April 11, 2016
March 7, 2016
Published on 6 Mar 2016
A promotional and informational short produced by New Horizon Films (with support from the NFB) for the Department of National Defense. The film follows a set of new recruits through officer training at the facility in Chilliwack B.C. Directed and photographed by Robert S. Rodvik; sound recording and editing by Michael J. Collier; technical advisors: Captain Stu Harper and Captain Grant Russell; music composed by Captain John Montminy; Narrated by Chad Miller; music performed by Canadian Forces Naden Band; Esquimalt B.C. “Can you be a leader?” won a Certificate of Excellence – Training at the U.S. Industrial Film Festival.
This film has been made available courtesy the City of Vancouver Archives at http://vancouver.ca/your-government/city-of-vancouver-archives.aspx Reference code: AM1553-2-S2-: MI-272
January 16, 2016
Brendan O’Neill on the attempt to portray David Bowie’s career as something other than music, showbiz, and a set of unevenly brilliant self-marketing abilities:
Poor David Bowie. Barely 72 hours dead and he’s already being misremembered. Turn on the TV and you’ll see cultural talking heads telling the world he was the granddaddy of transgenderism. Open a newspaper and you’ll come across 800-word PhD theses masquerading as op-eds, informing us Bowie paved the way for the “gender fluidity” of the 21st century, the fashion for declaring oneself neither male nor female, but rather non-binary, or genderqueer, and whatever the other post-gender labels are. (It’s easy to lose track. Last year Facebook increased its gender options from 50 to 71, overnight. Presumably some professor suddenly discovered 21 hitherto unknown genders.)
It is a blot on Bowie’s good name to link him with the politics of transgenderism. Just because in the early Seventies he rocked the cultural world by coating himself in makeup and donning dayglo jumpsuits with vertigo-inducing platform shoes, that doesn’t mean he was transgender, far less that he facilitated modern transgenderism. On the contrary, there’s a stark difference between Bowie’s cross-dressing antics and today’s seemingly catching gender dysphoria: Where Bowie and other queens and freaks in the Sixties and Seventies were flipping a beautifully manicured finger at authority, modern transgenderism seeks to become its own form of authority, chastising and censoring those who dare dissent from its theology. The glam crowd broke boundaries; the trans elite enforces new ones.
Bowie’s death had barely been tweeted before people were hailing him the trans messiah. A British newspaper said that 40 years ago Bowie had flown “the flag for the non-binary movement.” Which is patent nonsense, since nobody — certainly not this contrarian lad from Brixton in South London — was using the turgid phrase “non-binary” in the early 1970s.
January 6, 2016
Look, part of the whole problem with the deinstitutionalisation of the mentally ill, which goes all the way back to the early seventies at least, and as far as theory is concerned probably a lot further, is that health professionals started, DELIBERATELY blurring the lines between mental illness and mental health.
Part of this was – I think – a genuine effort to make it possible for some people classified as “mentally ill” to be able to make a go of it in the community. A lot of new psychiatric drugs had been discovered which, while they didn’t heal, masked the symptoms of mental illness and therefore made it possible for these people to integrate in normal society – provided they would take their meds (more on that later.)
The other part – I know, my SIL took the mental-health portion of her MD in the late seventies – was the insane “equivalence brigade” which tried very hard to convince themselves that the US too did EXACTLY the same things the USSR did. Since the USSR put political dissenters in mental hospitals, then the people in US hospitals MUST be also political dissenters. This was hard to prove, since the Soviet system provided ideological support for mental treatment of dissenters: i.e. the Marxist system was perfect, so anyone disagreeing must be mad, while the American system mostly tried to get people off the streets who would do harm to themselves and/or others. However the medical profession found their justification in an upside-down of the Marxist system. Since Capitalism was bad for humans and other living things, then everyone who went mad under capitalism were, ipso facto, political dissenters. So, if you happened to be a woman who liked to throw rocks at strangers and go into bizarre monologues on the subject of cabbage, you weren’t mad, you were a feminist protesting male aggression.
Now I have no proof this was intentional or a coordinated AGITPROP operation. It’s entirely possible it was (merely) the predictable mix of ill-intentioned agents and well-intentioned idiot fellow travelers.
However the end result was making people too crazy to live alone into political victims and incidentally to give the USSR room to claim the capitalist system created homelessness.
Sarah A. Hoyt, “I’m Not Crazy, I’m Just A Little Unwell – A blast from the past post 10/12”, According to Hoyt, 2015-10-12.
December 22, 2015
Published on 5 Oct 2013
I know there’s a good few copies of this out on YouTube, but here it is, again! The other copies were either split up into individual tracks, the best complete one (from BBC Four’s rebroadcast in 2009) had the wrong aspect ratio, which annoyed the hell out of me! So, here this is…
Video and audio have been tidied up very slightly, not much was needed!
Kate Bush – Christmas Special
(Gymnopédie No.1 – composed by Erik Satie) 03:44
Symphony In Blue 04:44
Them Heavy People 08:20
(Intro for Peter Gabriel) 12:52
Here Comes The Flood (Peter Gabriel) 13:22
Ran Tan Waltz 17:02
December Will Be Magic Again 19:43
The Wedding List 23:35
Another Day (with Peter Gabriel) 28:05
The Man With The Child In His Eyes 36:21
Don’t Push Your Foot On The Heartbreak 39:24
“I was recently asked about this BBC TV special and I thought I’d share my comments here. Kate: Kate Bush Christmas Special is a stage performance by Kate Bush with her special guest Peter Gabriel. Though most of the songs are not holiday ones, they come from Bush’s first three albums (Never for Ever her third album would be released in 1980 after this 1979 TV special was taped). The performances include costumes, choreographed dances and a wind machine, creating an eclectic music TV special to say the least.
This is one of the programs that makes my research quite difficult — because it calls itself a Christmas Special yet it contains only one performance of a Christmas song “December Will Be Magic Again” (a song that wouldn’t be released as a single by Bush until the following year, in 1980). TV programming that calls itself a Christmas Special and yet contains little to no Christmas entertainment is actually quite common — especially on the BBC.
Between the end of November and the end of December each year, there is quite a bit of special programming on television. Remember Elvis’ 1968 Comeback Special — it aired in December that year and includes only one holiday song, a performance of “Blue Christmas.” Is it considered a Christmas special? No, not really. And so, despite its title, the lack of holiday programming in Kate Bush’s 1979 TV special means it shouldn’t be considered a Christmas special either. But the Kate Bush Christmas Special is certainly worth watching!”
H/T to Ghost of a Flea for the link.
August 3, 2015
Published on 25 Feb 2015
If price controls have negative consequences, why do governments enact them? Let’s revisit our example of President Nixon’s wage and price controls in the 1970s. These price controls were popular, as is demonstrated by Nixon being re-elected after they went into effect. The public didn’t think that the price controls were to blame for things such as long lines at the fuel pump. Without knowledge of the economics behind price controls, the public blamed foreign oil cartels and oil companies for the shortages.
In this video we’ll also address questions such as: do price controls — like rent controlled apartments and the minimum wage — help the poor? Are there better ways to help the poor? If so, what are they? Let’s find out.
July 14, 2015
Published on 7 Jul 2015
Al Stewart – Time Passages 1979
It was late in December, the sky turned to snow
All round the day was going down slow
Night like a river beginning to flow
I felt the beat of my mind go
Drifting into time passages
Years go falling in the fading light
Buy me a ticket on the last train home tonight
Well I’m not the kind to live in the past
The years run too short and the days too fast
The things you lean on are the things that don’t last
Well it’s just now and then my line gets cast into these
There’s something back here that you left behind
Oh time passages
Buy me a ticket on the last train home tonight
Hear the echoes and feel yourself starting to turn
Don’t know why you should feel
That there’s something to learn
It’s just a game that you play
Well the picture is changing
Now you’re part of a crowd
They’re laughing at something
And the music’s loud
A girl comes towards you
You once used to know
You reach out your hand
But you’re all alone, in these
I know you’re in there, you’re just out of sight
Buy me a ticket on the last train home tonight
July 9, 2015
Published on 25 Feb 2015
Suppose there is a mild winter on the West Coast and a harsh winter on the East Coast. As a result of the weather, people on East Coast will demand more home heating oil, bidding up the price. Under the price system, entrepreneurs will be incentivized to take oil from where it has lower value on West Coast to where it has higher value on the East Coast. But when price controls are in place, even though the demand is still there from the East Coast, there is no signal of a higher price, eliminating the incentive for entrepreneurs to transport oil from west to east. In fact, this happened in the 1970s, resulting in oil going to lower valued uses on the West Coast while many people on the East Coast didn’t have enough oil to heat their homes. In this video, we’ll look at a diagram to visualize this misallocation of resources.
July 5, 2015
While I don’t think I ever saw an episode of the British sitcom The Good Life, I’ve read a fair bit about it in passing, as it is one of the mass media touchstones used by Dominic Sandbrook in his series of hefty tomes about British life from the 60s onwards. In short, a middle-aged couple bail on their middle-class lives and try to set up a self-sufficient lifestyle on their (fully paid-off) house in the suburbs. The interaction between the couple and their still-living-the-middle-class-life next-door neighbours provides much of the humour for the show. Based on that, I must heartily agree with David Thompson’s explanation of the show:
… Tom and Barbara’s experiment in “self-sufficiency” wasn’t particularly self-sufficient. They don’t prevail in the end, not on their own terms or in accord with their stated principles, and their inability to do so is the primary source of story lines. Practically every week the couple’s survival is dependent on the neighbours’ car, the neighbours’ chequebook, the neighbours’ unpaid labour, a convoluted favour of some kind. And of course they’re dependent on the “petty” bourgeois social infrastructure maintained by all those people who haven’t adopted a similarly perilous ‘ecological’ lifestyle. The Goods’ “non-greedy alternative” to bourgeois life is only remotely possible because of their own previous bourgeois habits — a paid-off mortgage, a comfortable low-crime neighbourhood with lots of nearby greenery, and well-heeled neighbours who are forever on tap when crises loom, i.e., weekly.
To seize on The Good Life as an affirmation of eco-noodling and a “non-greedy alternative” to modern life is therefore unconvincing, to say the least. The Goods only survive, and then just barely, because of their genuinely self-supporting neighbours — the use of Jerry’s car and chequebook being a running gag throughout. And insofar as the series has a feel-good tone, it has little to do with championing ‘green’ lifestyles or “self-sufficiency.” It’s much more about the fact that, despite Tom and Barbara’s dramas, bad choices and continual mooching, and despite Margo’s imperious snobbery, on which so much of the comedy hinges, the neighbours remain friends. If anything, the terribly bourgeois Margo and Jerry are the more plausible moral heroes, given all that they have to put up with and how often they, not Tom’s principles, save the day.
July 2, 2015
While other literary novelists tended to steer clear of such contentious territory, the writers of cheap thrillers had no such inhibitions. In Pamela Kettle’s hilariously bad The Day of the Women (1969), a feminist political party, IMPULSE, wins the 1975 general election and inaugurates a reign of terror. “A female Prime Minister … human stud farms run by women … mass rallies at Buckingham Palace to celebrate the day of the dominating woman”: all were signs of “high-heeled fascism, a dictatorship of unbridled power lust”, according to the paperback blurb. The master of this kind of thing, though, was the pulp science-fiction writer Edmund Cooper, whose views on women’s liberation were full-bodies, to say the least. In an interview with Science Fiction Monthly in 1975, he commented that men were right to be suspicious of high-flying career women, because “most women are going to get themselves impregnated and piss off shortly after they’ve mastered the job and got themselves a decent salary”. He was in favour of “equal competition”, though, because then “they’ll see that they can’t make it. We have had free education in this country for a great many years, but where are the good female mathematicians? Where are the good female scientists? Where are the female Beethovens? They’ve gone back home to wash the dishes and produce children.”
These views shone through in his books: in Five to Twelve (1968), for example, twenty-first-century Britain is run entirely by women, with men reduced to “chattels”, not only few in number but physically dwarfed by their Amazonian mistresses. This terrible situation, we discover, is all down to the Pill, which liberated women from their own biology and made them “both in the literal and in the metaphorical sense, impregnable”. One man, a “troubador” with the bizarre name of Dion Quern, tries to resist, but, like Orwell’s Winston Smith, he meets a tragic conclusion. In Who Needs Men?, meanwhile, twenty-fifth-century Britain is again dominated by women, lesbian orgies are all the rage and Nelson’s Column has been renamed Germaine’s Needle. The plot follows the adventures of Rura Alexandra, “Madam Exterminator”, who is leading the effort to wipe out the last men hiding in the Scottish Highlands. But even she is vulnerable to the most dangerous weapon of all — love — as she falls for her opponent, Diarmid MacDiarmid, “the last remaining rebel chieftain”.
Dominic Sandbrook, State of Emergency — The way we were: Britain 1970-1974, 2010.
June 29, 2015
Published on 25 Feb 2015
Price ceilings result in five major unintended consequences, and in this video we cover two of them. Using the supply and demand curve, we show how price ceilings lead to a shortage of goods and to low quality goods. Prices are signals that indicate to suppliers how much is being demanded, but when prices are kept artificially low with price ceilings, suppliers have no way of knowing how many goods they should produce and sell, leading to a shortage of goods. Quality also decreases under price controls. Do you ever wonder why the quality of customer service at Starbucks is generally better than at the DMV? The answer lies in incentives and price ceilings. We’ll discuss further in this video.
June 27, 2015
Published on 25 Feb 2015
In 1971, President Nixon, in an effort to control inflation, declared price increases illegal. Because prices couldn’t increase, they began hitting a ceiling. With a price ceiling, buyers are unable to signal their increased demand by bidding prices up, and suppliers have no incentive to increase quantity supplied because they can’t raise the price.
What results when the quantity demanded exceeds the quantity supplied? A shortage! In the 1970s, for example, buyers began to signal their demand for gasoline by waiting in long lines, if they even had access to gasoline at all. As you’ll recall from the previous section on the price system, prices help coordinate global economic activity. And with price controls in place, the economy became far less coordinated. Join us as we look at real-world examples of price controls and the grave effects these regulations have on trade and industry.
April 3, 2015
The gap between Americans raised before World War II and after was huge in a way that’s difficult to recall for those of us who came of age after the ’60s. Greatest Generation parents who might have grown up without on-demand indoor plumbing and survived the Depression and fighting in Europe, the Pacific, North Africa, and Korea came from a different planet than the one on which they raised their kids. To their credit, they bequeathed to the baby boomers a world that was still full of major problems but one that was much richer and full of opportunities. And to their credit, the boomers (of which I’m a very late example, having been born in 1963) readily went about using new opportunities and freedoms (expressive, sexual, educational, economic) to build the world they wanted to live in.
In the late ’60s and a good chunk of the ’70s, youth-oriented pop music was central to that project. Whatever you might think of the Beatles’ music, their very existence — and their constant self-recreations — made everything seem possible. They were far from alone as pop music maguses, too.
Simply by talking with major pop figures, Rolling Stone could be a vital and compelling magazine because it served as something like a boomer conversation pit. Over time, however, music stopped playing the same sort of vital role in generational conversations — don’t get me wrong, it’s still a part of it all. But as the mainstream in every area of life splintered and recombined into a million different subspecies, no single form of cultural expression matters so much to so many people anymore.
That’s a good thing for the culture and the country (and the planet, really), but Rolling Stone has been looking for a replacement core identity for decades now. The magazine that once published New Journalism masterpieces about David Cassidy and stardom, Patty Hearst’s rescuers, and “Charlie Simpson’s Apocalypse” had trouble figuring out how to deal with a world in which pop and movie stars were less interesting than ever (and more disciplined in terms of talking with the press) and in which men and women of good faith might actually disagree over complicated aesthetic and ideological matters. There has been a lot of good writing and reporting over the years, but there’s no question, I think, that the magazine is chasing trends and insights rather than creating them.
In a world in which pop culture — especially youth-oriented pop culture — allows a thousand flowers to bloom in a way that was unimaginable even 40 years ago, Rolling Stone can no longer get by simply by talking with Patti Smith or John Lennon or Bob Dylan for 25,000 words at a time. It might have reinvented itself as a clubhouse where people who love music or movies or whatever could get together to argue over politics, economics, and policy. That could indeed be interesting, especially in a world where large chunks of young Americans are going right, left, and especially libertarian. Just as there is no longer one dominant mode of music, there is no longer one dominant mode of politics.
But the people at the helm of Rolling Stone cannot seemingly even acknowledge that anyone who might disagree with them on, say, the effects of minimum wage laws on the poor, is worth a second thought. All they can do, out of a sense of liberal guilt, is publish radical calls to arm that they must know are ridiculous. Sadly, a magazine that was once required reading for anyone who wanted to know what the younger generation cared about is now a pedantic, insecure, and ultimately ineffective tool of Democratic Party groupthink.
Nick Gillespie, “Rolling Stone‘s Sad ‘5 Economic Reforms Millennials Should Be Fighting For'”, Hit and Run, 2014-01-04
February 5, 2015
By way of Ghost of a Flea, an interesting look at one of the pivotal men in music from the late 60s onward:
Uploaded on 28 Feb 2011
In the ‘Interview with a Legend’ series RØDE Microphones’ founder and director Peter Freedman hosts an intimate discussion with icons from all areas of the audio industry including Engineers, Producers, Musicians, Artists and Entrepreneurs.
A musical pioneer in the truest sense, Alan Parsons is one of the most revered engineers and producers in history.
Alan talks candidly to Peter about how hearing Sgt Peppers was a defining moment in his life and career, setting him on the path to Abbey Road Studios where he would play an integral role in such timeless recordings as The Beatles’ infamous Let It Be rooftop performance and Pink Floyd’s masterpiece Dark Side of the Moon.
He goes on to discuss the incredibly influential Alan Parsons Project, and the future of recording.