Colby Cosh uncharacteristically praises-to-the-skies Lucy Maud Montgomery as even a shortlist candidate to appear on a Canadian banknote:
The choice of Viola Desmond came at the end of a formal search for historic women to put on a banknote, and I am still baffled by the absence of one name from the shortlist: that of the novelist L.M. Montgomery. If you think about the global noteworthiness standard, there are not many Canadians of any race or gender who can meet it. In its highest form it would exclude, for example, Wayne Gretzky, who must be one of the two or three most famous Canadians: there are too many places on Earth that know or care nothing of ice hockey.
They play Bach on keyboard instruments everywhere, so you could put Glenn Gould on a banknote under this rule. I start running out of names pretty damn fast after that, which may suggest a truth about our country that we do not like to confront. But Lucy Maud Montgomery is surely near the top of any such list.
Think what an extraordinary thing it is that we are still arguing about the merits of new adaptations of (and posters for) Anne of Green Gables. Those books are literature of a type that almost revels in its ephemerality. They were meant to be affordable components of a homogenous literary diet for the young. Montgomery could never have imagined that she would end up as the most enduring, best-travelled Canadian fiction author of all.
But how many cycles of fashion has Anne outlived; how many avant-garde authors and poets of her time has she seen off into oblivion? There is something about her that has unfailingly charmed readers of 1960 and 1990 and 2017. Nothing about this phenomenon is insincere or contrived, and it seems to transcend the English-speaking world with ease. Progressives and feminists are not reluctant to give the Anne books to their children. There has been no attack that I know of on Montgomery’s political bona fides. Her intellectual ambitions were small, and confined to an out-of-the-way place, yet her imagination conquered a world.
All of which does not even take into account the merely commercial argument for a banknote with Anne of Green Gables and/or her creator on it: the Japanese would hoard it like treasure. Then again, maybe that is what the Bank of Canada is afraid of — unpredictable monetary effects from an important currency denomination being too popular as a collectible. But I cannot see any other reason for them to keep missing this layup. Maybe they are prudently keeping Anne in reserve for the advent of the five-dollar coin, in order that the annie might join the loonie and the toonie?