I believe that liberty is the only genuinely valuable thing that men have invented, at least in the field of government, in a thousand years. I believe that it is better to be free than to be not free, even when the former is dangerous and the latter safe. I believe that the finest qualities of man can flourish only in free air – that progress made under the shadow of the policeman’s club is false progress, and of no permanent value. I believe that any man who takes the liberty of another into his keeping is bound to become a tyrant, and that any man who yields up his liberty, in however slight the measure, is bound to become a slave.
H.L. Mencken, “Why Liberty?”, Chicago Tribune, 1927-01-30.
August 4, 2016
July 20, 2016
In the current issue of The New Yorker, Ryan Lizza introduces readers to the Libertarian Party’s presidential candidate:
Johnson and Weld were set to appear that evening in a CNN town-hall special, which, it was later estimated, was seen by almost a million people. The stakes for Johnson were high. When pollsters include Johnson with Donald Trump and Hillary Clinton in their surveys, he has been the choice of roughly ten per cent of respondents, and in a Times/CBS News poll released last week he hit twelve per cent. If his standing in the polls rises to fifteen per cent, he will likely qualify to participate in the Presidential debates. “If you’re not in the debates, there’s no way to win,” Johnson said. “It’s the Super Bowl of politics.” Johnson has many flaws as a candidate, but being unlikable is not one of them. If he is allowed to debate Trump and Clinton, the two most unpopular presumed nominees in decades, then the most unpredictable election in modern times could get even weirder.
There hasn’t been a serious challenge from a third-party Presidential candidate since 1992, when Ross Perot, the eccentric Texas billionaire, ran as an independent and bought hours of TV time to educate voters about the large federal budget deficit. Perot won entry into the Presidential debates and received nineteen per cent of the vote against Bill Clinton and George H. W. Bush. Bush blamed Perot for his loss, though the best analyses of the race concluded that Perot had drawn equal numbers of voters from Bush and Clinton.
This year, the unpopularity of Clinton and Trump has created an opportunity for Johnson to at least match Perot’s impressive showing. Last week, Republican delegates in the Never Trump movement attempted to change the rules for the Republican National Convention, in a failed effort to deny Trump the nomination. For anti-Trump conservatives still searching for an alternative, Johnson may be the only option. On the left, anti-Clinton Democrats, including some determined supporters of Bernie Sanders, would prefer a candidate who is more socially liberal and noninterventionist than Clinton.
“We have arguably the two most polarizing candidates,” Johnson told me. “Hillary has to go out and she has to appeal to this ‘everything’s free, government can accomplish anything, what can you give us’ constituency. She’s doling it out as fast as she can. Trump is appealing to this anti-abortion, anti-immigration, ‘bomb the hell out of them, lock them up, throw away the key’ constituency.”
Johnson is charming and more transparent than most politicians — sometimes to a fault — and has a knack for putting a happy face on the rougher edges of libertarianism. Weld has a shabby-genteel bearing and a boarding-school sarcasm that comes across as both appealing and arrogant. Together, Johnson and Weld represent the first Presidential ticket with two governors since 1948, when the Republicans nominated Thomas Dewey, of New York, and Earl Warren, of California. One of the Johnson-Weld campaign slogans is “A Credible Alternative to ClinTrump.”
July 14, 2016
Sarah Skwire loves the recent adaptation of Jane Austen’s novella Lady Susan, and believes that Austen was heavily influenced in this particular work by Mary Wollstonecraft’s A Vindication of the Rights of Women:
Wollstonecraft argues that the women of her time — and Austen’s time — were “weak, artificial beings, raised above the common wants and affections of their race, in a premature unnatural manner, [who] undermine the very foundation of virtue, and spread corruption through the whole mass of society.”
Their corrupting influence, though, is not due to some sort of original sin handed down from Eve after the Garden of Eden. It is the result of the conscious and intentional educating of women out of natural virtue and into habituated weakness, dependence, and immorality.
Women are, in fact, so much degraded by mistaken notions of female excellence, that I do not mean to add a paradox when I assert, that this artificial weakness produces a propensity to tyrannize, and gives birth to cunning, the natural opponent of strength, which leads them to play off those contemptible infantine airs that undermine esteem even whilst they excite desire.
This is Lady Susan in a nutshell. Her tyrannical hold over her daughter’s future, her constant deceptions in matters large and small, and her pretended helplessness and innocence, which her male acquaintances interpret as charm — these are all hallmarks of her character.
Even more a propos is Wollstonecraft’s description of women who have been educated in this fashion and who are then left, as is Lady Susan, widowed and with a family to care for.
But supposing, no very improbable conjecture, that a being only taught to please must still find her happiness in pleasing; — what an example of folly, not to say vice, will she be to her innocent daughters! The mother will be lost in the coquette, and, instead of making friends of her daughters, view them with eyes askance, for they are rivals — rivals more cruel than any other, for they invite a comparison, and drive her from the throne of beauty, who has never thought of a seat on the bench of reason.
Wollstonecraft adds that it doesn’t take a literary genius to imagine the “domestic miseries and petty vices” occasioned by such a mother.
A world without real education for women, a world without legal equality for women — this is a world that is rife with Lady Susans.
But in Austen’s imagining of Lady Susan, we have precisely that — a literary genius turning her considerable talents (though in early days) to delineating a portrait of a woman who has become precisely what she has been educated to be. In that way, Lady Susan becomes a powerful adjunct to Wollstonecraft’s Vindication. A world without real education for women, a world without legal equality for women — this is a world that is rife with Lady Susans, grappling for power and money in the marriage market and in the gray market of sexual favors, because that is the only sphere open to women with ambition.
July 6, 2016
The longest-term stakes in the war against terror are not just human lives, but whether Western civilization will surrender to fundamentalist Islam and shari’a law. More generally, the overt confrontation between Western civilization and Islamist barbarism that began on September 11th of 2001 has also made overt a fault line in Western civilization itself — a fault line that divides the intellectual defenders of our civilization from intellectuals whose desire is to surrender it to political or religious absolutism.
This fault line was clearly limned in Julien Benda’s 1927 essay Le trahison des clercs: English “The treason of the intellectuals”. I couldn’t find a copy of Benda’s essay on the Web. but there is an excellent commentary on it that repays reading. Ignore the reflexive endorsement of religious faith at the end; the source was a conservative Catholic magazine in which such gestures are obligatory. Benda’s message, untainted by Catholic or Christian partisanship, is even more resonant today than it was in 1927.
The first of the totalitarian genocides (the Soviet-engineered Ukrainian famine of 1922-1923, which killed around two million people) had already taken place. Hitler’s “Final Solution” was about fifteen years in the future. Neither atrocity became general knowledge until later, but Benda in 1927 would not have been surprised; he foresaw the horrors that would result when intellectuals abetted the rise of the vast tyrannizing ideologies of the 20th century,
Changes in the transport, communications, and weapons technologies of the 20th century made the death camps and the gulags possible. But it was currents in human thought that made them fact — ideas that both motivated and rationalized the thuggery of the Hitlers and Stalins of the world.
Eric S. Raymond, “Today’s treason of the intellectuals”, Armed and Dangerous, 2002-11-28.
July 2, 2016
Nick Gillespie calls it “masterful” and asks if it’s the greatest presidential ad ever. I think it’s pretty good, but unlike actual voting Americans, I’m not inundated with political advertising 24/7/365, so perhaps I’m not the best judge of what is and is not effective for US elections:
June 27, 2016
Urging vague and unconstrained government power is not how responsible citizens of a free society ought to act. It’s a bad habit and it’s dangerous and irresponsible to promote it.
This is not an abstract or hypothetical point. We live in a country in which arbitrary power is routinely abused, usually to the detriment of the least powerful and the most abused among us. We live in a country in which we have been panicked into giving the government more and more power to protect us from harm, and that power is most often not used for the things we were told, but to solidify and expand previously existing government power. We live in a country where the government uses the power we’ve already given it as a rationale for giving it more: “how can we not ban x when we’ve already banned y?” We live in a country where vague laws are used arbitrarily and capriciously.
Ken White, “In Support Of A Total Ban on Civilians Owning Firearms”, Popehat, 2016-06-16.
June 26, 2016
Published on 3 Feb 2013
Brian Micklethwait describes a hypothesis of his regarding the overall effects of state intervention as compared to market liberalisations.
This topic is discussed in greater depth here: http://libertarianhome.co.uk/2013/02/…
(Linked yesterday, but too good not to get its own posting.)
Liberty and democracy are eternal enemies, and every one knows it who has ever given any sober reflection to the matter. A democratic state may profess to venerate the name, and even pass laws making it officially sacred, but it simply cannot tolerate the thing. In order to keep any coherence in the governmental process, to prevent the wildest anarchy in thought and act, the government must put limits upon the free play of opinion. In part, it can reach that end by mere propaganda, by the bald force of its authority — that is, by making certain doctrines officially infamous. But in part it must resort to force, i.e., to law. One of the main purposes of laws in a democratic society is to put burdens upon intelligence and reduce it to impotence. Ostensibly, their aim is to penalize anti-social acts; actually their aim is to penalize heretical opinions. At least ninety-five Americans out of every 100 believe that this process is honest and even laudable; it is practically impossible to convince them that there is anything evil in it. In other words, they cannot grasp the concept of liberty. Always they condition it with the doctrine that the state, i.e., the majority, has a sort of right of eminent domain in acts, and even in ideas — that it is perfectly free, whenever it is so disposed, to forbid a man to say what he honestly believes. Whenever his notions show signs of becoming “dangerous,” ie, of being heard and attended to, it exercises that prerogative. And the overwhelming majority of citizens believe in supporting it in the outrage. Including especially the Liberals, who pretend — and often quite honestly believe — that they are hot for liberty. They never really are. Deep down in their hearts they know, as good democrats, that liberty would be fatal to democracy — that a government based upon shifting and irrational opinion must keep it within bounds or run a constant risk of disaster. They themselves, as a practical matter, advocate only certain narrow kinds of liberty — liberty, that is, for the persons they happen to favor. The rights of other persons do not seem to interest them. If a law were passed tomorrow taking away the property of a large group of presumably well-to-do persons — say, bondholders of the railroads — without compensation and without even colorable reason, they would not oppose it; they would be in favor of it. The liberty to have and hold property is not one they recognize. They believe only in the liberty to envy, hate and loot the man who has it.
H.L. Mencken, “Liberty and Democracy”, Baltimore Evening Sun, 1925-04-13.
June 25, 2016
June 23, 2016
The fact is that the average man’s love of liberty is nine-tenths imaginary, exactly like his love of sense, justice and truth. He is not actually happy when free; he is uncomfortable, a bit alarmed, and intolerably lonely. Liberty is not a thing for the great masses of men. It is the exclusive possession of a small and disreputable minority, like knowledge, courage and honor. It takes a special sort of man to understand and enjoy liberty — and he is usually an outlaw in democratic societies.
H.L. Mencken, Baltimore Evening Sun, 1923-02-12.
June 11, 2016
June 9, 2016
Published on 7 Jun 2016
“The experience of having everybody around me on campus say the left is the way to go and then…seeing communism collapse made me think maybe the libertarians have a better handle on how these things work,” says Todd Seavey, author of the new book Libertarianism for Beginners. “While the Soviet Union existed, the Marxists on campus were rooting for the Soviet Union.”
A New York-baseed comic-book writer, one-time producer for TV’s own John Stossel, and a contributor to Splice Today, Seavey found his way toward libertarianism while attending Brown University in the late 1980s.
His new graphic book, Libertarianism for Beginners, argues that the core message of libertarians is to “keep the government small and let people do what they want with their own bodies and property.”
June 8, 2016
In 1994, critical thinking within the SF field belatedly caught up with reality. Credit for this goes to David Hartwell and Cathryn Cramer, whose analysis in the anthology The Ascent of Wonder finally acknowledged what should have been obvious all along. Hard SF is the vital heart of the field, the radiant core from which ideas and prototype worlds diffuse outwards to be appropriated by writers of lesser world-building skill but perhaps greater stylistic and literary sophistication. While there are other modes of SF that have their place, they remain essentially derivations of or reactions against hard SF, and cannot even be properly understood without reference to its tropes, conventions, and imagery.
Furthermore, Gregory Benford’s essay in The Ascent of Wonder on the meaning of SF offered a characterization of the genre which may well prove final. He located the core of SF in the experience of “sense of wonder”, not merely as a thalamic thrill but as the affirmation that the universe has a knowable order that is discoverable through reason and science.
I think I can go further than Hartwell or Cramer or Benford in defining the relationship between hard SF and the rest of the field. To do this, I need to introduce the concept linguist George Lakoff calls “radial category”, one that is not defined by any one logical predicate, but by a central prototype and a set of permissible or customary variations. As a simple example, in English the category “fruit” does not correspond to any uniformity of structure that a botanist could recognize. Rather, the category has a prototype “apple”, and things are recognized as fruits to the extent that they are either (a) like an apple, or (b) like something that has already been sorted into the “like an apple” category.
Radial categories have central members (“apple”, “pear”, “orange”) whose membership is certain, and peripheral members (“coconut”, “avocado”) whose membership is tenuous. Membership is graded by the distance from the central prototype — roughly, the number of traits that have to mutate to get one from being like the prototype to like the instance in question. Some traits are important and tend to be conserved across the entire radial category (strong flavor including sweetness) while some are only weakly bound (color).
In most radial categories, it is possible to point out members that are counterexamples to any single intensional (“logical”) definition, but traits that are common to the core prototypes nevertheless tend to be strongly bound. Thus, “coconut” is a counterexample to the strongly-bound trait that fruits have soft skins, but it is sorted as “fruit” because (like the prototype members) it has an easily-chewable interior with a sweet flavor.
SF is a radial category in which the prototypes are certain classics of hard SF. This is true whether you are mapping individual works by affinity or subgenres like space opera, technology-of-magic story, eutopian/dystopian extrapolation, etc. So in discussing the traits of SF as a whole, the relevant question is not “which traits are universal” but “which traits are strongly bound” — or, almost equivalently, “what are the shared traits of the core (hard-SF) prototypes”.
The strong binding between hard SF and libertarian politics continues to be a fact of life in the field. It it is telling that the only form of politically-inspired award presented annually at the World Science Fiction Convention is the Libertarian Futurist Society’s “Prometheus”. There is no socialist, liberal, moderate, conservative or fascist equivalent of the class of libertarian SF writers including L. Neil Smith, F. Paul Wilson, Brad Linaweaver, or J. Neil Schulman; their books, even when they are shrill and indifferently-written political tracts, actually sell — and sell astonishingly well — to SF fans.
Eric S. Raymond, “Libertarianism and the Hard SF Renaissance”, Armed and Dangerous, 2002-11-09.
June 5, 2016
All government, in its essence, is a conspiracy against the superior man: its one permanent object is to oppress him and cripple him. If it be aristocratic in organization, then it seeks to protect the man who is superior only in law against the man who is superior in fact; if it be democratic, then it seeks to protect the man who is inferior in every way against both. One of its primary functions is to regiment men by force, to make them as much alike as possible and as dependent upon one another as possible, to search out and combat originality among them. All it can see in an original idea is potential change, and hence an invasion of its prerogatives. The most dangerous man to any government is the man who is able to think things out for himself, without regard to the prevailing superstitions and taboos. Almost inevitably he comes to the conclusion that the government he lives under is dishonest, insane and intolerable, and so, if he is romantic, he tries to change it. And even if he is not romantic personally he is very apt to spread discontent among those who are.
H.L. Mencken, The Smart Set, 1919-12.
June 4, 2016
In some respects, it took me thirty years to understand what I was seeing. I’m one of Heinlein’s children, one of the libertarians that science fiction made. Because that’s so, it was difficult for me to separate my own world-view from the assumptions of the field. In grokking the politics of SF, I was in the position of a fish trying to understand water.
Eventually, however, a sufficiently intelligent fish could start to get it about hydrodynamics — especially when the water’s behavior is disturbed by storms and becomes visibly turbulent. I got to look back through the midlist at the Futurian ripples. I lived through the New Wave storm and the pre-Startide-Rising doldrums. By the time cyberpunk came around, I was beginning to get some conscious perspective.
Cyberpunk was the third failed revolution against Campbellian SF. William Gibson, who is generally credited with launching this subgenre in his 1984 novel Neuromancer, was not a political writer. But Bruce Sterling, who promoted Gibson and became the chief ideologue of anti-Cambellianism in the late 1980s, called it “the Movement” in a self-conscious reference to the heady era of 1960s student radicalism. The cyberpunks positioned themselves particularly against the carnographic conservative military SF of David Drake, Jerry Pournelle, and lower-rent imitators — not exactly a hard target.
Despite such posturing, the cyberpunks were neither as stylistically innovative nor as politically challenging as the New Wave had been. Gibson’s prose has aptly been described as Raymond Chandler in mirror-shades. Cyberpunk themes (virtual reality, pervasive computing, cyborging and biosculpture, corporate feudalism) had been anticipated in earlier works like Vernor Vinge’s 1978 hard-SF classic True Names, and even further back in The Space Merchants. Cyberpunk imagery (decayed urban landscapes, buzzcuts, chrome and black leather) quickly became a cliche replicated in dozens of computer games.
Neal Stephenson wrote a satirical finis to the cyberpunk genre in 1992’s Snow Crash, which (with Bruce Sterling’s Schismatrix and Walter John Williams’s Hardwired) was very close to being the only work to meet the standard set by Neuromancer. While most cyberpunk took for granted a background in which late capitalism had decayed into an oppressive corporate feudalism under which most individuals could be nothing but alienated and powerless, the future of Snow Crash was a tellingly libertarian one. The bedrock individualism of classical SF reasserted itself with a smartass grin.
By the time cyberpunk fizzled out, most fans had been enjoying the hard-SF renaissance for a decade; the New Wave was long gone, and cyberpunk had attracted more notice outside the SF field than within it. The leaders of SF’s tiny in-house critical establishment, however (figures like Samuel Delany and David Hartwell), remained fascinated on New Wave relics like Thomas Disch and Philip K. Dick, or anti-Campbellian fringe figures like Suzette Hadin Elgin and Octavia Butler. While this was going on, the readers voted with their Hugo ballots largely for writers that were squarely within the Campbellian tradition — Golden age survivors, the killer Bs, and newer writers like Lois McMaster Bujold and Greg Egan (whose 1998 work Diaspora may just be the single most audacious and brilliant hard-SF novel in the entire history of the field).
Eric S. Raymond, “Libertarianism and the Hard SF Renaissance”, Armed and Dangerous, 2002-11-09.