Published on 5 Jan 2017
This war was supposed to be over by Christmas 1914. Now, as 1917 dawned, the world still knew 10 active theatres of war around the globe: Western Front, Italian Front, Eastern Front, Macedonian Front, Caucasus Front, Persian Front, Libyan Front, Palestine, Mesopotamia and German East Africa – and still there was no end in sight, no quick victory to be had for any side.
January 6, 2017
January 5, 2017
We know almost nothing of the merchants who made ancient Greece rich enough to spawn an unprecedented culture, but we know lots about the deeds of those who squandered that wealth in war. “The history of antiquity resounds with the sanguinary achievements of Aryan warrior elites,” wrote the historian of antiquity Thomas Carney. “But it was the despised Levantines, Arameans, Syrians, and Greeklings who constituted the economic heroes of antiquity.”
Matt Ridley, “Waterloo or railways”, Matt Ridley Online, 2015-06-18.
December 28, 2016
The ancient Greeks worshiped Athena as the goddess of technē, the artifice of civilisation. She was the giver and protector of olive trees, of ships and of weaving (without which there would be no sails). When she and Odysseus scheme, they ‘weave a plan’. To weave is to devise, to invent – to contrive function and beauty from the simplest of elements. Fabric and fabricate share a common Latin root, fabrica: ‘something skillfully produced’. Text and textile are similarly related, from the verb texere, to weave. Cloth-making is a creative act, analogous to other creative acts. To spin tales (or yarns) is to exercise imagination. Even more than weaving, spinning mounds of tiny fibres into usable threads turns nothing into something, chaos into order.
‘The spindle was the first wheel,’ explains Elizabeth Barber, professor emerita of linguistics and archeology at Occidental College in Los Angeles, gesturing to demonstrate. ‘It wasn’t yet load-bearing, but the principle of rotation is there.’ In the 1970s, Barber started noticing footnotes about textiles scattered through the archaeological literature. She thought she’d spend nine months pulling together what was known. Her little project became a decades-long exploration that turned textile archaeology into a full-blown field. Textile production, Barber writes in Prehistoric Textiles (1991), ‘is older than pottery or metallurgy and perhaps even than agriculture and stock-breeding’.
Of course, pottery and metal artifacts survived the centuries much better than cloth, which is rarely found in more than tiny fragments. That’s one reason we tend to forget how important textiles were in the earliest economic production. We envision an ancient world of hard surfaces much as we imagine the First World War in black and white.
But before there was gold or silver currency, traders used cloth. In the 20th century BC, the Minoan kingdom on resource-poor Crete swapped wool and linen for the metals that its famed craftsmen, represented by the mythical Daedalus, used to create their wares. In the pre-monetary trade of the ancient Aegean and Anatolia, writes the archaeologist Brendan Burke in From Minos to Midas (2010), textile production was of ‘greater value and importance … than the production of painted clay pots, metal tools, and objects carved from precious metals: everyone depended on cloth’.
Archaeologists often track fabric production by what is left behind. Huge numbers of spindle whorls (usually of clay) survive, as do the clay loom weights that held vertically hung warp threads in tension. By counting the clay weights left from his workshops’ looms, writes Barber, ‘we can calculate that King Midas of Gordion could have kept over 100 women busy weaving for him, which makes him more than twice as rich as Homer’s fabulous King Alkinnoos [Alcinous, from the Odyssey], who had 50. No wonder the Greeks viewed Midas as synonymous with gold!’
December 9, 2016
Published on 8 Dec 2016
Field Marshal August von Mackensen gets a very special present for his birthday this week: Bucharest, the Romanian capital falls to the Central Powers. The Romanians reluctantly agree to destroying their grain and oil supplies on their retreat which are the two things Germany and Austria-Hungary desperately need to continue the war. Romania’s direct ally Russia has its own problems at the moment as the political game of thrones continues in Petrograd.
December 2, 2016
Published on 1 Dec 2016
The fighting at the Somme is over – for now. The numbers of casualties on both sides is staggering and for what? Indy reflects on this epitome of WW1 battles. And at the same time 100 years ago the fighting in Romania was far from over. The four Central Powers were still on the move and it did not look good for Romania which only joined the war a few months ago. The situation in Greece became ever more complicated and increasingly violent too.
October 16, 2016
It would be easy to diverge from this general overview into a detailed examination of the physics. This is because Epicurus seems to have been largely right. We now believe, as he did, that the universe is made of atoms, and if we do not now talk about motion, we do talk about energy and force. His physics are an astonishing achievement.
Of course, he was often wrong. He denigrated mathematics. He seems to have believed that the sun and moon were about the same size as they appear to us. Then there is an apparent defect in his conception of the atomic movements. Does the universe exist by accident? Or are their laws of nature beyond the existence and movement of the atoms? The first is not impossible. An infinite number of atoms in an infinite void over infinite time will, every so often, come together in an apparently stable universe. They may also hold together, moving in clusters in ways that suggest regularity. But this chance combination might be dissolved at any moment — though, given every sort of infinity, some of these universes will continue for long periods.
If Epicurus had this first in view, what point in trying to explain present phenomena in terms of cause and effect? Causality only makes sense on the assumption that the future will be like the past. If he had the second in mind, it is worth asking what he thought to he nature of these laws? Might they not, for example, have had an Author? Since Newton, we have contented ourselves with trying to uncover regularities of motion and not going beyond these. But the Greeks had a much stronger teleological sense.
Perhaps these matters were not discussed. Perhaps they were discussed, but we have no record of them in the surviving discussions. Or perhaps they have survived, but I have overlooked them. But it does seem to me that Epicurean physics do not fully discuss the nature of the laws that they assume.
On the other hand, let me quote two passages from his surviving writings:
Moreover, there is an infinite number of worlds, some like this world, others unlike it. For the atoms being infinite in number… are borne ever further in their course. For the atoms out of which a world might arise, or by which a world might arise, or by which a world might be formed, have not all be expended on one world or a finite number of worlds, whether like or unlike this one. Hence there will be nothing to hinder and infinity of worlds….
And further, we must not suppose that the worlds have necessarily one and the same shape. For nobody can prove that in one sort of world there might not be contained, whereas in another sort of world there could not possibly be, the seeds out of which animals and plants arise and the rest of the things we see.
What we have here is the admission that there may, in the infinite universe, be other worlds like our own, and these may contain sentient beings like ourselves. And there may be worlds inconceivably unlike our own. And there is the claim that living beings arise and develop according to natural laws. Epicurus would not have been surprised either by modern physics or by Darwinism. […]
However, while the similarities between Epicurean physics and modern science are striking, there is one profound difference. For us, the purpose of science is to give us an understanding of the world that brings with it the ability to control the world and remake it for our own convenience. This is our desire, and this has been our achievement because we have fully developed methods of observation and experiment. The Greeks had limited means of observation — no microscopes or telescopes, nor even accurate clocks. Nor had they much conception of experiment.
Moreover, scientific progress was neither conceived by Epicurus nor regarded as desirable. He says very emphatically:
If we had never been troubled by celestial and atmospheric phenomena, nor by fears about death, nor by our ignorance of the limits of pains and desires, we should have had no need of natural science.
He says again:
…[R]emember that, like everything else, knowledge of celestial phenomena, whether taken along with other things or in isolation, has no other end in view than peace of mind and firm convictions.
Sean Gabb, “Epicurus: Father of the Englightenment”, speaking to the 6/20 Club in London, 2007-09-06.
October 4, 2016
The biggest misconception appears to be that the Byzantine Empire was a sterile, gloomy place, devoid of interest to anyone but Orthodox Christians or historians who are the scholarly equivalent of train spotters. There is enough truth in this charge for it to have stuck in the popular imagination for the past few centuries. With exceptions like Cecelia Holland’s Belt of Gold, there is no Byzantine sub-genre in historical fiction. I can think of no British or American films set in Constantinople after about the year 600 – and few before then.
Undoubtedly, the Byzantines made little effort to be original in their literature. But they had virtually the whole body of Classical Greek literature in their libraries and in their heads. For them, this was both a wonderful possession and a fetter on the imagination. It was in their language, and not in their language. Any educated Byzantine could understand it. But the language had moved on – changes of pronunciation and dynamics and vocabulary. The classics were the accepted model for composition. But to write like the ancients was furiously hard. Imagine a world in which we spoke Standard English, but felt compelled, for everything above a short e-mail, to write in the language of Shakespeare and the Authorised Version of the Bible. Some of us might manage a good pastiche. Most of us would simply memorise the whole of the Bible, and, overlooking its actual content, write by adapting and rearranging remembered clauses. It wouldn’t encourage an original literature. Because Latin soon became a completely foreign language in the West – and because we in England were so barbarous, we had to write in our own language – Western Mediaeval literature is often a fine thing. The Byzantine Greeks never had a dark age in our sense. Their historians in the fifteenth century wrote up the fall of Constantinople to the Turks in the same language as Thucydides. Poor Greeks.
But you really need to be blind not to see beauty in their architecture and their iconography. Though little has survived, they were even capable of an original reworking of classical realism in their arts.
Richard Blake, interviewed by Jennifer Falkner, 2014-06-23.
September 7, 2016
For Plato, the world of appearance was a kind of dream, and the real world was something that only the initiated could begin to understand through logic and mathematics, and perhaps a dash of magic. So far as it existed, matter was evil, and the universe was strictly bounded in space and time.
For Epicurus, the world of appearance was the real world. There is a void, or vacuum, which is infinite in space and time. It has always existed. It will always exist. It goes on forever and ever. In this void is an infinite number of atoms. These are very small, and therefore imperceptible, but indivisible particles of matter. They have always existed and will always exist. They are all moving through the void at an incredibly rapid and uniform speed. The world as we see it is based on combinations of these atoms. Every atom is hooked, and the collision of atoms will sometimes lead to combinations of atoms into larger structures, some of which endure and some of which we can eventually perceive with our senses. All observed changes in the world are the result of redistributions of the invisible atoms that comprise it.
Though we are not able to see these atoms, we can infer their existence by looking at the world that our senses can perceive. All events — the wearing away of a rock by water, for example, or the growth of crystals or trees — can be fully explained by an atomic hypothesis. Since there is nothing that cannot be so explained, there is no need of any other hypotheses. In a surviving explanation of his method, he says:
…[I]n our study of nature we must not conform to empty assumptions and arbitrary laws, but follow the prompting of the facts.
Everything in the universe is made of atoms. We are made of atoms. Our souls are made of very fine atoms. Our senses work because every other physical object is continually casting off very thin films of atoms that represent it exactly as it is. These films strike on our senses and give us vision and sound. Heat is produced by the vibration of atoms temporarily trapped in structures that prevent them from their natural onward motion.
Whether or not anyone can at any moment think of a likely explanation, all events in the universe can be explained in purely naturalistic terms. Assuming atoms and motion, no further hypotheses are needed to explain the world.
Epicurus was not the first to explain the world by an atomic hypothesis. That was Democritus (460-370 BC). But he seems to have developed the hypothesis with a consistency and detail that took it far beyond anything that earlier philosophers had conceived.
Perhaps his most notable innovation is the doctrine of the swerve. There are two objections to the atomism of Democritus. The first is that if the atoms are all moving at the same speed and in the same direction, like drops of rain, there is no reason to suppose they will ever collide and form larger compounds. The second is that if they are not moving in the same direction, they will collide, but they will form a universe locked into an unbreakable sequence of cause and effect. This conflicts with the observed fact of free will.
And so Epicurus argues that every atom is capable of a very small and random deviation from its straight motion. This is enough to give an indeterminacy to the universe that does not conflict with an overall regularity of action.
Sean Gabb, “Epicurus: Father of the Englightenment”, speaking to the 6/20 Club in London, 2007-09-06.
September 4, 2016
Again, the laws and customs relating to the acquisition of wealth are better in Rome than at Carthage. At Carthage nothing which results in profit is regarded as disgraceful; at Rome nothing is considered more so than to accept bribes and seek gain from improper channels. For no less strong than their approval of money-making is their condemnation of unscrupulous gain from forbidden sources. A proof of this is that at Carthage candidates for office practise open bribery, whereas at Rome death is the penalty for it. Therefore as the rewards offered to merit are the opposite in the two cases, it is natural that the steps taken to gain them should also be dissimilar.
But the quality in which the Roman commonwealth is most distinctly superior is in my opinion the nature of their religious convictions. I believe that it is the very thing which among other peoples is an object of reproach, I mean superstition, which maintains the cohesion of the Roman State. These matters are clothed in such pomp and introduced to such an extent into their public and private life that nothing could exceed it, a fact which will surprise many. My own opinion at least is that they have adopted this course for the sake of the common people. It is a course which perhaps would not have been necessary had it been possible to form a state composed of wise men, 11 but as every multitude is fickle, full of lawless desires, unreasoned passion, and violent anger, the multitude must be held in by invisible terrors and suchlike pageantry. For this reason I think, not that the ancients acted rashly and at haphazard in introducing among the people notions concerning the gods and beliefs in the terrors of hell, but that the moderns are most rash and foolish in banishing such beliefs. The consequence is that among the Greeks, apart from other things, members of the government, if they are entrusted with no more than a talent, though they have ten copyists and as many seals and twice as many witnesses, cannot keep their faith; whereas among the Romans those who as magistrates and legates are dealing with large sums of money maintain correct conduct just because they have pledged their faith by oath. Whereas elsewhere it is a rare thing to find a man who keeps his hands off public money, and whose record is clean in this respect, among the Romans one rarely comes across a man who has been detected in such conduct…
Polybius, Histories VI, 56.
August 26, 2016
Published on 25 Aug 2016
NOTE: We are still on the road and won’t be able to answer many comments. Greetings from Lviv, Ukraine!
The Salonica Front was supposed to be a backdoor to the Austro-Hungarian Empire and for supporting the Serbian Army when the first Entente troops landed there. But their presence in Salonica was growing and bigger. With the return of the Serbian troops from Corfu and new support by the Russians and Italians, the Allies were now fielding a Five Nation Army here.
August 23, 2016
Published on 22 Aug 2016
Greece was officially neutral in World War 1. Surrounded by warring nations and under the influence of the great powers, Greek unity was tested during the war in a time of National Schism.
August 8, 2016
While I sometimes feel old enough to have construed Latin in school, it departed the curriculum a few years before I reached high school. As a result, while I was vaguely aware of the Loeb Classical Library, I never had a need to obtain or depend on them for my academic career (thank goodness). Back in 2011, John Talbot described them as the “bright ghosts of antiquity” for New Criterion:
The gist of an old joke — it has a dozen local iterations — is that the Loeb Classical Library translations are so baffling that you have to consult the original Greek or Latin on the left-hand page to decipher the English translation on the right.
Funny or not, the wisecrack catches the condescension long directed at the Loebs, that venerable series of Greek and Latin classics in uniform volumes with facing English translations. Professors of classics in particular used to frown upon them. Until recently, merely to be seen on campus with a Loeb was to court scandal. There were gradations of disgrace. Those Loeb editions of Boethius, Bede, and Augustine I saw on the shelves of the professor who taught me Anglo-Saxon: those were permissible for an English scholar. But I, as a classics major, was to eschew the very same volumes. Even as an undergraduate, though I prized my Loeb edition of The Republic, edited and imaginatively annotated by Paul Shorey, I knew better than bring it to my seminar on Plato. That same tact — that same hypocrisy — accounts for the care I took, as a graduate student, to avoid detection as I sifted the used bookshops of Cambridge for second-hand Loebs. For many of us, the pleasure we took in the Loebs was tinged with guilt.
But attitudes are changing. Once treated as evidence of the decline of Western civilization, the Loeb Classical Library is now, in its centennial year, more often regarded as, if not quite a pillar of our culture, at least one of its more enduring and useful props. The centenary invites consideration of how the Loebs have both reflected and, increasingly, shaped our literary culture.
First, to deal with that joke: Are the Loeb translations really so convoluted? They are not. What is true, though not true enough to justify the slur, is that some of the translations, especially those of the Library’s first few decades, do make hard going for the reader, not because they are incomprehensible but because they are written in one of two different varieties of translationese. About the first kind, the Times Literary Supplement reviewer got it right when he complained that the 1913 Loeb Catullus was translated not into English exactly, but that other dialect, “the construing lingo beloved of schoolboys, but abhorred by man and gods.” He had in mind such clunking touches as “remains to be slept the sleep of one unbroken night” for Catullus’ suave nox est perpetua una dormienda, a solution which confirms, as though to satisfy a schoolteacher, the translator’s grasp of the future perfect passive, whatever the cost to English idiom.
H/T to Never Yet Melted for the link.
May 29, 2016
Ancient critics of Athenian democracy, such as Plato and Thucydides, argued that the state was dysfunctional because the citizens who ruled it through direct democracy were often too ignorant and irrational to make good decisions. For example, Thucydides claimed that Athens launched the disastrous Sicilian expedition, which led to the fall of the Athenian Empire, because the ignorant citizens had no idea how large and populous the island of Sicily was, and thus were easily snookered by demagoguery in favor of the ill-advised high-risk venture.
For centuries, critics of democracy pointed to Athens as a prime example of why the ignorant masses should be barred from wielding political power, especially directly. These critiques of Athens had a major impact on the American Founding Fathers. They were a key factor leading them to include a number of anti-democratic features in our Constitution.
The good news is that modern scholarship suggests that Athenian voters were more knowledgeable and did a much better job of making decisions than the longstanding conventional wisdom supposes. The bad news is that ancient Athenian citizens could avoid some of the pitfalls of ignorance in part because they had important advantages that voters in modern democracies mostly lack. Relative to modern counterparts, ancient Athenian voters dealt with a government with a much narrower range of functions, had far stronger incentives to acquire relevant knowledge, and often had direct personal experience with the most important functions of the state, which made it easier for them to assess leaders’ performance. I summarized these points in greater detail in this review essay. While ancient Athenian democracy did a better job of surmounting political ignorance than it is often given credit for, some of the reasons for its relative success should lead us to be more rather than less concerned about the enormous extent of political ignorance today. Jonathan Gruber’s assessment of the American voter may be more accurate than Thucydides’ take on ancient Athens.
It’s also worth remembering that, by modern standards, Athens was closer to being a narrow oligarchy than a democracy. Because women, slaves, and the city’s large population of resident noncitizens were excluded from the franchise, only a small fraction of the adult population actually got to participate in politics (though still a much larger one than in most other ancient states). Athens’ enemies often saw it as a nightmare of democratic egalitarianism run amok. But that was because their own oligarchies were far narrower still.
Ilya Somin, “The modern case for studying ancient Athenian democracy”, The Volokh Conspiracy, 2015-01-30.
April 21, 2016
I discovered the Greeks when I was eight, and I came across a copy of Roger Lancelyn-Green’s retelling of The Iliad. I was smitten at once. There was something so wonderfully grand, yet exotic, about the stories. I didn’t get very far with it, but I found a copy of Teach Yourself Greek in the local library and spent weeks puzzling over it. Over the next few years, I read my way through the whole of Greek and Roman mythology, and was drawn into the history of the whole ancient world.
When I was twelve, my classical leanings took me in a new, if wholly predictable, direction. The sexual revolution of the 70s hardly touched most South London schoolboys. The one sex education lesson I had was a joke. Porn was whatever I could see without my glasses in the swimming pool. So I taught myself Latin well enough to read the untranslated naughty bits in the Loeb editions of the classics. The librarians in Lewisham were very particular in those days about what they allowed on their shelves. They never questioned the prestige of the classics, or thought about what I was getting them to order in from other libraries. With help from Martial and Suetonius and Ausonius, among others, I’d soon worked out the mechanics of all penetrative sex, and flagellation and depilation and erotic dances; and I had a large enough fund of anecdotes and whole stories to keep my imagination at full burn all though puberty.
Then, as I grew older, I realised something else about the Greeks — something I’d always known without putting it into words. There’s no doubt that European civilisation, at least since the Renaissance, has outclassed every other. No one ever gathered facts like we do. No one reasoned from them more profoundly or with greater focus. No one approached us in exposing the forces of nature, and in turning them to human advantage. We are now four or five centuries into a curve of progress that keeps turning more steeply upwards. Yet our first steps were guided by others — the Greek, the Romans, the Arabs, and so forth. If we see further than they do, we stand on the backs of giants.
The Greeks had no one to guide them. Unless you want to make exaggerated claims about the Egyptians and Phoenicians, they began from nothing. Between about 600 and 300 BC, the Greeks of Athens and some of the cities of what is now the Turkish coast were easily the most remarkable people who ever lived. They gave us virtually all our philosophy, and the foundation of all our sciences. Their historians were the finest. Their poetry was second only to that of Homer — and it was they who put together all that we have of Homer. They gave us ideals of beauty, the fading of which has always been a warning sign of decadence; and they gave us the technical means of recording that beauty. Again, they had no examples to imitate. They did everything entirely by themselves. In a world that had always been at the midnight point of barbarism and superstition, they went off like a flashbulb; and everything good in our own world is part of their afterglow. Every renaissance and enlightenment we have had since then has begun with a rediscovery of the ancient Greeks. Modern chauvinists may argue whether England or France or Germany has given more to the world. In truth, none of us is fit to kiss the dust on which the ancient Greeks walked.
How can you stumble into their world, and not eventually be astonished by what the Greeks achieved? From the time I was eight, into early manhood, I felt wave after wave of adoration wash over me, each one more powerful than the last.
Richard Blake, “Interview with Richard Blake”, 2014-03-14.
March 14, 2016
the historical novel as we know it emerged at the end of the 18th century. The great historians of that age — Hume, Robertson, Gibbon and others — had moved far towards what may be called a scientific study of the past. They tried to base their narratives on established fact, and to connect them through a natural relationship of cause and effect. It was a mighty achievement. At the same time, it turned History from a story book of personal encounters and the occasional miracle to something more abstract. More and more, it did away with the kind of story that you find in Herodotus and Livy and Froissart. As we move into the 19th century, it couldn’t satisfy a growing taste for the quaint and the romantic.
The vacuum was filled by a school of historical novelists with Sir Walter Scott at its head. Though no longer much read, he was a very good novelist. The Bride of Lammermoor is one of his best, but has been overshadowed by the Donizetti opera. I’ve never met anyone else who has read The Heart of Midlothian. But Ivanhoe remains popular, and is still better than any of its adaptations. Whether still read or not, he established all the essential rules of historical fiction. The facts, so far as we can know them, are not to be set aside. They are, however, to be elaborated and folded into a coherent fictional narrative. Take Ivanhoe. King Richard was detained abroad. His brother, John, was a bad regent, and may not have wanted Richard back. There were rich Jews in England, and, rather than fleecing them, as the morality of his age allowed, John tried to flay them. But Ivanhoe and Isaac of York, and the narrative thread that leads to the re-emergence of King Richard at its climax — these are fiction.
I try to respect these conventions in my six Aelric novels. Aelric of England never existed. He didn’t turn up in Rome in 609AD, to uncover and foil a plot that I’d rather not discuss in detail. He didn’t move to Constantinople in 610, and become one of the key players in the revolution that overthrew the tyrant Phocas. He wasn’t the Emperor’s Legate in Alexandria a few years later. He didn’t purify the Empire’s silver coinage, or conceive the land reforms and cuts in taxes and government spending that stabilised the Byzantine Empire for about 400 years. He didn’t lead a pitifully small army into battle against the biggest Persian invasion of the West since Xerxes. He had nothing to do, in extreme old age, with Greek Fire. Priscus existed, and may have been a beastly as I describe him. I find it reasonable that the Emperor Heraclius was not very competent without others to advise him. But the stories are fabrications. They aren’t history. They are entertainment.
Even so, they are underpinned by historical fact. The background is as nearly right as I can make it. I’ve read everything I could find about the age in English and French and Latin and Greek. I’ve read dozens of specialist works, and hundreds of scholarly articles. My Blood of Alexandria is a good introduction to the political and religious state of Egypt on the eve of the Arab invasions. My Curse of Babylon is a good introduction to the Empire as a whole in the early years of the 7th century. The only conscious inaccuracy in all six novels comes in Terror of Constantinople, where I appoint a new Patriarch of Constantinople several months after the actual event. I did this for dramatic effect — among much else, it let me parody Tony Blair’s Diana Funeral reading — but I’ve felt rather bad about it ever since. This aside, any university student who uses me for background to the period that I cover will not be defrauded.
There’s nothing special about this. If you want to know about Rome between Augustus and Nero, the best place to start is the two Claudius novels by Robert Graves. Mary Renault is often as good [as] Grote or Bury on Classical Greece — sometimes better in her descriptions of the moral climate. Gore Vidal’s Julian is first class historical fiction, and also sound biography. Anyone who gets no further than C.S. Forrester and Patrick O’Brien will know the Royal Navy in the age of the French Wars. Mika Waltari is less reliable on the 18th Dynasty in The Egyptian. In mitigation, we know very little about the events and family relationships of the age between Amenhotep III and Horemheb. He wrote a memorable novel despite its boggy underpinning of fact.
I could move from here to talking about bad historical novels. But I won’t. “Judge not, lest ye be judged” is the proper text for anyone like me to bear in mind. What I will do instead is talk about some of the technical difficulties of writing historical fiction. The first is one of balance. If you write a novel about Julius Caesar or Alexander the Great, you start with certain advantages. We all know roughly who these people were. We already have Rex Warner and Robert Graves and Mary Renault. We have all the films and television serials and documentaries. We know that Rome was a collapsing republic before it became an Empire, and that Alexander got as far as India, and died in Babylon. Everyone has heard of Cicero and Aristotle. It’s the same with novels set in the Second World War, or the reign of Elizabeth I. You can give the occasional spot of background, but largely get on with the narrative.
Richard Blake, “Interview with Richard Blake”, 2014-03-14.