Quotulatiousness

November 29, 2016

Justin Trudeau’s 15 minutes of internet fame

Filed under: Americas, Cancon, Politics — Tags: , , , , — Nicholas @ 03:00

In his statement on the death of Cuban dictator Fidel Castro, Prime Minister Justin Trudeau went unexpectedly viral and his phrasing was turned into a hilarious Twitter hashtag: #TrudeauEuologies. In the National Post, Colby Cosh sums up the responses:

The Prime Minister has received a thousand-bomber raid’s worth of invective for his formal statement on the death of Fidel Castro, the communist dictator of Cuba who was an old friend of the Trudeau family. You probably need no reminding of the first sentence of the press release, already lampooned worldwide as a triumph of putrid euphemism: “While a controversial figure, both Mr. Castro’s supporters and detractors recognized his tremendous dedication and love for the Cuban people who had a deep and lasting affection for ‘el Comandante’.”

Habitual readers will know that when I see a thousand people gathering stones to throw at one, I try to see things from the side of the one. So my first impulse was to search for even a half-satisfactory justification of the PM’s statement. Alas, nothing came to hand. Just more rocks.

There is the “diplomacy is the art of lying about terrible things” defence: the idea that the interests of Canada might demand that Justin Trudeau use the opportunity presented by Fidel’s demise to suck up to his family and inner circle. This seems to me like an upside-down understanding of diplomacy. The Canadian government may sometimes be obliged to take, and even defend, morally ambiguous actions in the name of state interests. Merely telling sweet-sounding falsehoods about individuals is rarely involved. Like Trudeau’s acknowledgment that Castro was a “Comandante” — a pompous sadist who turned a beautiful country into a giant barracks — the diplomacy defence tacitly confesses the truth: Cuban government is lawless personal rule — as of now, the rule of a restless ghost who must be placated.

The statement might even be taken as a cryptic critique of the Castro regime, but there is no evidence the Prime Minister’s friendship with Castro was anything but genuine. When Trudeau writes “I know my father was very proud to call (Castro) a friend” he is stating fact. If the younger Trudeau does not believe that Castro was just a superhuman social reformer, and he really sees Cuba’s generations of exiles and political prisoners as more than hazy abstractions, then his family’s sucking up to Castro is fully conscious, fairy-tale evil, rather than the aftertaste of Fidel’s long-standing glamour cult among halfwit intellectuals.

Update: In Maclean’s, Terry Glavin twists the knife:

It was bound to happen sooner or later.

Ever since his election as Canada’s Prime Minister last October, Justin Trudeau has revelled in global tributes, raves and swoons. He’s the Disney prince with the trippy dance moves, the groovy Haida tattoo and the gender-balanced cabinet. He’s the last best hope for globalization, the star attraction at the Pride parades, the hero of the Paris Climate Summit, the guy everyone wants a selfie with.

Trudeau made himself synonymous with Canada. He made Canada cool again. It was fun while it lasted.

By the early hours of Saturday morning, Havana time, Trudeau was an international laughingstock. Canada’s “brand,” so carefully constructed in Vogue photo essays and Economist magazine cover features, seemed to suddenly implode into a bonspiel of the vanities, with humiliating headlines streaming from the Washington Post to the Guardian, and from Huffington Post to USA Today.

It was Trudeau’s maudlin panegyric on the death of Fidel Castro that kicked it off, and there is a strangely operatic quality to the sequence of events that brings us to this juncture. When Trudeau made his public debut in fashionable society 16 years ago, with his “Je t’aime, papa!” encomium at the gala funeral of his father in Montreal, Fidel Castro himself was there among the celebrities, as an honorary pallbearer, lending a kind of radical frisson to the event. Now it’s all come full circle.

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