Quotulatiousness

January 18, 2015

The [f]utility of mass demonstrations

Filed under: History, Middle East, Politics, USA — Tags: , , , , — Nicholas @ 10:30

David Warren had a short essay get out of hand on him the other day:

Everything is coming out of Egypt these days, just like in the Bible. The Paris demonstrations were a throwback not only to the grand gatherings of a century ago, when the masses in each European capital were demanding war, but also to the recent “Arab spring,” when the masses in Egypt and every Middle Eastern capital were demanding “democracy.” Mobs often get what they want. The best that can be said for the Jesuischarlies, is they haven’t a clew what they want, beyond making an emotional display of their own vaunted goodness.

And yet, large demonstrations are expressions of despair. They bring momentary relief in a false exhilaration: the idea that something can be done, by men; something that will not cost them vastly more than they are now paying. Verily, it is the counsel of despair. I don’t think I can provide any example from history in which mass political demonstrations did any good; only examples when they did not end as badly as they could have.

I hardly expect agreement on this point, especially on non-violent demonstrations that affirm some simple moral point, such as the wrongness of racial prejudice, or of the slaughter of unborn children. But these must necessarily politicize something which should be above politics, and cannot help bringing an element of intimidation into what must finally be communicated cor ad cor. Pressure politics change everything, such that even when the cause is indisputably elevated — the American civil rights marches of the 1960s are a good example — the effect is dubious. What came out in that case was not simply the destruction of an evil, but its replacement with new evils: welfare provisions which undermined the black family, the poison of race quotas and “reverse discrimination,” the canting and excuse-making and radical posturing that has wreaked more aggregate damage to black people — both spiritual and material — than the wicked humiliations they suffered before. (Read Thomas Sowell.)

“Be careful what you wish for.” Be mindful of what comes with that wish. Be careful whom you ask to deliver it.

December 30, 2014

How did so many episodes of Doctor Who go missing?

Filed under: Britain, History, Media, Technology — Tags: , , , , , — Nicholas @ 02:00

At Samizdata, Patrick Crozier explains how the cost of a new technology and the union work rules of the 1960s led to so many great (and not-so-great) British TV shows being lost to posterity:

Something like two fifths of the Doctor Who episodes produced before 1970 are “missing” from the BBC archive. Although it is now 20 years since I found out about it, I still find it difficult to believe that such an act of cultural vandalism was allowed to take place. But it was.

So why are so many missing? In Wiped! Richard Molesworth describes the whole sorry tale in exhaustive (and some times exhausting) detail. It begins with Doctor Whos being recorded on videotape. In the 1960s videotape was a new technology and as such, expensive. Broadcasters were understandably keen to re-use the tapes whenever they could.

Another factor in this was the deal that the BBC had made with the actors’ union Equity. Younger readers may be unfamiliar with this but in the 1960s and 1970s unions were extraordinarily powerful. The deal between Equity and the BBC meant that an episode could only be repeated for two years and after that only with Equity’s specific permission. So, you’d have a situation where after 2 years you would have videotapes that effectively could not be broadcast and an engineering department banging on the door demanding they be allowed to wipe them. As a consequence every single inch of 1960s Doctor Who was wiped. It was far from alone. Episodes of Top of the Pops, the Likely Lads, Not only but also…, Z-Cars, Til death us do part and many others met a similar fate.

In the interests of fairness I should point out that when it came to wiping TV programmes the BBC was far from the only offender. There is almost nothing left of the first season of the Avengers for instance. Or Sexton Blake. About half of the highly-rated Callan (played by Edward Woodward) is also missing. However, all the Saints and Danger Mans are still with us. Meanwhile, my understanding is that most American TV, even from the 1950s still exists.

And compounding the problem … even when the BBC wanted to get rid of old episodes of TV shows, they still held the copyrights:

One thing that particularly sticks in my craw is the fact that even after the BBC did everything in its power to destroy these episodes it still has copyright to them. This has some very peculiar effects as I shall explain.

As I said, many episodes no longer exist as films or tapes. But all the audios exist (recorded off-air by fans), as do the scripts and a large number of photographs, otherwise known as “tele-snaps”. Over the years a cottage industry has grown up assembling these disparate elements into what are known as “reconstructions”. Now, they’re not very good and they are really only for the dedicated fan – people like me in other words – but right now they are the best we’ve got. Sadly, these too are affected by BBC copyright. For many years they were only available on videotape and on a non-profit basis. The producers were wary of annoying the BBC. And then one day someone (quite reasonably you’d think) decided to start putting them up on YouTube. Oh dear, the BBC really didn’t like that. Not only did they force YouTube to take a whole load of them down but seem to have closed down the reconstruction business temporarily if not permanently. Bastards.

December 23, 2014

James Lileks reflects on the 50th anniversary of Rudolph the Red-Nosed Reindeer

Filed under: Humour — Tags: , , — Nicholas @ 02:02

Oh, he’s nostalgic enough:

This year marks the 50th anniversary of the Rudolph the Red-Nosed Reindeer special. For those remembering how they stared with wonder and awe at the jerky stop-motion animation and shivered with delicious fear at the perils faced by the plucky buck with the incandescent schnoz, the notion that this program occurred a half century ago would be a marvelous testament to the enduring power of the show’s appeal … if it didn’t make you feel so damned old.

If it does, that is. For young kids today it’s a cultural artifact from a time so remote it might as well be the Renaissance. The snowman’s resemblance to Burl Ives doesn’t make them think of a hefty folkie howling with alcoholic rage in Cat on a Hot Tin Roof; the concept of a “misfit” doesn’t echo a decade of neurotic intellectual culture celebrating the outsider who couldn’t find his place in the grey-flannel machinery.

It’s charming and tuneful and justly revered. So let’s spoil it by overthinking the details and applying the corrosive idiocy of modern standards, shall we? Herewith a few points to consider.

[…]

– Kids today are appalled by the brusque coach who regards Rudolph as a freak and clearly sides with the normal reindeer youth. Nowadays the character would recognize Rudolph’s specialness right away, and the entire show would have been about his fight to get Rudolph on the team, culminating in an impassioned speech before a congressional committee and the passage of Rudolph’s Law.

By the way, when I was a kid we understood the coach character’s nasty reaction — not because we sympathized with him, but because phys-ed teachers were jerks.

The Abominable Snowman. Let us be frank: The moment when Rudolph sets out on a floe to draw the Snowman away from his friends is one of the more noble moments of childhood television, married with dismay: You know he had no chance. To a small child who has finally grasped the narrative, it was really scary, because Rudolph was going to die.

Parents watching along may have wanted to say “See what happens when you run off with your weird friends? This is what happens. You break your mother’s heart and your intestines are slurped up by a murderous albino.”

December 15, 2014

Sony games the copyright laws

Filed under: Business, Law, Media — Tags: , , — Nicholas @ 00:02

At Techdirt, Mike Masnick explains why Sony released only a tiny number of pressed CDs of 1964 musical tracks:

Two years ago we wrote about the very odd release, by Sony, of just 100 copies of a set of previously unreleased Bob Dylan tracks. Why so few? Well, Sony sort of revealed the secret in the name of the title. See if you can spot it:

Bob Dylan - Copyright Extension

Yup. The release had absolutely nothing to do with actually getting the works out to fans, and absolutely everything to do with copyright. You see, back in 2011, despite having absolutely no economic rationale for doing so, the EU retroactively extended copyright on music from 50 years to 70 years. However, there was a tiny catch: there was a “use it or lose it” provision in the law, saying that the music had to have been “released” to qualify for that 20 year extension. Thus, Sony realized with Dylan that it had to “release” (and I use the term loosely) some of its old recordings that had never been officially released, or it would lose the copyright on them.

The other major labels have been doing the same. Last year, there was a series of releases of 1963 music, including more from Dylan, along with some previously unreleased Beatles tunes (at least those were somewhat more widely available). This year, we’re getting a new crop of barely released 1964 songs including (yet again) more from Dylan, along with some from the Beach Boys as well (and some expect more Beatles tunes as well).

November 27, 2014

A time-capsule from 1961 – Terminus

Filed under: Britain, History, Railways — Tags: , , — Nicholas @ 00:02

Published on 16 Mar 2012

John Schlesinger’s outstanding “fly on the wall” film about a day in the life of Waterloo Station. It was nominated for a BAFTA Film Award for Best Documentary. As well as being a masterpiece of film it has a magnificent soundtrack composed by Ron Grainer (who later composed the Doctor Who theme).

Published Crown copyright material has protection for 50 years from date of publication. Copyright on this film has thus expired.

H/T to Eric Kirkland for the link.

September 23, 2014

HMCS Bonaventure (CVL 22) – Majestic Class Aircraft Carrier

Filed under: Cancon, History, Military — Tags: , , — Nicholas @ 12:00

Published on 14 Apr 2013

HMCS Bonaventure (CVL 22) was a Majestic class aircraft carrier. She served in the Royal Canadian Navy and Canadian Forces Maritime Command from 1957 to 1970 and was the third and the last aircraft carrier to serve Canada. The ship was laid down for the British Royal Navy as HMS Powerful in November 1943. At the end of World War II, work on the ship was suspended in 1946. At the time of purchase, it was decided to incorporate new aircraft carrier technologies into the design. Bonaventure never saw action during her career having only peripheral, non-combat roles. However, she was involved in major NATO fleet-at-sea patrol during the Cuban Missile Crisis. – https://en.wikipedia.org/wiki/HMCS_Bonaventure (CVL_22)

September 22, 2014

QotD: Dumbing down the universities

Filed under: Cancon, Politics, Quotations — Tags: , , , — Nicholas @ 00:01

Years ago, when I was at university, I asked one of the older professors of history what he thought about the changes in the student body over his career. This gentleman, a word entirely applicable to him, said that when he started teaching in the early 1960s he would flunk between a quarter and a third of his first year classes. Faster forward to the early 2000s and he rarely flunked a student. I jokingly asked him if that was because young people are smarter now than they were forty years earlier. He found my little joke rather too funny.

He confided in me that in the late 1960s the president of the university did the rounds. He explained that he was receiving pressure from the provincial government. Too many students were going off to university and then failing to graduate. The logical inference would have been that the high schools had either failed to prepare these students, or that the students were not academically capable or inclined. Political logic, however, is not like ordinary logic. It works by different rules. A government minister couldn’t admit that many public high schools just weren’t good enough, or that little Johnny was a bit daft. That would have contravened the egalitarian ethos of the age. So if the high schools couldn’t be fixed, they’d fix the universities instead.

Now by fix they didn’t mean improve. Nope. They meant dumb down. Now this was at one of the most prestigious universities in the land. You can well imagine that dumbing down at such a place was bad enough, dumbing down at less academically selective schools would be the equivalent of destroying virtually all academic rigour. This dumbing down also had the added advantage of filling in all those empty spaces left when the Baby Boomers graduated.

Richard Anderson, “The Shadow of Truth”, The Gods of the Copybook Headings, 2014-03-28

September 1, 2014

QotD: 1960s folk music

Filed under: Humour, Media, Quotations — Tags: , , — Nicholas @ 00:01

I always love it when some record from the “Sixties folk music boom” comes on the radio, and one can wallow for three minutes in comically twee clean-cut earnestness: the Kingston Trio, Peter, Paul and Mary, the Brothers Four and all the other college boys pretending to be field-hands. As for the songs, I quoted in my Seeger send-off this trenchant analysis of his lyric style by James Lileks:

    ‘If I Had A Hammer’? Well, what’s stopping you? Go to the hardware store; they’re about a buck-ninety, tops.

Just so. Anyone can have a hammer, and hammer in the morning, hammer in the evening, hammer out danger, hammer out a warning, hammer out love between one’s brothers and one’s sisters all over the land.

But, upon reflection, the fact that the thought is idiotic is, I think, the point. If it made sense, it would sound too polished, too written, too Tin Pan Alley. It can’t be easy sitting in your study and writing brand-new “folk” songs when you’re a long way from the cotton fields. So somehow these guys got it into their heads that, if you sounded like a simpleton, it would come over as raw and authentic. I once spoke to a Vegas pal of Bobby Darin’s, who gave an hilarious account of Darin, coming out of his finger-snappy tuxedo phase, and agonizingly re-writing and re-re-writing his “folk anthem” “A Simple Song Of Freedom” because he was worried it was insufficiently simple.

The legacy of this period is less musical than political: half-a-century back, the self-consciously childlike “folk song” met the civil rights movement and helped permanently infantilize the left. I caught an “anti-war” protest in Vermont a few years ago and the entire repertoire was from the Sixties, starting with “Where Have All The Flowers Gone?”, which as a poignant comment on soldiering was relevant in the Great War but has no useful contribution to make in a discussion on Iraq. And, as I observed of Pete Seeger’s visit to the “mass” protest movement of our own time, the more pertinent question with the Occupy Wall Street crowd is “Where have all the showers gone?”

Mark Steyn, “A Mighty Wind”, Steyn Online, 2014-02-01

August 27, 2014

Reason.tv – P.J. O’Rourke on Millennials and Baby Boomers

Filed under: History, Liberty, Media, USA — Tags: , , , , , — Nicholas @ 08:12

Published on 26 Aug 2014

“Just this whole process of going through the baby boom’s history, I began to realize what a nicer society — kinder, more decent society — that we live in today than the society when I was a kid,” says P.J. O’Rourke, best-selling author of Holidays in Hell, Parliament of Whores, and many other titles.

O’Rourke sat down with Reason‘s Nick Gillespie at Freedom Fest 2014 in Las Vegas to discuss his new book, The Baby Boom: How it Got That Way and It Wasn’t My Fault and I’ll Never Do it Again. As the father of three kids born between 1997 and 2004, he also lays down some thoughts about millennials, noting that they live in a much nicer, more tolerant world than the one in which he grew up. “I don’t think my 10-year old boy has ever been in a fist fight,” says O’Rourke, who was born in 1947. “I mean there might be a little scuffling but I don’t think he’s has ever had that kind of violent confrontation that was simply part of the package when I was a kid.”

He also feels that the internet “fragments information” in a way that destroys the sweep of history, at least at first. “You end up with mosaic information,” he says. “Now, I think over time the kids put these mosaics together but I don’t think the internet itself lends itself to the sweep of history.”

The interview also includes a tour of O’Rourke’s long and varied career in journalism, from his humble beginnings writing for an underground alt-weekly to his time as editor of National Lampoon and his incredible work as a foreign correspondent for Rolling Stone to his current position as columnist at the Daily Beast.

A prominent libertarian, O’Rourke also discusses the difficulties in selling a political philosophy devoted to taking power away from politicians.

“If libertarianism were easy to explain and if it weren’t so easy to exaggerate the effects of libertarianism — people walking around with ‘Legalize Heroin!’ buttons and so on — I think it would’ve been done already,” says O’Rourke. “But the problem is, of course, is that libertarianism isn’t political. It’s anti-political, really. It wants to take things out of the political arena.”

August 12, 2014

The very different American and British baby booms

Filed under: Britain, History, Media, USA — Tags: , , , — Nicholas @ 00:02

In sp!ked, Jennie Bristow reviews P.J. O’Rourke’s latest book, The Baby Boom: How It Got That Way (And It Wasn’t My Fault) (And I’ll Never Do It Again).

For the British ‘Baby Boom’ was very different to its American sibling, in both respects of the word. Demographically, Britain – like many other Western countries immediately after the Second World War – experienced a spike in the birthrate, but this dropped back quickly until the mid-1950s, when there was a less dramatic, but more sustained, bulge over the next 10 years.

[…]

Size isn’t everything, however, and the other aspect of the Baby Boom label is the period of prosperity and growth that followed the war in the US. O’Rourke’s introduction to the UK edition of The Baby Boom points out another fact that tends to be ignored in the slating of the British Baby Boomers – that ‘postwar experience in America was very different from postwar experience in a place where war, in fact, occurred. That is, we had the “post-” and you had the war.’

[…]

Throughout the book, O’Rourke’s fond accounts of growing up during the Fifties, which are generally amusing and often stylistically annoying, hammer home the space, freedom, affluence and indulgence enjoyed by the American Baby Boomers as children. In Britain, accounts of the so-called ‘Golden Age’ of the Fifties tend to extend to children playing by the river and neighbours leaving their front doors unlocked, glossing over the more drab reality that kids did not have anything to play with inside, and that most homes were not worth burgling.

Given the divergence in experience between the British and American Baby Boomers, one might wonder how the American debate, about the problems of the Boomers’ size, wealth and health (which, many grumble, means they will live ‘too long’, robbing younger generations of their fair share of pensions and healthcare resources), became plonked on to Little Britain with scant regard for the differences.

The answer lies partly in what the US Boomers did share with their counterparts in the UK, and in parts of Europe, too. This was the experience of growing up in the tumultuous Sixties, when youth appeared to be in the vanguard of a cultural revolution that swept aside established norms and values, rejecting the authority of tradition and, above all, of adults.

Swiftly demolishing another great myth about the Sixties, O’Rourke points out that, in reality, ‘the Baby Boom was the tailgate party, not the team on the field’: ‘There was a lot of “talkin’ ‘bout my generation” (Pete Townshend, born 1945), but it wasn’t my generation that was causing “What’s Going On” (Marvin Gaye, born 1939) during the “Youthquake” (a coinage from Punch, edited by people born when mastodons roamed the earth).’

July 5, 2014

Did Rolf Harris face a kangaroo court?

Filed under: Britain, Law, Media — Tags: , , , , — Nicholas @ 09:59

I didn’t follow this particular case (or any of the recent British witch-hunting expeditions against former celebrities), but this post makes it seem as if at least some of the charges Harris was convicted of were remarkably flimsy:

Rolf Harris has been convicted and for many that is conclusive proof of his guilt. However, we should not forget that the British justice system is not perfect, it can make errors, as these high profile miscarriages of justice show.

I do not know if Rolf Harris committed the crimes he was accused of. However, I find the fact that he was convicted, based on the evidence reported by the BBC, alarming.

Let me explain why:

    COUNT ONE – VERDICT: GUILTY

    “The woman said she was aged seven or eight when she queued to get an autograph from Harris at a community centre in Hampshire in 1968 or 1969. When she reached the front of the queue, Harris had touched her inappropriately with his “big hairy hands”, she told the jury.

    The court heard that no evidence could be found that Mr Harris had been at the community centre. He also showed his hands to the jury and denied they were hairy.”

When they say that no evidence could be found that Mr Harris had been at the community centre, they don’t mean a cursory glance turned nothing up. They searched local newspaper archives between January 1967 and May 1974, council records and even conducted letter drops appealing for witnesses. Nothing, not a single piece of independent evidence that he was ever there!

It is hard to see how the uncorroborated recollection of an event alleged to have happened 45 years ago, when the witness was eight, can constitute proof beyond reasonable doubt.

On another count of which Harris has been found guilty by the court:

So the accuser couldn’t remember when it happened (or how old she was), she couldn’t remember where it happened and yet the jury found her 36 year old memory of the indecent assault to be evidence beyond a reasonable doubt!

When we talk about the indecent assault we are not talking about something so traumatic, like rape, that it would understandably be burned into her memory. We are talking about a 17 year old having her bottom touched in the 1970′s, a time where bottom pinching was considered mainstream enough for popular TV shows such as Are You Being Served and on billboards for respectable brands such as Fiat.

Again, nobody who wasn’t there can be sure what Rolf Harris did or didn’t do in this case, but I know that there is an £11m incentive for people to make up accusations and without any corroborating evidence there has to be a reasonable doubt in favour of the accused.

I have no idea whether Harris is actually guilty of the accusations, but I’m astonished a court could convict based on such flimsy evidence. Clearly, at least in high profile media-related cases, the presumption of innocence has been replaced by a presumption of guilt.

July 3, 2014

How the Great Society failed American blacks

Filed under: Government, Politics, USA — Tags: , , , , — Nicholas @ 00:02

Fred Siegel reviews Please Stop Helping Us: How Liberals Make it Harder for Blacks to Succeed, by Jason Riley:

A half-century ago, the Great Society promised to complete the civil rights revolution by pulling African-Americans into the middle class. Today, a substantial black middle class exists, but its primary function has been, ironically, to provide custodial care to a black underclass — one ever more deeply mired in the pathologies of subsidized poverty. In Please Stop Helping Us: How Liberals Make it Harder for Blacks to Succeed, Jason Riley, an editorial writer for the Wall Street Journal who grew up in Buffalo, New York, explains how poverty programs have succeeded politically by failing socially. “Today,” writes Riley, “more than 70 percent of black children are born to unwed mothers. Only 16 percent of black households are married couples with children, the lowest of any racial group in the United States.” Riley attributes the breakdown of the black family to the perverse effects of government social programs, which have created what journalist William Tucker calls “state polygamy.” As depicted in an idyllic 2012 Obama campaign cartoon, “The Life of Julia,” a lifelong relationship with the state offers the sustenance usually provided by two parents in most middle-class families.

Riley’s own life experience gives him powerful perspective from which to address these issues. His parents divorced but both remained attentive to him and his two sisters. His sisters, however, were drawn into the sex-and-drug pleasures of inner-city “culture.” By the time he graduated from high school, his older sister was a single mother. By the time he graduated from college, his younger sister had died from a drug overdose. Riley’s nine-year-old niece teased him for “acting white.” “Why you talk white, Uncle Jason?” she wanted to know. She couldn’t understand why he was “trying to sound so smart.” His black public school teacher similarly mocked his standard English in front of the class. “The reality was,” Riley explains, “that if you were a bookish black kid who placed shared sensibilities above skin color, you probably had a lot of white friends.”

The compulsory “benevolence” of the welfare state, borne of the supposed expertise of sociologists and social planners, undermined the opportunities opened up by the end of segregation. The great hopes placed in education as a path to the middle class were waylaid by the virulence of a ghetto culture nurtured by family breakdown. Adjusted for inflation, federal per-pupil school spending grew 375 percent from 1970 to 2005, but the achievement gap between white and black students remained unchanged.

June 12, 2014

Step aside, Andrew Jackson

Filed under: History, Liberty, USA — Tags: , , , , — Nicholas @ 07:21

In The Atlantic, Conor Friedersdorf makes an argument that it’s time the United States put Martin Luther King on the $20 bill:

During the 2008 election, Thomas Chatterton Williams wrote an article for Culture11 about the significance of a Barack Obama victory. “On television screens from Bedford Stuyvesant to South Central Los Angeles, images will be broadcast of a black family — a father, a mother, and two little girls — moving into the White House,” he wrote. “Whatever you think of policy, the mere fact of electing a black man president, sending him to live in the nation’s most iconic, so far whites only house, would puncture holes through the myth of black inferiority, violating America’s racial narrative so fundamentally as to forever change the way this country thinks of blacks, and the way blacks think of this country — and themselves.”

I still think Williams had a point. Today’s six, seven, and eight-year-olds have no memory of an America with anything other than a black president. What seemed improbable to us as recently as 2007 is, for them, a reality so normal that they don’t even think about it. Yet these same kids are still growing up in a country where the faces celebrated on the paper currency are all white. I don’t want to overstate the importance of that. There is a long list of suboptimal policies that are vastly more urgent to remedy. Still, the lack of diversity in this highly symbolic realm is objectionable, and improving matters would seem to be very easy.

Martin Luther King, Jr. is a universally beloved icon who led one of the most important struggles for justice in American history. When Gallup asked what figure from the 20th Century was most admired, MLK beat out every single American, and was second overall in the rankings, placing behind only Mother Theresa. Putting him on money would not be a case of elevating a man simply for the sake of diversity. Yet it would address the fact that, but for racism, our money would’ve long been more diverse. The only loser here would be the historic figure kicked off of a bill.

[…]

MLK is the best symbol of the civil rights movement, but many preceded him in that long struggle. They ought to be featured on $20’s flip side. Perhaps it could include a timeline stretching from Harriet Tubman to Rosa Parks, putting them in the company of Susan B. Anthony and Sacajawea, the women featured on U.S. coins. I suppose Jackson might be upset at my judgment that he is less deserving of our esteem than those figures. Then again, he might well support my plan. After all, few men in American history were as adamant about their hatred of paper money.

May 9, 2014

The 1964 trial of Jack Ruby

Filed under: History, Law, USA — Tags: , , , , — Nicholas @ 00:01

The Toronto Sun shares a portion of Peter Worthington’s Looking for Trouble (now available as an e-book) dealing with the trial of Jack Ruby. Worthington had been in the room when Ruby gunned down Lee Harvey Oswald.

The Ruby trial was pure showbiz. While the witnesses and characters who surfaced during the trial were Damon Runyon, the judge and lawyers seemed straight out of Al Capp and Dogpatch. Judge Joe B. Brown’s legal education before he was elected to the bench consisted of three years of night school 35 years earlier. In Dallas he was known as Necessity – “because Necessity knows no law.”

[…]

One day as a stripper who worked at Ruby’s nightclub called Little Lynn (who was over nine months pregnant at the time), was waiting to testify, seven prisoners in the connecting county jail grabbed a woman hostage and fled. They had fashioned a pistol of soap, pencils and shoe polish, persuaded guards that it was real, and made their break, witnessed by some 100 million viewers.

Little Lynn fainted and Belli prepared to play midwife. A BBC reporter on the phone to his office was describing the action and repeatedly swore to his editors that he was neither kidding, nor had he been drinking. “Listen, you bloody fools, this is America, this is Texas … any bloody insane thing is possible here!”

The next day, the New York Daily News ran an eloquent black headline: “Oh, Dallas!”

The jury returned in 140 minutes with a guilty verdict. In Texas, where the juries set the penalty, they opted for the electric chair.

Belli returned to San Francisco in disgust. “I shall never return here; it’s an evil, bigoted, rotten, stinking town.”

As it happened, Ruby died three years later and won a form of immortality and a place in criminal and political legend.

And as for conspiracy theories, the flaw is that Oswald was an ideologue, a semi-literate left-wing extremist, while Ruby wouldn’t know what an ideologue was unless he did a strip-tease for him.

To choose two such perfect foils on which to base a presidential murder plot challenges credulity. There has been so much official deceit, perjury, rationalization and cover-up that the deeds seem […] more sinister than they actually have been.

We will probably never know the truth.

March 27, 2014

Smithsonian on the 50th anniversary of John Coltrane’s A Love Supreme

Filed under: History, Media — Tags: , , — Nicholas @ 08:04

One of my all-time favourite jazz albums is turning 50, and the Smithsonian is marking the occasion:

The Smithsonian’s National Museum of American History will kick off the 13th annual Jazz Appreciation Month March 26 at 11 a.m., with donations from Ravi Coltrane, son of international music legends, John and Alice Coltrane, and from notable jazz photographer, Chuck Stewart. Coltrane will then discuss his father’s career and the famed studio album, A Love Supreme, widely considered one of the greatest jazz albums of all time and celebrating its 50th anniversary. During its own 50th anniversary year, the museum is displaying Coltrane’s original score in the “American Stories” exhibition through June 17. The ceremony will be webcast live online.

Ravi Coltrane will donate his father’s Selmer Mark VI tenor saxophone, made in Paris about 1965, the year that A Love Supreme was released. The saxophone is one of three principal saxophones Coltrane played and will be on view in the “American Stories” exhibition starting June 17. An accomplished bandleader and composer in his own right, Ravi Coltrane tours extensively with his own groups and with many other artists, including jazz musicians. He is a Blue Note recording artist.

“Today, a cherished and beloved Coltrane family heirloom becomes a national treasure and through Stewart’s never before seen images, our view of Coltrane expands,” said John Gray, director of the museum. “These generous donations help us preserve not only the legacy of individual artists, but of jazz music as a whole and its integral role in the history of music in America.”

H/T to Julian Sanchez for the link.

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