At sp!ked, Tom Slater looks at Dave Chapelle’s new comedy routines:
In his own words, Dave Chappelle is the Bigfoot of comedy; a rarely seen legend whose long absence from the stage has only secured his status. The stand-up, actor and writer, who found global success in the mid-2000s for his Comedy Central hit Chappelle’s Show, walked away from a $50 million deal for a third season in 2006, after fame and showbiz politics began to weigh heavy on his shoulders. For the past nine years, he’s been a borderline recluse – living on a farm in Ohio, raising his children and doing the odd, unannounced stand-up gig in mobbed comedy clubs.
Now, he’s making his comeback. Touring across America and, this past week, doing a sold-out seven-night run at the Hammersmith Apollo in London, it’s as if he was never gone. And yet, he has returned to a circuit that is not what it was.
‘Are you a Muslim?’, an affable doorman asked my mate, as we handed over our tickets for Monday night’s Apollo show. He wasn’t on counterterror duty. There’d been a few incidents, you see, during the run so far, as Chappelle’s caustic jibes had ruffled some feathers. ‘He’s got a joke in there about transgenders, and one guy the other night just got up, started shouting and then ran out.’ It seemed our doorman had taken it upon himself to trigger-warn any potential targets of Chappelle’s punchlines.
It was a strange question. Not least because Chappelle is a Muslim, and anyone who comes to one of his shows should know what they’re getting. Like his hero Richard Pryor before him, Chappelle has a unique ability to craft edgy, racially charged and often scatological humour and serve it up to a mainstream audience. Chappelle’s Show, which broke all records at the time for DVD sales, ended its first episode with an extended skit about a blind white-supremacist author who is unaware he is black. It was one hell of a mission statement.