Was there a single jazz musician in the audience for the Kennedy Center Honors ceremony last month? Besides Sonny Rollins, that is, who was one of the five honorees. From what I saw on the CBS telecast of the ceremony, the only jazz musicians in the house were those hired hands who were on stage playing in Sonny’s honor. Is it possible that no other jazz players were there? It’s more likely that the show’s producers wouldn’t recognize a jazz musician even at close range, so all we got were long shots of the Obamas and movie and pop stars. At least the President and First Lady looked like they’d heard jazz before they got to the Center, and surely they appreciated Bill Cosby’s irony-laced introduction. But how many people in that bejeweled crowd had ever heard a note by the Saxophone Colossus?

Granted, it was great to see Sonny getting the honor, to watch the montage of images from his career and hear the narrative voiced by Cosby. Cos described his own surprise encounters with people in far flung places abroad who in the midst of their daily routines were listening to Rollins, then concluded his remarks by welcoming Sonny “home” to his native land. But notwithstanding the primacy of jazz in American performing arts, the music long ago lost its appeal for the masses, and even the curious may know little about its history and Newk’s place in it. Thus while Cosby’s comments spoke to his personal admiration for Rollins, the occasion called for something more, the kind of critically-grounded statement that a Stanley Crouch or Gary Giddins or Bob Blumenthal could have provided. But a teaching moment like this was squandered, while the most resonant image may have been the sign of Rikers Island displayed among Rollins’s personal landmarks.

Earlier this month, I detailed at some length why claims about the purported economic harms of piracy, offered by supporters of the Stop Online Piracy Act (SOPA) and PROTECT-IP Act (PIPA), ought to be treated with much more skepticism than they generally get from journalists and policymakers. My own view is that this ought to be rather secondary to the policy discussion: SOPA and PIPA would be ineffective mechanisms for addressing the problem, and a terrible idea for many other reasons, even if the numbers were exactly right. No matter how bad last season’s crops were, witch burnings are a poor policy response. Fortunately, legislators finally seem to be cottoning on to this: SOPA now appears to be on ice for the time being, and PIPA’s own sponsors are having second thoughts about mucking with the Internet’s Domain Name System.

That said, I remain a bit amazed that it’s become an indisputable premise in Washington that there’s an enormous piracy problem, that it’s having a devastating impact on U.S. content industries, and that some kind of aggressive new legislation is needed tout suite to stanch the bleeding. Despite the fact that the Government Accountability Office recently concluded that it is “difficult, if not impossible, to quantify the net effect of counterfeiting and piracy on the economy as a whole,” our legislative class has somehow determined that — among all the dire challenges now facing the United States — this is an urgent priority. Obviously, there’s quite a lot of copyrighted material circulating on the Internet without authorization, and other things equal, one would like to see less of it. But does the best available evidence show that this is inflicting such catastrophic economic harm — that it is depressing so much output, and destroying so many jobs — that Congress has no option but to Do Something immediately? Bearing the GAO’s warning in mind, the data we do have doesn’t remotely seem to justify the DEFCON One rhetoric that now appears to be obligatory on the Hill.

The International Intellectual Property Alliance — a kind of meta-trade association for all the content industries, and a zealous prophet of the piracy apocalypse, released a report back in November meant to establish that copyright industries are so economically valuable that they merit more vigorous government protection. But it actually paints a picture of industries that, far from being “killed” by piracy, are already weathering a harsh economic climate better than most, and have far outperformed the overall U.S. economy through the current recession. The “core copyright industries” have, unsurprisingly, shed some jobs over the past few years, but again, compared with the rest of the economy, employment seems to have held relatively stable at a time when you might expect cash-strapped consumers to be turning to piracy to save money.

Supporters of stronger intellectual property enforcement — such as those behind the proposed new Stop Online Piracy Act (SOPA) and Protect IP Act (PIPA) bills in Congress — argue that online piracy is a huge problem, one which costs the U.S. economy between $200 and $250 billion per year, and is responsible for the loss of 750,000 American jobs.

These numbers seem truly dire: a $250 billion per year loss would be almost $800 for every man, woman, and child in America. And 750,000 jobs — that’s twice the number of those employed in the entire motion picture industry in 2010.

The good news is that the numbers are wrong — as this post by the Cato Institute’s Julian Sanchez explains. In 2010, the Government Accountability Office released a report noting that these figures “cannot be substantiated or traced back to an underlying data source or methodology,” which is polite government-speak for “these figures were made up out of thin air.”

More recently, a smaller estimate — $58 billion — was produced by the Institute for Policy Innovation (IPI). But that IPI estimate, as both Sanchez and tech journalist Tim Lee have pointed out, is replete with methodological problems, including double- and triple-counting, that swell the estimate of piracy losses considerably.

Canada celebrated New Year’s Day this year by welcoming the likes of Ernest Hemingway and Carl Jung into the public domain just as European countries were celebrating the arrival of James Joyce and Virginia Woolf, 20 years after both entered the Canadian public domain. Canada’s term of copyright meets the international standard of life of the author plus 50 years, which has now become a competitive advantage when compared to the United States, Australia, and Europe, which have copyright terms that extend an additional 20 years (without any evidence of additional public benefits).

In an interesting coincidence, the Canadian government filed notice of a public consultation on December 31, 2011 on the possible Canadian entry into the Trans Pacific Partnership negotiations, trade talks that could result in an extension in the term of copyright that would mean nothing new would enter the Canadian public domain until 2032 or beyond. The TPP covers a wide range of issues, but its intellectual property rules as contemplated by leaked U.S. drafts would extend the term of copyright, require even stricter digital lock rules, restrict trade in parallel imports, and increase various infringement penalties. As I noted last month, if Canada were to ratify the TPP, it would require another copyright bill to undo much of what the government is about to enact with Bill C-11.

One of the things we’ve noticed in the debate over SOPA and PIPA is just how the other side is really lying with statistics. We’ve done a thorough debunking of the stats used by the US Chamber of Commerce to support both bills, as well as highlighted the misleading-to-bogus stats used by Lamar Smith in his support of the bill.

But every day, more bogus stats are rolled out. Julian Sanchez, over at the Cato Institute, has decided to dig into one specific bogus number, the supposed claim of $58 billion in “losses,” and to show how the numbers don’t hold up to any scrutiny. In fact, using the details of where the numbers came from, Sanchez makes the case that SOPA won’t save a single net job for the US economy. Read on to find out how.

First off, the $58 billion comes from an absolutely laughable report for the Institute for Policy Innovation, done every year by Stephen Siwek at a firm called Economists Incorporated. We’ve challenged this ridiculous number in the past, but not to the level of detail that Sanchez has here. He starts out by bringing up (as we have many times), Tim Lee’s excellent debunking of the ridiculous “ripple effects” that Siwek/IPI always use, despite them being a trick to double, triple, quadruple, etc count the same dollars [. . .]

It’s a safe bet that in the history of state funerals, no former president has been sent off to the Absolute Horizon by not one but at least three different live, nationally televised rock songs about heroin.

Such was Václav Havel’s genre-straddling life and thoroughgoing conception of freedom that it seemed as natural as tartar sauce on fried cheese to bookend a portentous, Dvořák-haunted National Requiem Mass in Central Europe’s oldest Gothic cathedral with a loose-limbed, hash-scented rock and roll celebration at the Czech Republic’s most storied music venue, all while the non-VIPs on the streets of Prague (and their counterparts outside the capital) lent the most dignity of all to the three-day National Mourning by creating ad-hoc candlelit shrines in whatever patches of cobblestone reminded them of the man who made them most proud to be Czechs.

It was a remarkable memorial, one that — like Havel himself — could not have happened in any other city or country. Yet the celebration offered enough bread crumbs for non-Czechs to stumble upon the promise of forgotten political alchemies lurking just outside our daily view. I was there to pay my respects; here are some observations and pictures.

Did you hear the song Aussie comic Tim Minchin wrote savagely satirising Islam for Channel 4′s Eid special? No, I didn’t either. It didn’t happen and it never would happen: first because no broadcast station in its right mind would ever allow it; second because I don’t believe that Minchin would be stupid enough to write it.

And I’m not calling Minchin out for physical cowardice on this issue. From the Danish cartoons to the Paris bombing, we’ve seen far too many cases of artists testing the right to free speech — only to find that where certain religions are concerned, such matters are strictly verboten. But what I am definitely accusing him of is hypocrisy and moral cowardice, as regards the banned song he wrote for a Jonathan Ross Christmas special likening Jesus to a blood-drinking zombie.

[. . .]

Again, let me stress, this isn’t a plea to Minchin to acquire set of cojones and commit suicide through the medium of satire. I wouldn’t write a rude song about Islam if you paid me a million quid. Or even ten million. But what I equally wouldn’t do is compromise my integrity by laying heavily into one soft-target religion while treating a rival one, far more ripe for satire, with kid gloves. To do so would, I think, make me look a hypocrite and a fraud.

Update, 27 December: Sorry, fixed the broken link. Didn’t realize it wasn’t working properly until now.

Hilarity! Both of the metropolitan broadsheets in Alberta are throwing a tantrum about the Mint’s plans to dump the Famous Five feminists of the 1920s from the $50 bill and replace them with a picture of an icebreaker. Like most pundits who take a thwack at the occasional issue of personages and emblems on our currency, the authors of these editorials act like they have never been east of Flin Flon.

I ask you to sincerely disregard the epic loathsomeness of the Famous Five — that quintet of unsmiling prohibitionists, pacifists, and white supremacists, at least three of whom bear direct personal responsibility for a four-decade regime of sexual sterilization of the “unfit” in Alberta. Leave aside, too, the fact that women would obviously have been admitted to the Senate soon enough if there had never been a Persons Case. No, I ask you merely to look at the people other countries put on their paper currency. With the exception of Australia, which shares our fetish for early female politicians utterly unknown elsewhere, you’ll find they mostly like to put world-historical figures on there. Japan honours Noguchi, who discovered the syphilis spirochete. England honours Darwin and Adam Smith. Sweden remembers Linnaeus and Jenny Lind. New Zealand commemorates Edmund Hillary and Ernest Rutherford.

He invites the readership to provide their choices for banknotization. I thought the obvious suggestion was to include Geddy Lee, Alex Lifeson, and Neil Peart — our Holy Trinity — on the banknotes.

1. Movies: The Hollywood product has regressed, though one can cite advances in 3-D and CGI as innovations in the medium if not always the aesthetics. The foreign product is robust in quality, though European films are not nearly as innovative as during the 1960s and 70s. Still, I don’t see a slowdown in global cinema as a whole.

2. TV: We just finished a major upswing in quality for the best shows, though I fear it is over, as no-episode-stands-alone series no longer seem to be supported by the economics.

3. Books/fiction: It’s wrong to call graphic novels “new,” but they have seen lots of innovation. If we look at writing more broadly, the internet has led to plenty of innovation, including of course blogs. The traditional novel is doing well in terms of quality even if this is not a high innovation era comparable to say the 1920s (Mann, Kafka, Proust, others).

4. Computer and video games: This major area of innovation is usually completely overlooked by such discussions.

He also includes something which — at least for me — counts as a “killer app” for this kind of discussion:

7. Your personal stream: This is arguably the biggest innovation in recent times, and it is almost completely overlooked. It’s about how you use modern information technology to create your own running blend of sources, influences, distractions, and diversions, usually taken from a blend of the genres and fields mentioned above. It’s really fun and most of us find it extremely compelling

That “personal stream” is so pervasive that we generally don’t notice that it’s a hallmark of the modern era. We don’t get our news from single sources anymore: not just a single local newspaper, or a single TV newscast. We can easily find like-minded communities for just about all our niche interests with relatively minimal effort. In the past, such communities were severely distance-challenged to even form, never mind to thrive.

That we now can easily control and direct our personal streams to include and exclude in such fine gradations is something that few could even imagine 20 years ago. In a sense, we all have “clipping services” providing us with interesting and relevant snippets, but we can literally have hundreds of such services — at little or no cost — to chase down our merest whims for fresh information. It doesn’t show up on the GNP as a gain, but it’s very much a differentiator between today and just a few years back. Yet we don’t notice because we’re immersed in it.