Quotulatiousness

March 31, 2024

HMS Unicorn (I72) – Guide 367

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , , , , , — Nicholas @ 02:00

Drachinifel
Published Dec 23, 2023

The Unicorn, a fleet maintenance carrier of the British Royal Navy, is today’s subject.
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March 25, 2024

WWII Allied Vehicles – Universal Carrier

Filed under: Britain, Cancon, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

Ontario Regiment Museum
Published Jan 26, 2022

This multi-part series was originally created in support of our friends at D-Day Conneaut for presentation during their live stream in 2020.

In part 5 the Museum’s Operation Manager Dan Acre details the history of a Canadian-made WWII vehicle, the Universal Carrier. (Please forgive the sound quality, it was one of the first videos we produced in the early stages of the pandemic.)
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March 24, 2024

Chiang versus Mountbatten – WW2 – Week 291 – March 23, 1945

World War Two
Published 23 Mar 2024

Chiang Kai-Shek is demanding his Chinese troops back from Burma, but this doesn’t fit well with Mountbatten’s plans for the region. In Burma, Bill Slim’s forces liberate Mandalay this week and make plans to head south for Rangoon. There’s also friction elsewhere in Allied command — between the Soviets and the Western Allies — over Italy. In the field in Europe, the Soviets advance all along the eastern front, and in the west, the Allies secure another Rhine crossing, and they also launch a double operation to send even more men across the river in force.

0:00 Intro
0:53 Recap
1:20 Iwo Jima
2:15 Plans for Okinawa
3:53 Mandalay liberated and plans for Burma
08:19 Allied Machinations about Italy
10:25 Soviet advances all along the Eastern Front
16:55 Plans for Operation Grapeshot
17:45 Four Allied Operations in the west
23:25 Summary + Conclusion
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Gahendra: the Nepalese Not-A-Martini

Filed under: Asia, Britain, Military, Weapons — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published Jul 8, 2018

(This video has been updated from its original form to fix translation issues and to clarify that Nepal was not, in fact, a British colony. Originally published January 10, 2017.)

Long a mysterious unknown member of the Martini family, the Nepalese Gahendra rifles finally became available in the US and Europe after IMA purchased Nepal’s cache of historic arms. The Gahendra is a uniquely Nepalese design built to sidestep British reluctance to supply military arms to the country. Developed by a General Gahendra (who is also responsible for the Bira copy of the Gardner Gun), the rifle is not actually a Martini at all. Instead, it shares its mechanical features mostly with the earlier Peabody falling block rifles, using a hammer and flat mainspring (the Martini improvement replaces there with a striker and coil spring).

Gahendras are chambered for the standard British .577/.450 Martini cartridge, although their bore diameters vary substantially, and one should absolutely slug a specific rifle before loading ammunition for it. In fact, unless you are capable of proficiently assessing the safety of the Gahendra, it is wiser not to shoot them at all. These rifles were individually handmade well over a hundred years ago using steels of questionable metallurgy and hardening.

That said, the guns were actually much better made than most people assume, considering their non-interchangeable parts. Craftsmen built each rifle part by part, giving the factory an output of just four rifles per day. Production began in the 1880s, and according to the Nepalese government ended prior to 1899. Dates on the rifles, however, are commonly found as late as 1911. These dates are generally assumed to be inventory or refurbishment dates.
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March 23, 2024

“At least they didn’t arrest the dog”

Filed under: Britain, Government, Law, Liberty, Politics — Tags: , , , — Nicholas @ 04:00

Andrew Doyle revisits the Nazi pug story as new Scottish blasphemy hate speech laws are about to come into force at the beginning of April:

If you’re deluded enough to suppose that human history works in a progressive linear fashion, the example of Scotland should swiftly change your mind. Once the home of the Enlightenment, the country has now veered into authoritarianism under the control of the SNP. The party’s new hate crime law will come into force on April Fools’ Day, and no-one in government is seemingly able to give examples of “crimes” that would be covered by this legislation that aren’t already criminal. When specifically asked on the BBC’s Newsnight whether “misgendering” would result in prosecution, SNP backbench Fulton MacGregor could only mutter: “Well, it depends on the circumstances”. How reassuring.

For all MacGregor’s “faith” that the law would be “properly” implemented, nonbelievers are right to be cautious. Vaguely worded legislation is bound to be exploited, and has been many times in the past. This is particularly the case when it comes to “hate speech”, a concept for which no adequate definition has ever been achieved. The best the Irish government could muster for their forthcoming hate crime bill is that hatred “means hatred”. In these times of slippery authoritarian wordplay, that’s about as specific as we can expect.

The Scottish police have claimed that they will not “target” comedians and actors under the new legislation, and yet at the same time have sworn to investigate every complaint. Thankfully, activists never make spurious complaints against their ideological opponents in the hope of seeing them silenced. Oh wait. They do. All the time.

[…]

So for all of the claims that our concerns about the new hate crime law are unfounded, and that the police would never prosecute anyone for a gag, we should remember that they already have. This legislation will simply make it easier for activists within and without the police force to weaponise the law against those deemed to be subversive. On the day of Meechan’s arrest, one police officer affirmed that he must be “an actual Nazi trying to inspire people to become Nazis”. The judge eventually agreed, in spite of the fact that after two years of investigation the police had uncovered no evidence of far-right sympathies.

Of course those who wish to criminalise dissent will not stop at comedians. They’ll also be keen to crack down on anyone who knows the difference between men and women and is willing to declare this esoteric knowledge out loud. Although it has become a cliché to cite George Orwell’s Nineteen Eighty-Four in such circumstances, that is only because it is so apposite: “The Party told you to reject the evidence of your eyes and ears. It was their final, most essential command”.

I do not sincerely believe that the police will turn up at our Comedy Unleashed show next Monday. It seems unfathomable that we might see a kind of re-enactment of the closing scenes of The Blues Brothers, with police officers standing in the shadows of the club to monitor the show for heterodox content. But then, I would never have anticipated that in a free country someone who made a video mocking Nazis would end up with a criminal record. Of course our show will be offensive to those who choose to be offended. Such is the nature of comedy. The only way to avoid such a situation would be for the acts to stand on stage in total silence. And even then, someone might find this offensive to mutes.

Bhutan

Filed under: Asia, Britain, Government, History, India — Tags: , , , , , , — Nicholas @ 03:00

Ned Donovan recounts his recent trip to Bhutan, situated in the Himalaya mountains between India and China:

Bhutan map from the CIA World Factbook, 2010. Chinese-disputed border areas are marked with dashed lines and darker shading.
Wikimedia Commons.

Bhutan has long been a place I had wanted to visit, but it isn’t as simple as booking a ticket.

It would be remiss not to quickly situate Bhutan and its history for those unaware. It is a small kingdom east of Nepal and nestled between India and China. It has a population of around 750,000, almost all of whom are devout Buddhists. It was once a land of feuding Tibetan chieftans who were united in the 1630s by a remarkable warrior and Buddhist lama called Ngawang Namgyal. Namgyal died in 1651, but his death was kept a secret from the country for more than 50 years, with officials simply saying that the king was “on an extended retreat” and continued to keep Bhutan together by issuing decrees in his name.

While Namgyal was seen as the spiritual leader, he also established a temporal monarchy which in a slightly modified form still exists today under the leadership of the Wangchuk dynasty. The King of Bhutan’s title is the Druk Gyalpo, which literally translates to Dragon King. Over time Bhutan, being small but strategically located, faded in and out of the spheres of influence of the day from the Mughals to the British Raj. It would have been subsumed into the latter like other princely states, but in the 19th Century a British civil servant placed some files relating to Bhutan into a folder marked “External” instead of “Internal”, a small decision that ensured it remains an independent country today, albeit one “guided” on matters of defence and foreign affairs by a treaty with India.

The country only opened its borders to foreigners in 1974, to mark the coronation of the Fourth King, Jigme Singye Wangchuck. His Majesty saw the opportunity to take advantage of his accession to showcase Bhutan and its unique culture and traditions to the world, but was also aware that unrestricted tourism would put those at risk. Over time, this developed into a vision known as “High Quality, Low Volume” tourism. All visitors must have a guide and driver and also pay a daily fee — currently $100. In 1974, 287 foreigners visited Bhutan, and in 2019 more than 70,000 fee paying tourists came.

As a result of this policy, the trips are largely cultural. You take hikes in unimaginable scenery, watch local festivals where masked creatures tell villagers morality tales, and sit with locals to eat dishes made up mostly of chilis. For fun people relax with the national sport of archery, singing deliciously rude songs to put off their friends while they take shots. Tourists get to have a go but the target is brought closer and you get to use the same kind of bow young children do. Civil servants go to work in traditional dress and robe-clad monks pepper society. In the five days I spent there, much was spent talking to our compulsory guide who was a lovely man named Yarab, who had once been on the Bhutan national football team. One story Yarab told me was that of Bhutan’s transition to democracy.

The previously mentioned Fourth King oversaw Bhutan’s transition into the modern world – but with a catch. Bhutan’s development could not come at the cost of its people’s happiness. Thousands of kilometres of roads were built, free at point of use clinics quickly filled the country, and electricity and telephone hookups turned King Jigme Singye’s isolated kingdom where almost no one had access to healthcare or education into a remarkably healthy and literate little state in the space of just a few decades. Much of the money to make this possible came from selling hydroelectricity generated by dams that are powered by Himalayan glaciers. The Fourth King explained that: “water is to us what oil is to the Arabs”.

The Roman Army’s Biggest Building Projects

toldinstone
Published Dec 15, 2023

The greatest achievements of the Roman military engineers.

Chapters:
0:00 Introduction
0:38 Marching camps
1:36 Bridges
2:40 Siegeworks
3:26 PIA VPN
4:32 Permanent forts
5:49 Roads
6:24 Frontier defenses
7:41 Canals
8:21 Civilian projects
8:54 The aqueduct of Saldae
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March 21, 2024

Banksy is “a jester to the woke court, the cheeky clown of received opinion”

Filed under: Britain, Media, Politics — Tags: , , , , — Nicholas @ 05:00

As a certified curmudgeon, I’ve never seen the attraction of Banksy’s various bits of artistic … whatever it is properly called. At Spiked, Brendan O’Neill helps put Banksy into proper perspective:

I guess it wasn’t enough that us polluting plebs are chided for our transgressions against Mother Nature every time we watch a BBC nature documentary. And by politicians of all persuasions. And by columnists who summer in Tuscany. And by aristocratic arseholes called Edred and Poppy who won’t even let us enjoy the football or the snooker without cutting through the fun with their cut-glass tones to remind us we’re hazardous to Gaia. No, we also have to be walloped with an eco-sermon as we cycle to work down the Hornsey Road.

Unsurprisingly, the elites are lapping up Banksy’s latest missive in spray paint. A Radio 4 expert on Banksy – I’m dying – raved to the BBC that his message is “clear” and it “really resonates”: “Nature’s struggling and it is up to us to help it grow back.” The founder of Haringey Tree Protectors – I’m not making this up – gushed in the Guardian about how Banksy’s “stark image” reminds us that “in the climate crisis we just can’t continue treating our tree canopy with such savagery”. Pruning leaves is barbarism now. You just know that when green-fingered Charles III saw the Banksy pic during his morning peruse of the papers he gave it a kingly nod of approval.

That’s what Banksy is, isn’t it – a jester to the woke court, the cheeky clown of received opinion? He larps as rebellious, sneaking about in the dead of night to put up his technically illegal “art”, but in truth he has not once voiced an opinion that wouldn’t win noisy murmurs of approval at a soirée in Daunt Books. Brexit is bad, Israel is insane, the paparazzi are scum, don’t vote Tory, capitalism is a rat race, Save the Planet – honestly, browsing Banksy’s back catalogue of stencilled eyesores is like being stuck in a lift with one of those craft-beer centrists who says cockwomble a lot.

His Finsbury Park fake tree captures the conformist thinking that hides in his guerrilla-art performance. It’s a public-information campaign masquerading as graffiti. “Save the trees” – Rishi Sunak could say that. He has, in fact. He recently announced a ban on felling trees without “proper consultation”. Banksy’s tree also has that whiff of hysteria that always attends dinner-party efforts to alter the behaviour of the lower orders. The idea that we’re obliterating trees with “savagery” is bullshit. London’s a forest. Literally. The UN defines a forest as anywhere that is at least 20 per cent trees – London is 21 per cent trees. The “world’s largest urban forest”, as Time Out puts it.

So relax, Banksy. Chill in the no doubt cushy pad you bought from selling your graffiti to philistine luvvies. London’s fine. If anything were to make me leave this great city, it wouldn’t be a want of trees but the oversupply of your sixth-former propaganda. Only a few months ago he put up a “STOP” sign in Peckham decorated with three drones to signal his desire for a ceasefire in Gaza. Radical.

Look, it can be irritating when artists decide to épater la bourgeoisie. That slogan, dreamt up by the decadent poets of late 19th-century France, means to take glee in scandalising the middle classes. But surely Banksy’s style of pandering to the middle classes – let’s call it servir la bourgeoisie – is worse? He is simply smuggling the received wisdom of society’s self-styled betters under the cover of edgy graffiti. From his anti-Brexit mural showing a workman sadly chipping one of the yellow stars from the EU flag to his image of Brits pledging their allegiance to the flag of Tesco – consumerism is slavery, y’all – his every utterance is chattering class to the core.

March 18, 2024

Slimy “nudgers” want to manipulate the food you buy by “denormalizing” what you enjoy

Filed under: Britain, Business, Food, Media — Tags: , , , , — Nicholas @ 03:00

Christopher Snowden on the self-imagined elites’ desire for you dirt people to eat a different diet than you would voluntarily choose for yourselves:

On Thursday, Legal & General Investment Management’s senior global environmental, social and governance (ESG) manager told Nestlé to sell less sugar. It’s not for want of trying. In 2018, Nestlé launched Milkybar Wowsomes with 30% less sugar than a Milkybar. The company described it as a “great tasting product” that was the result of “a scientific breakthrough” but when it was discontinued in 2020, Nestlé lamented that demand for it had been “underwhelming”. In 2021, it launched a non-HFSS version of Shreddies called Shreddies The Simple One which contained just four ingredients. The company said:

    We know that consumers are looking to eat more healthily, especially following the pandemic. Shreddies The Simple One is an exciting new addition to the breakfast table that caters to growing demand, with a delicious taste consumers will love.

Consumers did not, in fact, love it and it was withdrawn from sale the following year.

Today, the King’s Fund has added its voice to the call for mandatory reformulation targets enforced with heavy fines. The King’s Fund’s job has traditionally been to get more money for the NHS but it is under new management with Sarah Woolnough, a former trustee of Action on Smoking and Health and former CEO of Cancer Research UK, so it is now involved in lifestyle regulation.

    Compelling food manufacturers to strip out large amounts of fat, salt and sugar would help “denormalise” the routine consumption of unhealthy food, Sarah Woolnough, the chief executive of the King’s Fund, told the Guardian.

The word “denormalise” is taken straight from the anti-tobacco playbook. See how it works yet?

As the Guardian points out, the King’s Fund has done some polling which finds that reformulation is hugely popular in the abstract.

    Overall, 67.3% of Britons agree that the government should require companies to reduce the amount of fat, salt and sugar they put in their products, a survey for the influential health thinktank undertaken by Ipsos Mori found. Only 5% disagreed.

This is a beautiful example of the difference between stated preferences and revealed preferences. People love the idea of fat, salt and sugar being removed from food. Who wouldn’t, so long as the food tasted the same? But it doesn’t taste the same. It tastes considerably worse. And when reformulation isn’t physically possible — for example, with nearly all confectionery, biscuits and cakes — the only way to meet the target is by shrinking the product. Some chocolate bars are now so small that a dual pack is the default (and so, as with the sugar tax, big business is doing rather well out of it). And, yes, that is because of the government’s reformulation scheme.

If pollsters asked people if they are in favour of shrinkflation, I doubt many would say yes. As for reformulation, the only way to get an informed opinion would be to do a taste test using the “before” and “after” versions of popular food products and ask people whether the government should mandate the reformulated version and ban the original version. Again, I doubt many people would give unqualified support for reformulation.

Fortunately, we don’t need to carry out such experiments because the public have been offered reformulated products many times in the real world. Sometimes they become popular — in which case there is no need for government coercion — but very often they are a flop, and in many cases they cannot even be attempted.

The British public have put up with a lot from meddlesome puritans in the last 20 years, but I strongly suspect that if the government tried to force us to eat the likes of Milkybar Wowsomes and Shreddies The Simple One, the thin blue line would finally snap.

March 17, 2024

Problematic art, again

Filed under: Britain, Media, Politics — Tags: , , — Nicholas @ 03:00

David Thompson calls to our attention yet another outbreak of problematic racist white supremacy in … landscape paintings?

Hampstead Heath by John Constable, 1820.

Above, John Constable’s Hampstead Heath, circa 1820. Beware its morally corrupting influence.

The problem, we’re told, is that paintings from the eighteenth and nineteenth centuries are “leaving very little room for representations of people of colour”. And obviously, even the past must be made “inclusive and representative”. Which seems to mean that we must all pretend that our islands’ population and cultural assumptions have always looked like those of, say, twenty-first century London, a city whose demographics bear little relationship to those of the country as a whole, even in the twenty-first century.

It occurs to me that notions of racial “representation” will likely be distorted by the embrace of rather parochial progressive conceits, and by proximity to the nation’s capital, which in my lifetime has gone from a native white-majority city, over 90%, to a native white-minority one, around 35%, and which is wildly out of step with the rest of the nation. Things that are denounced as “horribly white”, or whatever the current term of disapproval is, may not seem so to people who live in, say, Chesterfield or Plymouth.

But apparently, museum visitors must be warned that the sight of a Constable landscape may trigger TERRIFYING BLOOD AND SOIL TENDENCIES. Or at least inspire thoughts of historical attachment, continuity, and belonging – thoughts that may be disconcerting or very much frowned upon, if only by the – wait for it – keepers of our heritage.

March 16, 2024

Orwell – The New Life (DJ Taylor in discussion with Les Hurst)

Filed under: Books, Britain, History — Tags: , , , — Nicholas @ 02:00

The Orwell Society
Published Jun 9, 2023

DJ Taylor discusses his new biography of Orwell with Les Hurst

Part 2:

The Orwell Society
Published Jun 26, 2023

DJ Taylor answers questions and discusses issues raised by Orwell Society members.

March 15, 2024

Woke Shakespeare?

Filed under: Britain, History, Media, Politics — Tags: , , , , — Nicholas @ 05:00

Andrew Doyle wonders if even the Bard can survive the incessant assaults of the ultra woke, the new Puritans:

This was long thought to be the only portrait of William Shakespeare that had any claim to have been painted from life, until another possible life portrait, the Cobbe portrait, was revealed in 2009. The portrait is known as the “Chandos portrait” after a previous owner, James Brydges, 1st Duke of Chandos. It was the first portrait to be acquired by the National Portrait Gallery in 1856. The artist may be by a painter called John Taylor who was an important member of the Painter-Stainers’ Company.
National Portrait Gallery image via Wikimedia Commons.

The puritans had it in for Shakespeare. With the exception of the plague, they were perhaps the most persistent threat to his livelihood. As far as these zealots were concerned, the theatre was a realm of “adulterers, adulteresses, whoremasters, whores, bawds, panders, ruffians, roarers, drunkards, prodigals, cheaters, idle, infamous, base, profane, and godless persons”.

These were the words of the polemicist William Prynne from his Histrio-Mastix (1633). He was eventually to get his way in 1642 when the puritan-led parliament shut the theatres down. When the ban was lifted on the accession of Charles II, older plays had to be dusted off to satisfy the public’s appetite for drama. It was Shakespeare’s work that proved to be the most popular, establishing a trend that has never waned.

Now the bard faces another breed of puritan, more censorial than the last. We are living in conformist times, and inexplicably those in the creative arts have turned out to the be most conformist of all. Nowhere is this more evident than the theatre industry, where wrongthink is outlawed and artistic freedom is sacrificed on the altar of identity politics. Virtually all productions of Shakespeare’s plays I have seen in recent years have been mangled to promote the regressive fashions of our time. Today’s audiences are seeing a vague shadow of these masterworks through a narrow and uninspiring prism.

Even so, many of us are reluctant to give up on the theatre altogether. We tolerate the gender-neutral toilets that nobody asked for, the rainbow lanyards worn by ushers, and the little sermons in the programmes by directors who think their job is to educate the masses. One friend remarked that so long as the preaching only amounts to 20% of the show’s content, he is willing to accept it. I suppose it’s like going for dinner in an especially pious household, and having to put up with a long-winded prayer before a delicious meal.

Theatregoers might have a better experience if they opt for productions of plays written many years before this new state religion took hold. Shakespeare, as a playwright who has never been bettered, is surely the safest choice. In his work we find ourselves unmolested by ideology. We know nothing of Shakespeare’s opinions on matters of politics or religion, and attempting to glean any suggestions from his works is futile. I think A. L. Rowse put it best when he pointed out that Shakespeare “saw through everybody equally”. Neither prince nor pauper escapes his sceptical gaze.

March 14, 2024

The insane pursuit of a “zero waste economy”

Filed under: Britain, Economics, Environment, Government, Politics, Technology — Tags: , , , — Nicholas @ 04:00

Tim Worstall explains why it does not make economic sense to pursue a truly “zero waste” solution in the vast majority of cases:

It’s entirely possible to think that waste minimisation is a good idea. It’s also possible to think that waste minimisation is insane. The difference is in what definition of the word “waste” we’re using here. If by waste we mean things we save money by using instead of not using then it’s great. If by waste we mean just detritus then it’s insane.

Modern green politics has — to be very polite about it indeed — got itself confused in this definitional battle. Which is why we get nonsense like this being propounded as potential political policy:

    A Labour government would aim for a zero-waste economy by 2050, the shadow environment secretary has said.

    Steve Reed said the measure would save billions of pounds and also protect the environment from mining and other negative actions. He was speaking at the Restitch conference in Coventry, held by the thinktank Create Streets.

    Labour is finalising its agenda for green renewal and Reed indicated a zero-waste economy would be part of this.

    This would mean the amount of waste going to landfill would be drastically reduced and valuable raw materials including plastic, glass and minerals reused, which would save money for businesses who would not have to buy, import or create raw materials.

The horror here does depend upon that definition of waste. Or, if we want to delve deeper, the definition of resource that is being saved.

[…]

OK. So, we’ve two possible models here. One is homes sort into 17 bins or whatever the latest demand is. Or, alternatively, we have big factories where all unsorted rubbish goes to. To be mechanically sorted. Right — so our choice between the two should be based upon total resource use. But when we make those comparisons we do not include that household time. 25 million households, 30 minutes a week, 450 million hours a year. At, what, minimum wage? £10 an hour (just to keep my maths simple) is £4.5 billion a year. That household sorting is cheaper — sorry, less resource using — than the factory model is it?

And that little slip — cheaper, less resource using — is not really a slip. For we are in a market economic system. Resources have prices attached to them. So, we can measure resource use — imperfectly to be sure but usefully — by the price of different ways of doing things. Cool!

At which point, recycling everything, moving to a zero waste economy, is more expensive than the current system. Therefore it uses more resources. We know this because we always do have to provide a subsidy to these recycling systems. None of them do make a profit. Or, rather, when they do make a profit we don’t even call them recycling, we call them scrap processing.

Which all does lead us to a very interesting even if countercultural conclusion. The usual support for recycling is taken to be an anti-price, anti-market, even anti-capitalist idea. Supported by the usual soap dodging hippies. But, as actually happens out in the real world, recycling is one of those things that should be — even if it isn’t — entirely dominated by the price system and markets. Even, dread thought, capitalism. We should only recycle those things we can make a profit by recycling. Because that’s now prices inform us about which systems actually save resources.

March 13, 2024

QotD: Filthy coal

… coal smoke had dramatic implications for daily life even beyond the ways it reshaped domestic architecture, because in addition to being acrid it’s filthy. Here, once again, [Ruth] Goodman’s time running a household with these technologies pays off, because she can speak from experience:

    So, standing in my coal-fired kitchen for the first time, I was feeling confident. Surely, I thought, the Victorian regime would be somewhere halfway between the Tudor and the modern. Dirt was just dirt, after all, and sweeping was just sweeping, even if the style of brushes had changed a little in the course of five hundred years. Washing-up with soap was not so very different from washing-up with liquid detergent, and adding soap and hot water to the old laundry method of bashing the living daylights out of clothes must, I imagined, make it a little easier, dissolving dirt and stains all the more quickly. How wrong could I have been.

    Well, it turned out that the methods and technologies necessary for cleaning a coal-burning home were fundamentally different from those for a wood-burning one. Foremost, the volume of work — and the intensity of that work — were much, much greater.

The fundamental problem is that coal soot is greasy. Unlike wood soot, which is easily swept away, it sticks: industrial cities of the Victorian era were famously covered in the residue of coal fires, and with anything but the most efficient of chimney designs (not perfected until the early twentieth century), the same thing also happens to your interior. Imagine the sort of sticky film that settles on everything if you fry on the stove without a sufficient vent hood, then make it black and use it to heat not just your food but your entire house; I’m shuddering just thinking about it. A 1661 pamphlet lamented coal smoke’s “superinducing a sooty Crust or Furr upon all that it lights, spoyling the moveables, tarnishing the Plate, Gildings and Furniture, and corroding the very Iron-bars and hardest Stones with those piercing and acrimonious Spirits which accompany its Sulphure.” To clean up from coal smoke, you need soap.

Coal needs soap?” you may say, suspiciously. “Did they … not use soap before?” But no, they (mostly) didn’t, a fact that (like the famous “Queen Elizabeth bathed once a month whether she needed it or not” line) has led to the medieval and early modern eras’ entirely undeserved reputation for dirtiness. They didn’t use soap, but that doesn’t mean they didn’t clean; instead, they mostly swept ash, dust, and dirt from their houses with a variety of brushes and brooms (often made of broom) and scoured their dishes with sand. Sand-scouring is very simple: you simply dampen a cloth, dip it in a little sand, and use it to scrub your dish before rinsing the dirty sand away. The process does an excellent job of removing any burnt-on residue, and has the added advantage of removed a micro-layer of your material to reveal a new sterile surface. It’s probably better than soap at cleaning the grain of wood, which is what most serving and eating dishes were made of at the time, and it’s also very effective at removing the poisonous verdigris that can build up on pots made from copper alloys like brass or bronze when they’re exposed to acids like vinegar. Perhaps more importantly, in an era where every joule of energy is labor-intensive to obtain, it works very well with cold water.

The sand can also absorb grease, though a bit of grease can actually be good for wood or iron (I wash my wooden cutting boards and my cast-iron skillet with soap and water,1 but I also regularly oil them). Still, too much grease is unsanitary and, frankly, gross, which premodern people recognized as much as we do, and particularly greasy dishes, like dirty clothes, might also be cleaned with wood ash. Depending on the kind of wood you’ve been burning, your ashes will contain up to 10% potassium hydroxide (KOH), better known as lye, which reacts with your grease to create a soap. (The word potassium actually derives from “pot ash,” the ash from under your pot.) Literally all you have to do to clean this way is dump a handful of ashes and some water into your greasy pot and swoosh it around a bit with a cloth; the conversion to soap is very inefficient (though if you warm it a little over the fire it works better), but if your household runs on wood you’ll never be short of ashes. As wood-burning vanished, though, it made more sense to buy soap produced industrially through essentially the same process (though with slightly more refined ingredients for greater efficiency) and to use it for everything.

Washing greasy dishes with soap rather than ash was a matter of what supplies were available; cleaning your house with soap rather than a brush was an unavoidable fact of coal smoke. Goodman explains that “wood ash also flies up and out into the room, but it is not sticky and tends to fall out of the air and settle quickly. It is easy to dust and sweep away. A brush or broom can deal with the dirt of a wood fire in a fairly quick and simple operation. If you try the same method with coal smuts, you will do little more than smear the stuff about.” This simple fact changed interior decoration for good: gone were the untreated wood trims and elaborate wall-hangings — “[a] tapestry that might have been expected to last generations with a simple routine of brushing could be utterly ruined in just a decade around coal fires” — and anything else that couldn’t withstand regular scrubbing with soap and water. In their place were oil-based paints and wallpaper, both of which persist in our model of “traditional” home decor, as indeed do the blue and white Chinese-inspired glazed ceramics that became popular in the 17th century and are still going strong (at least in my house). They’re beautiful, but they would never have taken off in the era of scouring with sand; it would destroy the finish.

But more important than what and how you were cleaning was the sheer volume of the cleaning. “I believe,” Goodman writes towards the end of the book, “there is vastly more domestic work involved in running a coal home in comparison to running a wood one.” The example of laundry is particularly dramatic, and her account is extensive enough that I’ll just tell you to read the book, but it goes well beyond that:

    It is not merely that the smuts and dust of coal are dirty in themselves. Coal smuts weld themselves to all other forms of dirt. Flies and other insects get entrapped in it, as does fluff from clothing and hair from people and animals. to thoroughly clear a room of cobwebs, fluff, dust, hair and mud in a simply furnished wood-burning home is the work of half an hour; to do so in a coal-burning home — and achieve a similar standard of cleanliness — takes twice as long, even when armed with soap, flannels and mops.

And here, really, is why Ruth Goodman is the only person who could have written this book: she may be the only person who has done any substantial amount of domestic labor under both systems who could write. Like, at all. Not that there weren’t intelligent and educated women (and it was women doing all this) in early modern London, but female literacy was typically confined to classes where the women weren’t doing their own housework, and by the time writing about keeping house was commonplace, the labor-intensive regime of coal and soap was so thoroughly established that no one had a basis for comparison.

Jane Psmith, “REVIEW: The Domestic Revolution by Ruth Goodman”, Mr. and Mrs. Psmith’s Bookshelf, 2023-05-22.


    1. Yeah, I know they tell you not to do this because it will destroy the seasoning. They’re wrong. Don’t use oven cleaner; anything you’d use to wash your hands in a pinch isn’t going to hurt long-chain polymers chemically bonded to cast iron.

March 10, 2024

German Blunder Hands Allies a Rhine Crossing – WW2 – Week 289 – March 9, 1945

Filed under: Britain, Germany, History, Italy, Japan, Military, Pacific, Russia, USA, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 9 Mar 2024

The Allies manage to take an intact bridge over the mighty Rhine at Remagen, a major piece of luck; the Germans launch a new offensive in Hungary, and the Allies end one in Italy. Over in Burma, Meiktila falls, sabotaging the entire Japanese supply system for the country, and on Iwo Jima the fight continues, bloodier than ever for both sides.

00:59 Recap
01:35 The Fall of Meiktila
03:46 The fight on Iwo Jima
05:27 Advances on the Western Front
07:44 The Rhine River
10:05 Remagen Bridge
16:20 Operation Encore
17:10 Rokossovsky and Zhukov attack
18:09 Operation Spring Awakening
21:57 Notes to end the week
23:42 Conclusion
(more…)

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