were Nazis. At least according to Google’s AI image generator, and therefore — soon enough — it’s what “everybody knows”. (And it’s necessarily recursive. The second generation of Google engineers will not know there’s no Comrade Ogilvy, any more than the current generation of “journalists” does).

February 16, 2024

“Someone implying that being blocked on Twitter is somehow a violation of their free speech is the fastest way you can tell people you don’t understand free speech”

Filed under: Books, Liberty, Media, Technology — Tags: , , — Nicholas @ 03:00

Andrew Doyle likes being able to block other users from polluting his social media experience, and explains that “free speech” does not grant anyone a guaranteed audience:

How do we argue with those who are incapable of argumentation? This is a question I’ve been grappling with for some time. If your child is demanding sweets before dinner, screaming like a banshee and committing various acts of domestic vandalism, you have few options. You might attempt to initiate a debate, outlining the pros and cons of ingesting unhealthy food in advance of a nutritious meal, but this strategy will invariably fail. In the end, you’ll just have to tell the little brat to shut up and do what he’s told. Or, better still, avoid having children in the first place.

Many of us will have experienced something similar on Twitter (or X, if you insist). Something about the platform has the effect of curdling the sweetest Dr Jekylls into the most repugnant of Mr Hydes. And when someone just bleats insults, or mischaracterises your views, or generally cannot engage in good faith, the best thing to do is to block them. You don’t owe anyone your time and attention, and you’ll only drive yourself insane trying to reason with the unreasonable. Most clever adages end up being attributed to Mark Twain whether he wrote them or not, and this one is no exception: “Never wrestle with a pig; you just get dirty and the pig enjoys it”.

One of the best things about withdrawing from Twitter is that I am no longer bombarded by complaints that my blocking people on the platform proves that my commitment to free speech is inauthentic. The typical tactic is to screenshot the cover of my book Free Speech and Why It Matters as a kind of “gotcha” to illustrate my hypocrisy. And while I am grateful for the publicity, it does get rather tedious having to explain this most common and basic of misapprehensions. The podcaster Stephen Knight put it rather succinctly: “Someone implying that being blocked on Twitter is somehow a violation of their free speech is the fastest way you can tell people you don’t understand free speech”. Instead of smugly posting images of my book, perhaps they ought to read it instead.

In a surreal twist, my blocking habits on Twitter recently made the news. Just after Christmas, an article by Pierra Willix was published in the Metro with the headline: “Confusion as GB News presenter who champions ‘free speech’ blocks critics”. In truth, I have never blocked anyone for polite criticism; I welcome it. And while it goes without saying that nobody expects factual accuracy from the Metro, we should be concerned that an individual who aspires to make a living in journalism does not appear to understand the concept of free speech.

Willix has fallen for what Helen Pluckrose and James Lindsay have called “the fallacy of demanding to be heard“. They make the point that just as freedom of religion incorporates freedom from religion, the right to speak and listen also entails the right not to speak and listen. If you’ve ever received an unwelcome phone call and hung up, you have not impeded on the caller’s rights. If you choose not to read my books, I cannot claim to have been censored. If you block someone on social media, all it means is that you’re not interested in what they’ve got to say. I’ve been blocked by hundreds of people online and, although this clearly reflects poorly on their taste and judgement, my freedom of speech remains intact.

December 9, 2023

The coming Micro-Macro culture war … and who’s going to win it

Filed under: Business, Economics, Media, Technology, USA — Tags: , , , , , , , , — Nicholas @ 05:00

Ted Gioia outlines the dismal state of the “macro” culture — television, movies, newspapers, book publishing and all the big corporations that control them — with the dynamism of the “micro” culture:

In the beginning, all culture was microculture.

You knew what was happening in your tribe or village. But your knowledge of the wider world was limited.

So you had your own songs and your own stories. You had your own rituals and traditions. You even had your own language.

But all these familiar things disappeared when you went off into the world. That was dangerous, however. That’s why only heroes, in traditional stories, go on journeys.

You learn on the journey. But you might not survive.

But all that changed long before I was born.

In my childhood, everything was controlled by a monoculture. There were only three national TV networks, but they were pretty much the same.

    When I went to the office, back then, we had all watched the same thing on TV the night before. We had all seen the same movie the previous weekend. We had all heard the same song on the radio while driving to work.

The TV shows were so similar that they sometimes moved from CBS to NBC, and you never noticed a change. The newscasters also looked pretty much the same and always talked the same — with that flat Midwestern accent that broadcasters always adopted in the US.

The same monoculture controlled every other creative idiom. Six major studios dominated the film business. And just as Hollywood controlled movies, New York set the rules in publishing. Everything from Broadway musicals to comic books was similarly concentrated and centralized.

The newspaper business was still local, but most cities had 2 or 3 daily newspapers — and much of the coverage they offered was interchangeable. Radio was a little more freewheeling, but eventually deregulation allowed huge corporations to acquire and standardize what happened over the airwaves. [NR: I suspect the “freewheeling” went away once the government started imposing regulations, and the corporate consolidation was enabled when they “deregulated” the radio licensing regime several decades later.]

When I went to work in an office, back then, we had all watched the same thing on TV the night before. We had all seen the same movie the previous weekend. We had all heard the same song on the radio while driving to work.

And that’s why smart people back then paid attention to the counterculture.

The counterculture might be crazy or foolish or even boring. But it was still your only chance to break out of the monolithic macroculture.

Many of the art films I saw at the indie cinema were awful. But I still kept coming back — because I needed the fresh air these oddball movies provided. For the same reason, I read the alt weekly newspapers and kept tabs on alt music.

In fact, whenever I saw the word alt, I paid attention.

That doesn’t mean that I hated the major TV networks, or the large daily newspaper, or 20th Century Fox. But I craved access to creative and investigative work that hadn’t been approved by people in suits working for large organizations.


The Internet should have changed all this. And it did — but not much. Even now the collapse in the monoculture is still in its early stages.

But that’s about to change.

If you don’t pay close attention, the media landscape seems pretty much the same now as it did in the 1990s. The movie business is still controlled in Hollywood. The publishing business is still controlled in New York. The radio stations are still controlled by a few large companies. And instead of three national TV networks plus PBS, we have four dominant streaming platforms — who control almost 70% of the market.

So we still live in a macro culture. But it feels increasingly claustrophobic. Or even worse, it feels dead.

Meanwhile, a handful of Silicon Valley platforms (Google, Facebook, etc.) have become more powerful than the New York Times or Hollywood studios or even Netflix. It’s not even close — the market capitalization of Google’s parent Alphabet is now almost ten times larger than Disney’s.

But here’s the key point — these huge tech companies rely on the microculture for their dominance.

Where is Facebook without users contributing photos, text and video? Where is Google’s YouTube without individual creators?

In terms of economic growth or audience capture, the microculture has already won the war. But it doesn’t feel that way.

Why not?

First and foremost, Silicon Valley is a reluctant home for the microculture. To some extent Alphabet and Facebook are even going to war with microculture creators — they try to make money with them even while they punish them.

  • So Mark Zuckerberg needs creators, but won’t even let them put a live link on Instagram and limits their visibility on Facebook and Threads.
  • Alphabet needs creators to keep YouTube thriving, but gives better search engine visibility to total garbage that pays for placement.
  • Twitter also claims it wants to support independent journalists — but if you’re truly independent from Elon Musk, your links are brutally punished by the algorithm.

This tension won’t go away, and next year it will get worse. The microculture will increasingly find itself at war with the same platforms they rely on today.

And legacy media and non-profits are even more hostile to emerging media. Go see who wins Pulitzer Prizes, and count how many journalists on alternative platforms get honored.

I’ll save you the trouble. They don’t.

December 2, 2023

NATO’s Ostfront

Filed under: Europe, History, Military, Russia, USA — Tags: , , , — Nicholas @ 03:00

CDR Salamander doesn’t like the misunderstandings that cause commentators to identify NATO’s primary (but thankfully not militarily active) front as a “flank”:

For those who follow me on twitter/X, you are quite familiar with the meme I’ve been posting since long before the Russo-Ukrainian War, all the way back to at least 2018.

This misuse of the King’s English soon became a bur under my saddle as this error continued to be made. Seeing a trend, the following meme was generated by a friend;

This is not a new problem, and I know exactly where it comes from. In my years as a NATO Staff Officer, it did not take long to notice a twitch in the eye of many, not only Germans, to the mention of an “Eastern Front”. It seems silly, and in the 21st Century is it, but it is a reality.

I refused to play along. Yes, I understand how a very few highly emotional people can’t let go of their grandfather’s nightmares, but it is time for the adults in the room to just go around them. Anyway, this is the English language, and while there were French and Walloon Waffen SS units along with Hungarians, Romanians, Italians, and a few volunteer Spanish and others now on the NATO bench that fought on the Eastern Front in WWII, it doesn’t have the same impact with them as we don’t discuss such things in polite company.

Eastern Front, Front de l’Est, or Ostfront, we should all have moved along. History — and proper military terminology — have been around for centuries. In any event, it doesn’t bother the Russians one way or the other and you are fooling yourself if you think it does.

The use of “Eastern Flank” instead of “Front” where referring to real military threat to NATO, the Russian Federation, is just childish.

October 18, 2023

The greatest sin of Twit-, er, I mean “X” is that it allowed us hoi polloi to peek behind the curtains of governments, universities, and major corporations

The latest book review at Mr. and Mrs. Psmith’s Bookshelf begins with a brilliant explanation for the coming fall of western civilization at the hands of Twit-, er, I mean “X”:

The greatest gift bestowed by admittance to elite institutions is that you stop being overawed by them. For instance, there was a time when upon hearing “so-and-so is a Rhodes Scholar”, I would have assumed that so-and-so was a very impressive person indeed. Nowadays I know quite a lot of former Rhodes Scholars, and have seen firsthand that some of them are extremely mediocre individuals, so meeting a new one doesn’t phase me much. My own cursus honorum through America’s centers of prestige has been slow and circuitous, which means I’ve gotten to enjoy progressive disenchantment with the centers of power. Trust me, you folks aren’t missing much.

I have a theory that this is why Twitter has been so destabilizing to so many societies, and why it may yet be the end of ours. Twitter offers a peek behind the curtain — not just to a lucky few,1 but to everybody. We’re used to elected officials acting like buffoons, but on Twitter you can see our real rulers humiliating themselves. Tech moguls, four-star generals, cultural tastemakers, foundation trustees, former heads of spy agencies, all of them behaving like insane idiots, posting their most vapid thoughts, and getting in petty fights with “VapeGroyper420.” There’s a reason most monarchies have made lèse-majesté a crime, there’s a level at which no regime can survive unless everybody pretends that the rulers are demigods. To have the kings be revealed as mere men who bleed, panic, and have tawdry love affairs is to rock the monarchic regime at its foundations. But Twitter is worse than that, it’s like a hidden camera in the king’s bedroom, but they do it to themselves. Moreover it seems likely that regimes like ours which legitimate themselves with a meritocratic justification are especially fragile to this form of disenchantment.

This is also why the COVID pandemic was so damaging to our government’s legitimacy. I’ve been inside elite institutions of many different sorts, and discovered the horrible truth that most of the people in them are just ordinary people making it up as they go along, but one place I hadn’t quite made it yet was the top of our disease control agencies.2 So in a bit of naïveté analogous to Gell-Mann amnesia, I just assumed that there was some secret wing of the Centers for Disease Control which housed men-in-black who would rappel out of helicopters and summarily execute everybody in Wuhan who had ever touched a bat. And I was genuinely a little bit surprised and disappointed when instead they were caught with their pants down, and a bunch of weirdos on the internet turned out to be the real experts (the silver lining to this is that now we all get to be amateur scientists).

So much for public health. But if there’s one institution which still manages to shroud itself in mystery while secretly pulling all the strings, surely it’s the Federal Reserve. You can tell people take it seriously because of all the conspiracy theories that surround it (conspiracy theories are the highest form of flattery). And there’s a lot to get conspiratorial about — the Fed manages to combine two things that rarely go together but which both impress people: technocratic mastery and arcane ritual. The Fed employs a research staff of thousands which meticulously gather and analyze data about every aspect of the economy, and they have an Open Market Committee whose meeting minutes are laden with nuanced double-meanings that would make a Ming dynasty courtier blush, and which are accordingly parsed with an attention to detail once reserved for Politburo speeches.

And they also control all of our money! Is it any wonder that people go a little bit crazy whenever they think about the Fed? I can’t think of a more natural target for the recurring cycles of ineffectual populist ire that characterize American politics. So it is with great regret that I’m here to report that they, too, are making it all up as they go along.


    1. And that lucky few have much to gain by maintaining the charade. A stable ruling class is one that has much to offer potential class traitors, so they don’t get any ideas. It’s when the goodies dry up, whether due to elite overproduction or to a real reduction in the spoils available, that things fall apart.

    2. That’s not quite true: I did once attend an invite-only conference at the United States Army Medical Research Institute of Infectious Diseases. The food was awful, and I wasn’t even able to find the lab where they created crack cocaine, HIV, and Lyme disease.

October 11, 2023

“It’s our first-ever live-streamed pogrom”

Filed under: Media, Middle East, Military — Tags: , , , , , — Nicholas @ 05:00

In The Line, Matt Gurney recounts (some of) the opening atrocities of the terror attacks on Israel by Hamas terror squads:

As I write this, Israel seems close to clearing out its invaded southern areas. In the coming hours, we will be presented with more scenes of horror and atrocity as new killing sites are found. Israel’s counterattack into Gaza will almost certainly be massive, far beyond any of the campaigns we’ve seen in recent years, and we’ll see all the awful carnage that causes from close up, too. Hamas has already said they will respond to these retaliatory actions by killing their hostages one by one and sharing the video and audio of the killings for the world to see. I believe that they will indeed do exactly that. You should all prepare yourselves for that.

For me, though, as we wait for the future to arrive, I’ve been thinking about the books on my shelf and what they tell us about the past. Books about the Holocaust and Sept. 11, and how the world grappled with truly evil regimes in eras past. There are lessons there, in simple black and white. What I saw on my phone wasn’t that. It was visceral, and awful, but in its own way, usefully clarifying.

But how many people saw what I did?

[…]

During that time, and I’m limiting my summary here to reasonably verified videos, I’ve seen an Israeli family forced to watch the apparent execution of one of their children/siblings; a man having his head either smashed in or chopped off with what looked like a garden tool of some kind (the video was a bit grainy); I’ve seen what looks like some kind of shelter that was breached, with all the occupants inside gunned down. A terrorist steps inside into ankle-deep blood and corpses and puts a few rifle rounds into bodies that are still moving.

I’ve seen a shocked looking woman being dragged out of a vehicle, her pants soaked with blood flowing from between her legs, and I know what that is. (See first photo, above.) I’ve also seen a video that I’m not sure, but that I think, happened to catch a glimpse of a rape in progress. I didn’t have the stomach to go back and watch that one again, though, so I can’t be totally sure. Whatever it was, the woman was terrified and the men around her were delighted. They enjoyed her fear and torment.

How many others have seen these things? I would bet a bunch, but not a majority, or even close to a majority. Most news savvy people are probably aware that there is a conflict, and may even know the outlines of it, but if they aren’t well-plugged into the online ecosystem for news and don’t know where to look and have hepful media contacts in the region to help filter out the garbage sources, what they’ve seen of it is sanitized and curated by well-meaning news editors whose default assumption is that graphic detail is to be avoided lest the reader or viewer be traumatized and send in a complaint.

I glanced throughout the weekend and again this morning at the major Canadian news websites, and the photos are mostly what you’d expect. Evocative, but not graphic. The most graphic ones shown aren’t a fraction of what’s available. The presentation of this story looks familiar because of all the other times we’ve seen some version of it: rockets flying up atop their exhaust trails, tanks manoeuvring over desert sand, troops looking grim as they put on their equipment, clouds of smoke and dust over Gaza. This is all bulked out by the odd tasteful photo of a grieving family member, from either side. Or perhaps even both sides, for balance.

This situation completely inverts the truism that many of us overly online people have had to cling to in recent years: this time, Twitter is real life. It’s the rest of the presentation of reality that is distorting your understanding of what’s happening. Twitter is a tire fire these days, full of bots and deliberate disinformation accounts, but for those with local sources and who’ve taken the time to curate their trusted sources — and again, Ukraine has been what forced me to do that — it can still be an invaluable tool.

But you’ve got to work at that. How many do? There is a very good chance that many of the people forming and expressing opinions about this right now are doing so with only a pretty basic understanding of what’s actually happened. The coverage they’re seeing of it looks familiar, so they’ll assume it’s basically the same as ever, if maybe slightly worse. They won’t bother assessing it or wondering if they should tweak their usual prior default response to The Latest Middle East Violent Flare Up. They see a headline on the CBC and Reuters and simply man their usual culture war battlestation. It’s a reflex by now.

That’s a mistake this time. This is one is different. Not exactly unprecedented; Lord knows Israel has suffered defeats and intelligence failures before. But none like this in 50 years, and never in an age when the simple act of seizing a victim’s phone allowed the raping and butchering to be uploaded onto the Facebook pages of the victims for their families and friends to watch. It’s our first-ever live-streamed pogrom, and I can’t be the only one who spent part of the long weekend warily glancing at some of the history books on my shelf, remembering scenes described therein that many of us have now seen happen live from our homes.

October 8, 2023

Can we get back to de mortuis nil nisi bonum any time soon?

Filed under: Media, Politics, USA — Tags: , , , , , , — Nicholas @ 05:00

The Latin phrase refers to speaking nothing but good of the (recently) deceased, but as partisan passions rise, the urge to wave the bloody shirt and denigrate the dead overwhelms decency and common sense:

Of all the vices that can contribute to the collapse of civil society, a special place of honor surely needs to be reserved for mocking the newly murdered.

I don’t mean mocking the newly dead. The somewhat mawkish view that no ill should be spoken of the recently departed has always seemed rather priggish to me. It would, in fact, be absurd if we decided that in the wake of, say, Mitch McConnell’s or Noam Chomsky’s death, we couldn’t criticize their lives, careers, and beliefs. “If they’d given him an enema, they could have buried him in a matchbox” was my old friend Christopher Hitchens’ comment on the passing of Jerry Falwell. Rude, surely. Too soon, sure. But a swipe, not a gloat. And on Fox News. To Ralph Reed.

What crosses the line of what Orwell prized as “common decency” is using the occasion of someone’s untimely death to say they deserved it. “The homosexuals have declared war on nature, and now nature is exacting an awful retribution” was Pat Buchanan’s charming response to the outbreak of the AIDS epidemic. In the same vein today, on the other side as it were, there’s a “Herman Cain Award” subreddit with half a million members, devoted to naming and mocking vaccine skeptics who subsequently died of Covid. A giant, unified chorus of “ha-ha”s across the decades.

Social media and CCTV cameras have made the schadenfreude more visceral. This past week, a young “social justice” activist, Ryan Carson, was knifed to death on the street by a deranged 18-year-old assailant, as Carson’s girlfriend, paralyzed with shock, looked on. We might once have just heard of or read about this attack. Now we see it as it happens. Its reach might once have been limited by media gatekeepers. Now it can reach millions in a matter of hours on social media. And if you’re Elon Musk and your strategy for Twitter is to make it a more visual, visceral, sticky site, it’s gold. Within hours of Carson’s death, his last, terrifying moments were accessible to millions: a snuff video in all but name, now available to be monetized by gawkers.

And indecent gawkers. “It’s good to make fun of people who support criminals when they get murdered by criminals,” commented one on Twitter. “Ryan Carson took the phrase ‘bleeding heart liberal’ way too literally,” said another. (Carson’s actual heart was pierced by the murder weapon.) Other virtual tricoteuses went after the traumatized bystander: “Ryan Carson’s girlfriend is the Douche of the Week. 1. Showed almost no concern as her guy was murdered. 2. Expressed zero concern as he lay on the ground dying. Didn’t even bend down. 3. Refused to give police the murderer’s description. Soulless Marxist.” Another: “WHAT??? Ryan Carson’s girlfriend … started a GoFundMe page to make money off his death. I would tell her to eat trash but that’s cannibalism.” Or this: “She didn’t react when he was stabbed but she sure didn’t hesitate to raise $50k on go fund me. Makes you wonder.”

Makes you wonder what exactly? Twitter reminds me of Trump: you can’t believe it can go lower — until it always does.

I should stipulate, I suppose, that I doubt I would have been one of Ryan Carson’s favorite writers. His views on crime and policing were, to my mind, hopelessly naive and deeply counter-productive for real social justice. He also once tweeted upon news of Rush Limbaugh’s death — “lmao hell yeah” — and called himself, presumably with a wink, “COO of Antifa.” But many of us have lost our moral bearings in this cold civil war. And Carson was a human being, son of a mother and father, murdered senselessly, traumatizing a whole host of others. In that context, nothing else matters but his humanity. Lambaste his views; but don’t delight in his death even as millions can see his final, deeply vulnerable moments of panic and fear.

The same should be said to the online trolls who went after Josh Kruger, a lefty Philly journalist (and Dish reader) killed in his home this week, and Pava LaPere, a BLM-touting entrepreneur in Baltimore murdered brutally the week before. (I’ll spare you the Twitter comments.) The impulse to use anything to advance a narrative: this is how far we’ve sunk into bitter, vicious tribalism.

And is it me or is Musk’s Twitter obviously making all this worse, putting out more and more videos of street crime, bar fights, robberies, and brawls, often with racial tension fueling them? In our collective psyche there is the problem of mentally ill people committing crimes on the streets, and there is also the problem of everyone constantly seeing videos of mentally ill people committing crimes on the streets. It distorts our judgment; it privileges the vivid and violent over the lucid and peaceful. It normalizes and numbs us to violence and can incentivize it. And this emotive tribal priming makes us more likely to react to the deaths of our political opponents with glee.

September 25, 2023

Ted Gioia explains why he loves writing for Substack

Filed under: Media, Technology — Tags: , , , , — Nicholas @ 03:00

It’s much easier to reach the audience he wants to share with using his Substack than either Twit-er, er, I mean “X”, or Facebook:

Below I look at some surprising ways Substack has changed the media (and social media) landscape.

This gives me a good excuse to recommend the new Substack app. It’s now my go-to source for informed writing — providing access to a smarter and more diverse group of authors, thinkers, and creators than I’ve found anywhere else.

I’ve now been on Substack for 30 months, and the improvements in the platform during that time have far exceeded my expectations. I didn’t know any music writers on Substack back when I launched, but it now boasts a better roster of critics than any newspaper or magazine. By the way, I’m also subscribing to writers in a dozen or so other fields (culinary arts, economics, literature, finance, technology, psychology, etc.).

I’m a heavy user. I must have signed up for almost a hundred Substacks.

Substack has also added a lot of new features during those 30 months. I especially like Notes, which is similar to Twitter but with extra IQ points. And I’ve also benefited from cross-posting, recommendations, and many other new features. I also applaud options I don’t currently use (like chat and podcasts), because they empower writers and readers.

The reality is that Substack is innovating faster than I can keep up with. But I like it that way. It’s creating an interconnected and independent media ecosystem here.

Best of all are the core values behind all this:

  • Substack supports writers — who receive almost 90% of subscription revenues. This is the exact opposite of the traditional publishing model, where royalty rates of around 10% are typical.
  • I don’t need to attract advertisers, and this frees me from the conflicts-of-interest advertising brings to other platforms.
  • There’s no surveillance or selling of users’ private information here.
  • I share my articles directly with readers, and no algorithm or gatekeeper intervenes to prevent our direct connection.

For these and other reasons, I’ve been an advocate for the platform. And that’s a good introduction to my subject today.

September 20, 2023

“Future Edward Gibbons’ [will] have no problem piecing together precisely how our society went down the toilet”

Filed under: Cancon, Media, Politics — Tags: , , , , — Nicholas @ 04:00

In The Line, Andrew MacDougall finds something good to say about social media:

“Automotive Social Media Marketing” by socialautomotive is licensed under CC BY 2.0

Say what you will about social media, but one unalloyed good is the future Edward Gibbons’ of this parish are going to have no problem piecing together precisely how our society went down the toilet.

Future historians will not only know what happened as we cratered, but, thanks to our ubiquitous digital sketch pads, they will have all of the horrific micro detail. They will know how many times we circled the bowl, what we were saying about circling the bowl as we were circling it and which streaks we were or weren’t arguing about as we went down. Social media is an infinite canvas home to a limitless number of voices and — while we might not be richer for it in the present — our future societal homicide detectives will be forever grateful that we left so many stains to analyze.

For example, when historians consider — as they surely will — whether the moment Canada truly began to crumble was when a WestJet cabin crew allowed Conservative leader Pierre Poilievre to grab the conch and address a planeload of (mostly) Conservative Party of Canada delegates on his way back from a successful party convention, we will have a panoply of voices to consult. From all walks of life and social stations, too. What, for example, did a famous singer like Jann Arden have to say about the whole episode?

Well, thanks to our good friend ex-Twitter we don’t have to guess; we know. And what Arden said was: “Hey @WestJet you and I will not be doing business ever again. This is so ridiculously disappointing.”

In life, I try my best not to be insensitive, but imagine having so little going on that this is considered a good use of your time? Imagine possessing such a delicate constitution that you would rather chain yourself [to] the be-vomited reclining seats of Air Canada than ever fly WestJet again. When you live in Calgary. And what has to be going on to then quote-tweet a bunch of nasty replies and joust with a network of digital cretins, as Arden went on to do. Dozens of them. Who stirs the sewage and then pins the best turds to their page?

As someone who has spent (far) too much time wasting time on platforms like ex-Twitter, I feel I speak from experience. I’ve picked a fair few fights I didn’t need to pick. Both with randoms, and rock stars. I have fed the trolls and I have done performative tweeting. And you know what I’ve learned? The only people who win are our algorithmic overlords. People like Arden are the modern-day Olds-and-Milner lab mice hammering the dopamine reward button — look at me get likes and retweets! — until they (metaphorically) die.

August 19, 2023

“Twitter used to work well, but now he receives negative comments, which means that it has stopped working”

Filed under: Media, Politics, Technology, USA — Tags: , , , — Nicholas @ 03:00

Chris Bray on the claims that Twitter, er, I mean “X” is broken from people who are suddenly being exposed to unfriendly opinions that the old platform used to kindly keep out of their very comfortable bubbles:

The Democratic Party’s go-to election lawyer, Marc Elias, is disturbed by the decline of Twitter:

Twitter used to work well, but now he receives negative comments, which means that it has stopped working. People can criticize him and express disagreement, so the platform is broken. If it worked, he would only be praised.

“Epistemic closure” had its pet rock moment in 2010, as the news media looked back on the George W. Bush years and the Iraq War and concluded that American neoconservatives had simply lost their ability to think.

[…]

It was supposed to mean this:

    It’s rather about information, and what counts as evidence about the real world … if one only gets information from a narrow set of sources that feed back into each other but do not engage beyond themselves, that one will have a closed mind … regardless of what one does with that information.

And this:

    Epistemic closure is a fancy term for the practice of defining – or redefining – reality in ways that support your pre-existing ideological preferences. Most of us think of it as “creating and living in a bubble”.

It was a fair enough point, as Bush watched sectarian brutality continue in post-Saddam Iraq and kept drawing the conclusion that everyone everywhere really yearns for democratic pluralism, honest elections, and a free press.

But that era’s epistemic closure is bush-league — sorry — compared to the sealed-in-a-jar-in-a-closed-box-in-a-deep-cave closure of the “mainstream” mind in 2023. If you’ve been on social media since roughly the night of November 8, 2016 and you’ve expressed disagreement with a politician, academic, or media figure, you’ve been a Russian bot, and Putin told you to say that. Criticism of institutions can’t simply arise from authentic grievances, or even from an authentically felt but misperceived grievance; rather, criticism is an op, a calculated string-pulling effort by manipulative forces. The far-right Putin-aligned Nazi grifters are tricking you into believing that you’re unhappy with the Biden administration. Your brain has been fooled by cognitive warfare, see?

August 6, 2023

What’s in a (tech) name?

Filed under: Business, Media, Technology, USA — Tags: , , , , , — Nicholas @ 03:00

Ted Gioia isn’t a fan of all the recent rebrandings of social media platforms, and tries to explain “why web platforms keep changing their names like criminals in the Witness Protection Program”:

“Automotive Social Media Marketing” by socialautomotive is licensed under CC BY 2.0

When I first heard that Twitter was renaming itself as X, I thought it was a joke.

Not a funny joke, just a goofy one. Elon Musk has a taste for schoolboy humor — and on many occasions has posted something undignified for a laugh. I assumed X was another example of this.

Who could take that name seriously?

Just consider the significations of X:

  • The crossbones you put in front of a skull on a bottle of poison;
  • A mistake on a test, marked by the teacher in red;
  • How you sign your name if you can’t read or write;
  • Something you haven’t figured out in algebra;
  • A movie that’s dirty, raunchy, or offensive in some manner;
  • A mark on a map where stolen wealth has been buried by pirates or criminals;
  • The street name for an illegal drug (MDMA) with various adverse long-term effects — including depression, anxiety, and impairments of cognition, memory, and learning;
  • A symbol of betrayal (i.e., a double cross);
  • In marketing language, an inferior product, as in “Brand X”;
  • A radioactive ray so dangerous that it killed the people who invented and developed it.

Given these associations, nobody in their right mind would replace a familiar, proven brand name with X. Mr. Musk must be joking again. Or so I thought.

But I thought wrong.

If this were an isolated event, I would dismiss it as just one more quirk on the part of an eccentric CEO. But these horrible rebrands are now standard practice in Silicon Valley, especially among dominant Internet platforms.

Why did Google change its corporate name to Alphabet? Why did Facebook change its corporate name to Meta? These were two of the best known brand names in the history of capitalism. Why get rid of them?

And consider this bizarre coincidence. The very same month that Twitter became X, Instagram launched its own text posting option. But it refused to use the familiar Instagram name, instead calling this new feature Threads.

Threads is another word that has all sorts of negative connotations. It refers to something old and torn. It’s associated with poverty and an embarrassing appearance.

What gives?

Do you remember the carefree early days of the web? Brand names were innocent and playful — they sounded like something from a nursery rhyme: Yahoo, Google, Tumblr. Twitter was one of those cutesy names.

Its symbol was a chirping bird. So sweet. So innocent.

But nowadays, web platforms take on names straight out of an H.P. Lovecraft horror story — Threads, X, Ghost, Twitch, Discord, etc.

Today’s writing prompt: Use all of those words in the opening lines of a story. Then send it off to an editor at Weird Tales.

Current day techno bro vibe

April 14, 2023

Twists and turns in the “Twitter Files” narrative

Filed under: Business, Government, Media, Politics, Technology, USA — Tags: , , , , — Nicholas @ 03:00

Matt Taibbi recounts how he got involved in the “Twitter Files” in the first place through the hysterical and hypocritical responses of so many mainstream media outlets up to the most recent twist as Twitter owner Elon Musk burns off so much of the credit he got for exposing the information in the first place:

I was amazed at this story’s coverage. From the Guardian last November: “Elon Musk’s Twitter is fast proving that free speech at all costs is a dangerous fantasy.” From the Washington Post: “Musk’s ‘free speech’ agenda dismantles safety work at Twitter, insiders say.” The Post story was about the “troubling” decision to re-instate the Babylon Bee, and numerous stories like it implied the world would end if this “‘free speech’ agenda” was imposed.

I didn’t have to know any of the particulars of the intramural Twitter dispute to think anyone who wanted to censor the Babylon Bee was crazy. To paraphrase Kurt Vonnegut, going to war against a satire site was like dressing up in a suit of armor to attack a hot fudge sundae. This was an obvious moral panic and the very real consternation at papers like the Washington Post and sites like Slate over these issues seemed to offer the new owners of Twitter a huge opening. With critics this obnoxious, even a step in the direction of free speech values would likely win back audiences that saw the platform as a humorless garrison of authoritarian attitudes.

This was the context under which I met Musk and the circle of adjutants who would become the go-betweens delivering the material that came to be known as the Twitter Files. I would have accepted such an invitation from Hannibal Lecter, but I actually liked Musk. His distaste for the blue-check thought police who’d spent more than a half-year working themselves into hysterics at the thought of him buying Twitter — which had become the private playground of entitled mainstream journalists — appeared rooted in more than just personal animus. He talked about wanting to restore transparency, but also seemed to think his purchase was funny, which I also did (spending $44 billion with a laugh as even a partial motive was hard not to admire).

Moreover the decision to release the company’s dirty laundry for the world to see was a potentially historic act. To this day I think he did something incredibly important by opening up these communications for the public.

Taibbi and the other Twitter File journalists were, of course, damned by the majority of the establishment media outlets and accused of every variant of mopery, dopery, and gross malfeasance by the blue check myrmidons. Some of that must have been anticipated, but a lot of it seems to have surprised even Taibbi and company for its blatant hypocrisy and incandescent rage.

But all was not well between the Twitter Files team and the new owner of Twitter:

We were never on the same side as Musk exactly, but there was a clear confluence of interests rooted in the fact that the same institutional villains who wanted to suppress the info in the Files also wanted to bankrupt Musk. That’s what makes the developments of the last week so disappointing. There was a natural opening to push back on the worst actors with significant public support if Musk could hold it together and at least look like he was delivering on the implied promise to return Twitter to its “free speech wing of the free speech party” roots. Instead, he stepped into another optics Punji Trap, censoring the same Twitter Files reports that initially made him a transparency folk hero.

Even more bizarre, the triggering incident revolved around Substack, a relatively small company that’s nonetheless one of the few oases of independent media and free speech left in America. In my wildest imagination I couldn’t have scripted these developments, especially my own very involuntary role.

I first found out there was a problem between Twitter and Substack early last Friday, in the morning hours just after imploding under Mehdi Hasan’s Andrey Vyshinsky Jr. act on MSNBC. As that joyous experience included scenes of me refusing on camera to perform on-demand ritual criticism of Elon Musk, I first thought I was being pranked by news of Substack URLs being suppressed by him. “No way,” I thought, but other Substack writers insisted it was true: their articles were indeed being labeled, and likes and retweets of Substack pages were being prohibited.

March 14, 2023

QotD: Facebook’s entire structure is designed to prevent information “going viral”

Filed under: Business, Media, Quotations, USA — Tags: , , , — Nicholas @ 01:00

Imagine that you came up with something amazing to share with people. Let’s pretend that you created the most amusing video in the world. Or came up with the funniest joke anyone has ever heard. Or maybe you have just experienced something remarkable that millions of people would want to know about. Or let’s assume you took a photograph that would blow people’s minds. Or perhaps you have just composed the catchiest tune ever.

You might think that social media is where to go to share this very cool thing, and watch it go viral. And, in fact, that happens on Twitter and a few other platforms. I’m not always right in forecasting which things I post will go viral, but a few times every year I will share something on Twitter that grabs people’s attention so much that it gets tens of thousands of retweets and likes. Millions of people might see it.

That’s what going viral is all about.

Now here’s the kicker. I put up that same item on my Facebook author’s page, and the company will actively work to prevent people from seeing it. And adding insult (a company specialty), they will send me an alert telling me: This post could go viral if you pay us money for promoting it.

At first glance, this just seems another way to maximize profits. And who can blame Mark Zuckerberg for wanting to get a few more dollars in his bank account? Let’s feel some pity for a guy who just lost $100 billion.

But the real devastating part of this story is that Facebook is actually preventing users from sharing the funniest joke in the world. Facebook actually hates seeing some videos go viral, even if they are the most amusing things on the web. Every day they work to prevent folks from seeing a mind-blowing photo — and many other things that can’t be monetized.

This can’t be good for the user experience. This can’t be what users want, or what they would tell the company in a focus group or via market research.

And it certainly can’t be good for business.

So I’m amused when I hear how Facebook is envious of TikTok, which has much superior user engagement. Well, duh. Of course TikTok has greater engagement — that’s because Facebook has put systems in place to prevent entertaining things from going viral. They are now scrambling to work around this tiny detail, but they won’t succeed.

I’ve reduced my Facebook posts by at least 70%, and this was the main reason. I can’t be the only person who has responded in this way.

It’s not in the company’s DNA to promote interesting things on its platform. That’s why I wasn’t surprised when Facebook’s recent attempt to imitate Substack collapsed in total failure. I knew that would happen on day one — because Facebook will never let writers go viral on the platform. Mr. Z. wants to get paid before anything goes viral, and that’s the exact opposite of Substack’s successful formula — which rewards the creator more than the platform.

When Facebook initially launched this touted publishing platform, somebody asked me what I thought about it. “Facebook has the power to give a writer access to millions of readers,” I replied, “but they will never let it happen. The entire internal structure of the company is designed to prevent this.”

The speed of the collapse, however, was surprising. Facebook announced the launch of Bulletin on June 29, 2021. Facebook announced the termination of Bulletin on October 4, 2022.

Even King Henry VIII’s wives lasted longer than that.

Ted Gioia, “How Web Platforms Collapse”, The Honest Broker, 2022-12-05.

March 13, 2023

When did the “elites” of the West become so bumbling and incompetent?

Filed under: Government, Media, Politics, USA — Tags: , , , , — Nicholas @ 03:00

Chris Bray on the blatant decay of western political leadership on display at the #Twitterfiles hearing in Washington D.C.:

I should probably just go back to sleep for a decade, because Walter Kirn always has it covered:

I was trying to be clever about this yesterday, but it should be said plainly for the space aliens who eventually find the ruins of our former civilization and have to use the surviving digital evidence to report to their superiors on the collapse of the earth losers.

The most striking thing about the average member of the contemporary political class — the “elite”, and yes, I know — isn’t that they’re almost invariably wrong, or that they’re never interesting, or that they have no wisdom of any kind that ever shines through anything they do, ever. Instead, the most striking thing about the contemporary political class is that most of them can’t actually speak, in the sense that you ask them something and then they think and then words come out. Here, watch:

Even in the screenshot, her face is pointed downward at a piece of paper. She’s only ever reading. She’s looking at prepared questions and giving voice to a script, like a much dumber Anne Hathaway. And, yes, what the script says is idiotic — Matt Taibbi gets paid for his journalismz!!!!! (unlike members of Congress, who take a vow of poverty and work for free) — but the more interesting thing to me is that this person, in her fifty-trillionth term in Congress, can’t say what she thinks without reading it. Mr. Taibbi, it says on this piece of paper that you are a very bad person.

They don’t know anything. They don’t think anything. They have no ability, no insight, no value to offer. So they make our laws.

March 5, 2023

“Natural Woman” – classic hit song or hate crime in progress?

Filed under: Media, Politics, USA — Tags: , , , , , , — Nicholas @ 03:00

Janice Fiamengo on the hoax “cancellation” attempt on the late Aretha Franklin’s hit song:

For at least a few hours, it looked as if the 1960s soul classic “(You Make Me Feel Like a) Natural Woman“, memorably performed by Aretha Franklin, was imperiled by woke attack. Various conservative and right-wing media reported in late January that a trans awareness group was demanding via Twitter that the song be canceled because of its exclusionary emphasis on “natural” womanhood. It was dutifully noted that this was the latest salvo in the trans “assault on women”, and a women’s activist was reported as saying, “I don’t think many women really know how much we’re hated”.

It turned out that the complaint about “Natural Woman”, which received well over one million views and provoked thousands of responses, had been made by a parody account. Aretha Franklin was safe — at least for now. But commentary on the song has a surprising history, as we’ll see, that complicates the standard claims about the trans erasure of women.

The Twitter account at the center of the faux controversy was TCMA, the Trans Cultural Mindfulness Alliance, which began tweeting in January of 2023 to highlight the lunatic fringe of trans advocacy. Many of the tweets by TCMA exaggerate actual trans activist positions so adroitly that even on a second or third reading, they seem plausible. On January 20, for example, TCMA tweeted that “Many children learn gender from their pets”, and advised parents that “Just because you bring home a ‘gendered’ pet, allow your child to choose the gender of the pet — don’t assign it one ‘at will’.”

A day later, TCMA tweeted that it would be petitioning the Norwegian government “to no longer include gender on birth certificates” and it condemned media, in another tweet, for emphasizing child abuse by same-sex couples while failing to cover the “wonton abuse” (steamed or deep fried?!) in the church.

The purpose of the account seems fairly clear: to show how dogmatic statements by activists are often hard to tell apart from parodies of the same. Something strange is going on when people in positions of cultural power not infrequently express themselves in a manner indistinguishable from parody.

Older Posts »

Powered by WordPress