Quotulatiousness

September 30, 2018

Moral panic à la mode: Witch hunt, 2018

Barrett Wilson compares a moral panic that convulsed the Wilson family (Satanic lyrics and overt sexual messages in contemporary movies and rock music) with today’s moral panic:

When my very Christian parents tried to throw away my 14-year-old sister’s heavy metal records, she ran away to her friend’s house. I cried for days. It felt like the end of everything. My sister would be gone forever. I would now live in what was referred to at the time as a “broken home.” I imagined that I’d be reunited with my sister in a few years—on the mean city streets after I’d been forced into a life of crime.

Both my parents and sister seemed to make good arguments. My mother and father tried to trash the records because they loved my sister, while my sister ran away because of her love for Dee Snyder. My parents wanted my sister to be safe. My sister wanted to express her individuality through music. My parents claimed that heavy metal was the cause of my sister’s rebellious behavior. My sister said that Judas Priest rocked, and elevated Ozzy Osbourne to secular sainthood. My parents thought my sister had fallen victim to satanic messages encoded in vinyl, while my sister believed my parents were enslaved to religious dogma printed in the Bible.

I remember the Bible studies and prayer groups well. There was a uniformity of belief and cause that united my parents and their pious peers. There was a collective smugness and sense of superiority that led members of the church to purge the culture (or what parts of the culture they could control) of dangerous and unholy influences. They wanted culture to be safer. Their targets: violence and overt sexuality in movies, music and video games.

So that was then, back in the benighted dark ages before the cell phone and broadband internet and all-consuming social media — they knew so little back then. We, as a culture, have grown so wise and mature that we’d never fall back into that kind of moral panic … oh, damn.

The right-left pro-censorship alliance that Gore formed three decades ago has its modern equivalent in the Twitter era. Right-wing men’s rights advocates and hyper-progressives found common cause in an online shaming campaign targeting Canadian feminist Meghan Murphy, for instance, after she dared suggest that women born into their female bodies might have reason to see themselves differently from those born with penises. And the recent de-platforming of second-wave feminist icon Germaine Greer on the basis of perceived transphobia would be met with gleeful applause by stridently conservative Australians as much as by stridently progressive gender-studies post-docs. The tactics used by right-wing Twitter trolls such as Mike Cernovich to get James Gunn fired from Disney are identical to those used by the left to get Twitter troll Godfrey Elfwick de-platformed. Their crime was the same: tweeting controversial jokes.

But while all forms of social panic tend to resemble one another, there are some stark differences between now and then. For one thing, young people today seem more naturally censorious and culturally conservative than their parents. Peace, love, freedom, and experimentation have been replaced by an obsession with emotional safety. Today’s young men and young women seem scared to death of each other. The LGBT community has fractured into its alphabetic constituent parts. And racial tensions are fed by a steady diet of online microaggressions. Everyone feels at risk, despite the fact the free world has never been safer.

Of course, moral panics are not based on facts but fears. In Stanley Cohen’s 2002 introduction to Folk Devils and Moral Panics, he writes that in moral panics, “the prohibitionist model of the ‘slippery slope’ is common … [and] crusades in favor of censorship are more likely to be driven by organized groups with ongoing agendas.” They are driven by organized groups, yes, but they are facilitated by well-meaning, ill-informed actors such as activists, therapists, and law enforcement officers. From the censorship of comic books, to video games, to music, we’ve known about the agendas of these special interests for a very long time. So why do we keep falling for it?

Moreover, there seems to be more hypocrisy at play in 2018 than there was during the moral panics of the 1980s. Many Christians who embraced Tipper Gore’s campaign truly were sincere anti-sex and anti-violence crusaders. But the world that people inhabit in 2018 is at once hyper-explicit and puritanical. In one browser tab, we’re typing about how words are violence, while in the other tab, we’re engaging in malicious gossip that could ruin someone’s career.

A feverish approach that seeks to sanitize culture is harmful but is also futile. Forbidding people from consuming content can often serve to make that content more desirable to consumers, something similar to the Streisand Effect. This phenomenon is named after Barbra Streisand’s futile attempt to keep photos of her Malibu mansion off of the internet. The harder she tried to stop people from posting photos, the more photos appeared. Paternalistically making music and art “forbidden content” makes it sexier, and elevates its status. The PMRC’s Filthy Fifteen is chockfull of rock and roll classics that went on to make millions. My parents’ disdain for heavy metal certainly did not make my sister pop Perry Como into her Walkman – she just rocked harder. Fans and free speech advocates rally around Tyler, the Creator today now more than ever.

Update:

August 14, 2015

Toronto discovers the Streisand Effect

Filed under: Cancon, Media, Politics — Tags: , , , — Nicholas @ 03:00

I was in the break room at work the other day, and happened to see our local 24-hour TV newsfeed was discussing a hateful hate-peddling hate-monger who’d just arrived in Toronto. A shorter blurb was running in the elevator monitor, as I discovered when I went downstairs for lunch. While I’d heard of Roosh V. before, I wasn’t aware that he was so well known to the Toronto media. Richard Anderson explains how Toronto’s media reactions to Daryush Valizadeh have been like a multi-million dollar gift of free advertising:

Rather than being a raving misogynist Valizadeh espouses an odd amalgam of traditional gender roles and casual sex advice. Very little of what he writes would have been considered terribly controversial even twenty years ago. His criticisms of feminism are pretty much standard conservative fare albeit expressed in a more colourful and direct manner. He might not be your cup of tea but he’s hardly the second coming of Caligula.

Displaying the self-righteous puritanism that is characteristic of modern feminism, a petition has been set-up at Change.org, complete with out of context quotes, demanding that Valizadeh be driven from Canada. This is being done on the grounds of our old friend hate speech. Apparently coaching awkward young men on how to pick up women in bars is now a crime in modern Canada.

Some of Valizadeh’s sexual advice is tacky or creepy. It would, however, take a Pollyanna’s understanding of human sexuality to find it either hateful or angry. What we are seeing is not criticism being directed at an individual for espousing somewhat recherché views, it’s an electronic lynch mob attempting to silence dissent from the feminist consensus.

Until this recent controversy Valizadeh was an obscure figure outside of Manosphere. Now thanks to these tin eared feminist campaigners he has been given millions of dollars in free publicity. It’s a classic example of the Streisand effect. Instead of shutting Valizadeh down they’ve elevated him into a kind of cult hero status that is only likely to increase in the months ahead.

August 1, 2015

The Streisand Effect – Trying to Hide Things On The Internet I INTO CONTEXT

Filed under: Media — Tags: , , , , , — Nicholas @ 02:00

Published on 6 Jan 2015

One of the biggest news stories this Christmas was the (un-)cancelled release of Sony Pictures’ movie The Interview. In the movie, Seth Rogan and James Franco try to assassinate North Korean dictator Kim Jong-Un. After terror threats against movie theatres showing the film, Sony cancelled the release of the movie. This ultimately increased the movies attention and made the later online release the most successful one this year. Actually, there is a name for this kind of phenomenon: the Streisand Effect. In this episode of INTO CONTEXT, Indy explains why it’s not always smart to try to hide things on the internet.

March 7, 2015

Indian government about to discover the Streisand Effect

Filed under: India, Media — Tags: , , , — Nicholas @ 04:00

The BBC made a film called India’s Daughter. The Indian government decided that the film made them look bad, so they banned the film in India and attempted to force the film out of worldwide circulation. In the internet age. It hasn’t been going well for the would-be censors so far:

The Indian government has remained defiant over its ban on a BBC documentary about the 2012 fatal gang-rape of a student in Delhi despite a groundswell of acclaim for the film from prominent Indians who watched it online.

After India’s Daughter broadcast in the UK on Wednesday night, the hour-long film surfaced on YouTube, where the Guardian was able to view it on Thursday afternoon despite reports in Indian media that the government had ordered it be taken down.

India’s home minister, Rajnath Singh, has threatened to take action against the BBC, though did not elaborate on what form this may take, save that “all options are open”.

Police in Delhi continue to pursue the investigation against filmmaker Leslee Udwin, who has left the country, and her Indian crew. Officers visited the homes and offices of Indian crew members on Thursday in a bid to collect the entire footage of the film.

Though online viewing figures for the documentary about Jyoti Singh’s death remained in the low thousands, there was much acclaim from influential literary and Bollywood figures who questioned the necessity of the government’s ban.

“It’s one of the best documentaries I’ve seen – it’s moving and makes you think,” said the novelist Chetan Bhagat. “It’s bone-chilling, yet it shakes you up – it’s a must-watch film.”

H/T to Perry de Havilland for the link.

January 12, 2015

If you’ve used the term “Streisand Effect”, you need to pay royalties now…

Filed under: Humour, Law, Liberty — Tags: , , , , — Nicholas @ 03:00

Techdirt‘s Mike Masnick isn’t asking for a lot, he just wants to ensure that his intellectual property is respected … in a way that ensures that his kids won’t starve in the street:

I have to admit that I had no idea that it had been 10 years since I coined the term “The Streisand Effect” until the SkepticHistory Twitter feed called my attention to it earlier this week. I had thought about saving this for the weekend “this week in history” post, but it seems worth delving into today — especially with folks like the thieves at Gawker Media putting up a whole story about it and stealing all the attention and whatnot.

So, yeah, ten years ago this week, I coined “the Streisand Effect,” which was actually on a story about how the Marco Beach Ocean Resort was all offended by the fact that Urinal.net (a site that, yes, still exists and is still being updated) had posted a photo of a urinal from the resort, and the resort insisted that it was illegal to use its name. As we pointed out, this stupid takedown request would only draw more attention, and then we wrote:

    How long is it going to take before lawyers realize that the simple act of trying to repress something they don’t like online is likely to make it so that something that most people would never, ever see (like a photo of a urinal in some random beach resort) is now seen by many more people? Let’s call it the Streisand Effect.

That last link then went back to a 2003 story about how Barbra Streisand had sued photographer Kenneth Adelman for photographing her house from a helicopter. Adelman had been photographing the entire California coastline, hoping to use it to document coastal erosion, and posted all the photographs online. Streisand got upset that her coastal home was shown, and sued. But, of course, before this, no one knew (or cared) that it was Streisand’s home. The image had been viewed six times (including twice by Streisand’s lawyers), but following the news of the lawsuit, hundreds of thousands of people went to see the photo. It was a story that stuck with me, and seemed to be repeated every few months in some form or another. So when I saw that Urinal.net threat, I just jokingly said we should call such things “The Streisand Effect.”

October 7, 2014

When the “right to be forgotten” encounters the Streisand Effect

Filed under: Europe, Law, Liberty, Media — Tags: , , , — Nicholas @ 08:58

At Techdirt, Mike Masnick reports on the first New York Times articles to be removed from Google‘s search indices under the European “right to be forgotten” regulations:

Over the weekend, the NY Times revealed that it is the latest publication to receive notification from Google that some of its results will no longer show up for searches on certain people’s names, under the whole “right to be forgotten” nuttiness going on in Europe these days. As people in our comments have pointed out in the past, it’s important to note that the stories themselves aren’t erased from Google‘s index entirely — they just won’t show up when someone searches on the particular name of the person who complained. Still, the whole effort is creating a bit of a Streisand Effect in calling new attention to the impacted articles.

In this case, the NY Times was notified of five articles that were caught up in the right to be forgotten process. Three of the five involved semi-personal stuff, so the Times decided not to reveal what those stories were (even as it gently mocks Europe for not believing in free speech):

    Of the five articles that Google informed The Times about, three are intensely personal — two wedding announcements from years ago and a brief paid death notice from 2001. Presumably, the people involved had privacy reasons for asking for the material to be hidden.

I can understand the Times‘ decision not to reveal those articles, but it still does seem odd. You can understand why people might not want their wedding announcements findable, but they were accurate at the time, so it seems bizarre to have them no longer associated with your name.

October 23, 2013

Game company provokes a massive Streisand Effect

Filed under: Business, Gaming, Media — Tags: , , , , — Nicholas @ 00:01

In Hit and Run, Scott Shackford explains how Wild Games Studio learned (the hard way) about the Streisand Effect:

The game [Day One: Garry’s Incident] is getting terrible reviews, and YouTube is host to a ton of them. The reviews may actually be a little bit of a challenge to find now thanks to Wild Games Studio’s response to one particular review. A gentleman by the name of TotalBiscuit (no, really, that’s his … okay, fine, his real name is John Bain) is probably one of the most successful video game critics on the Internet. His YouTube channel boasts just shy of 1.3 million subscribers. He sampled the game on October 1 and did not find it enjoyable (Sample of response to the game: “Screw everything about this!”).

Video game reviews on YouTube allow critics to do something they can’t do through blog posts or print reviews: They can actually play and demonstrate the game in action in the video. This is a boon for consumers looking to spend their game money on a quality product as the game market grows and grows and grows. It’s also a boon for good game developers, as there’s nothing like the sight of a reviewer with a big audience enjoying your product to push folks off the fence in your favor. For bad games, though, it has the potential to devastate more than those old-fashioned reviews, as video watchers can actually see how terrible the problems are.

Wild Games Studio made their problems even worse by trying to retaliate against Bain. They made a copyright claim against him on YouTube, using a flimsy excuse that he monetizes the videos with advertising (Bain manages a living with his game journalism and announcing) and thus cannot use their assets without their permission. The studio succeeded. YouTube yanked the review. Furthermore, YouTube’s copyright-protection system threatens users that their channel will be deleted if they get three of these takedown claims. In Bain’s case, that would result in the removal of hundreds of videos.

I first encountered TotalBiscuit’s YouTube channel during the Guild Wars 2 beta period, and quite enjoyed his iconoclastic views of the game. I’m happy to hear that this particular thuggish attempt to shut him down has failed, and largely due to the response of gamers and his channel subscribers.

April 8, 2013

French intelligence agency discovers the power of the “Streisand Effect”

Filed under: Europe, France, Government, Media — Tags: , , — Nicholas @ 10:04

The French Central Directorate of Interior Intelligence (DCRI) didn’t appreciate that Wikipedia had an article on one of their installations (link is to the English version of the page in question), so they asked to have it removed. However, because they wouldn’t specify what information in the article was sensitive (even though it was largely based on a French TV broadcast), the Wikipedia editors turned down the request. The DCRI then channelled their inner thug:

Wikipedia refused to delete it, and then things took a nasty turn, as a press release from the Wikimedia Foundation explains:

    Unhappy with the Foundation’s answer, the DCRI summoned a Wikipedia volunteer in their offices on April 4th. This volunteer, which was one of those having access to the tools that allow the deletion of pages, was forced to delete the article while in the DCRI offices, on the understanding that he would have been held in custody and prosecuted if he did not comply. Under pressure, he had no other choice than to delete the article, despite explaining to the DCRI this is not how Wikipedia works.

As the Wikimedia Foundation goes on to note:

    This volunteer had no link with that article, having never edited it and not even knowing of its existence before entering the DCRI offices. He was chosen and summoned because he was easily identifiable, given his regular promotional actions of Wikipedia and Wikimedia projects in France.

This is very similar to the situation discussed last week, where Benjamin Mako Hill seems to have been targeted because he, too, was easily identifiable. As we noted then, putting pressure on Wikipedia volunteers in this way is extremely problematic, since it naturally discourages others from helping out.

How did the DCRI learn about the Streisand Effect?

… the deleted article is, of course, back on line, in French and a dozen other languages. Moreover, the DCRI’s ham-fisted attempt to censor an extremely obscure Wikipedia page that hardly anyone ever visited, has achieved exactly the opposite effect: in the last few days, the page has been viewed over 45,000 times.

October 23, 2012

Unnamed band about to get big media exposure through the “Streisand Effect”

Filed under: Business, Law, Media — Tags: , , — Nicholas @ 11:09

Ken at Popehat is looking for pro bono legal help for a music fan site that after years of faithful service to an unnamed band is now being “cease-and-desist”-ed by the band’s new management:

It’s time to put out the Popehat Signal on behalf of a threatened web site.

Today, I’m looking for pro bono help (or help at a modest rate) for the proprietor of a fansite for a band. The proprietor of the fansite has been running it for years, promoting the band and its appearances to its fans. Apparently the members of the band knew of this and were cool with it — until recently, when they hired new management, who used a Los Angeles area attorney to send a threatening cease-and-desist issue.

One has to assume that $BAND (or more likely the new management team) has never heard of the Streisand Effect, because they’re risking a classic case of it through this kind of action.

The Streisand effect is the phenomenon whereby an attempt to hide or remove a piece of information has the unintended consequence of publicizing the information more widely, usually facilitated by the internet. The term is a modern expression of the older phenomenon that banning or censoring something often makes that item or information more desirable, and leads to it being actively sought out to a greater extent than it would have otherwise been.

It is named after American entertainer Barbra Streisand, whose attempt in 2003 to suppress photographs of her residence inadvertently generated further publicity. Similar attempts have been made, for example, in cease-and-desist letters, to suppress numbers, files and websites. Instead of being suppressed, the information receives extensive publicity and media extensions such as videos and spoof songs, often being widely mirrored across the Internet or distributed on file-sharing networks.

April 16, 2010

Wargame company accused of “simulat[ing] violent combat”

Filed under: Gaming, History, USA — Tags: , , , — Nicholas @ 16:19

<sarcasm>I know, I know, it’s shocking to discover that a wargaming company produces games that “simulate violent combat“. You’d think they’d realize that nobody is actually interested in violence or combat, and especially not “violent combat”, as this game is alleged to glorify:</sarcasm>

One player racks up points by defeating Native American tribal leaders, the other by snuffing out settlements of English colonists. Capture Boston or Plymouth Colony? Victory is yours.

That’s the gist of “King Philip’s War,” a board game based on a bloody and violent clash of the same name between colonists and Indian tribes in 17th-century New England, and developed by a company partly owned by former major league pitcher Curt Schilling.

The game’s designer says he hopes to educate children and others about a war that cost thousands of lives but receives scant attention in history books. But some Native Americans want the game blocked from release, saying it trivializes the conflict and insensitively perpetuates a stereotype of Indian tribes as bellicose savages.

The people getting all hot and bothered by this are clearly people who’ve never even seen a board wargame.

Given that the game wasn’t going to see publication until MMP got enough orders to justify printing and distributing it, I suspect this will end up being another Streisand Effect in operation.

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