Quotulatiousness

October 31, 2015

Is it a ghost or some boring old rational explanation?

Filed under: Science — Tags: , , , , — Nicholas @ 04:00

Shaunacy Ferro is here to harsh your paranormal mellow with six possible explanations for ghostly activities:

1. ELECTROMAGNETIC FIELDS

For decades, a Canadian neuroscientist named Michael Persinger has been studying the effects of electromagnetic fields on people’s perceptions of ghosts, hypothesizing that pulsed magnetic fields, imperceptible on a conscious level, can make people feel as if there is a “presence” in the room with them by causing unusual activity patterns in the brain’s temporal lobes. […]

2. INFRASOUND

Infrasound is sound at levels so low humans can’t hear it (though other animals, like elephants, can). Low frequency vibrations can cause distinct physiological discomfort. Scientists studying the effects of wind turbines and traffic noise near residences have found that low-frequency noise can cause disorientation, feelings of panic, changes in heart rate and blood pressure, and other effects that could easily be associated with being visited by a ghost [PDF]. […]

3. MOLD

Shane Rogers, an engineering professor at Clarkson University, has spent the past few months touring reportedly haunted locations looking for not-so-paranormal activity: mold growth. Preliminary research indicates that some molds can cause symptoms that sound pretty ghostly—like irrational fear and dementia. […]

4. CARBON MONOXIDE POISONING

In 1921, a doctor named W.H. Wilmer published an odd story about a haunted house in the medical journal the American Journal of Ophthalmology. The family who lived in this haunted residence, called the H family in the medical literature, began experiencing weird phenomena when they moved into an old house—hearing furniture moving around and strange voices in the night, feeling the presence of invisible specters. They report being held down in bed by ghosts, feeling weak, and more. As it turned out, a faulty furnace was filling their house with carbon monoxide, causing aural and visual hallucinations. The furnace was fixed, and the H family went back to their lives, sans ghosts.

5. SOMEONE ELSE SAID IT WAS REAL.

In a 2014 study, Goldsmiths, University of London psychologists had participants watch a video of a “psychic” supposedly bending a metal key with his mind. In one condition, study subjects watched the video with a “participant” who was actually working with the researchers and professed to see the key bending. Those subjects were more likely to report that they saw the key bend than subjects who were paired with someone who asserted that the key didn’t bend or said nothing. […]

6. WE WANT TO BELIEVE.

“There is a motivational side to belief in ghosts,” French explains. “We all want to believe in life after death. The idea of our mortality is one we are not generally comfortable with.” Confirmation bias holds powerful sway over our perceptions. “We find it much easier to believe evidence for something we want to believe anyway,” he says.

THE ORIGINAL Scary Mary Poppins Recut Trailer

Filed under: Humour, Media — Tags: , — Nicholas @ 03:00

Uploaded on 8 Oct 2006

This recut of the Disney classic Mary Poppins was made by myself, Christopher Rule

This contains the musical piece “A Violent Attack” composed by Caine Davidson for the film An American Haunting, “Stay Awake” written by Richard M. Sherman and Robert B. Sherman for Disney’s Mary Poppins, and stock sounds from iMovie. Clips filmed with a Panasonic MiniDV camera and edited on iMovie.

***** Please do not support the low-quality versions other people have uploaded to their channels against YouTube’s policy. Thanks to all! *****

The chemistry of cider

Filed under: Science — Tags: , — Nicholas @ 02:00

At Compound Interest, a look at the making of cider:

On a hot summer’s day, the cool, refreshing taste of cider is hard to beat. But what are the chemicals behind this flavour?

Before we look at the chemistry, let’s briefly discuss how cider is made. Obviously, it starts with the apples being picked from the tree. The type of apples is, of course, a major factor in the taste of the finished cider. Bittersweet cider apples are low on acidity, but high on tannins, whilst sharp apples are the opposite. Sweet apples, meanwhile, are low in both departments, whilst bittersharp apples are high in both.

Once the apples have been picked, they’re left to mature for a time before then being scratted, or ground down, into a pulp. The pulp produced by this process is known as pomace. This pomace is then pressed to squeeze out all of the juice, which is collected into either vats or casks. At this point, it is then slowly fermented, and yeasts convert the natural sugars in the apples into alcohol. These yeasts can be the natural yeasts present in the apples, or yeasts that are added specifically for fermentation.

After fermentation is complete, the cider will often be left to mature for several months. At this point, extra sugar is sometimes added to the cider to allow fermentation to continue, and produce a small amount of carbon dioxide to carbonate the cider. However, commercially carbonation is often primarily accomplished via direct injection of carbon dioxide. In the manufacture of some ciders, they may be blended with other, older ciders, to ensure consistency of taste or to alter the flavour.

Click to see full-sized infographic at Compound Interest.

Click to see full-sized infographic at Compound Interest.

QotD: Modern movies fail to reflect reality in the expected manner … unexpectedly

Filed under: Media, Politics, Quotations, USA — Tags: , , , — Nicholas @ 01:00

Ages are marked by their paranoias and despairs, and we see those paranoias and despairs in the art an age produces. What we dread in earnest we enjoy in fantasy.

After Watergate, there were a series of very paranoid and nihilistic films — The Parallax View, Capricorn One, The Conversation on the paranoid end; then all the violent ones about a growing nihilism in the world — Dirty Harry, Death Wish, and so on.

Cultural observers had no problem pointing directly at Watergate (and the assassinations of the Kennedys and Martin Luther King, Jr.) to explain the paranoia, and nor were they so blind as to not notice the decay and malaise (and rising tide of bloody crime) of the seventies were responsible for the various violent retribution films.

[…]

Since 9/11, we faced a lot of movies about cataclysm and the end of the world. It’s easy enough to see that connection.

But the Age of Obama has not produced any uplift, nor any respite from the current preoccupation of people with the End Times. As a non-religious person, I don’t mean this literally (though many may), but it is impossible not to note the idea of Apocalypse and Cataclysm is in the air.

Look at the number of zombie films and zombie TV shows — as obvious a metaphor for decay and rot as can be imagined. Or the still-doing-bonzo-business cataclysm fantasies. Even the latest Man of Steel was about cataclysm.

And now add into that the large number of paranoid, rotten dystopia movies.

If the Age of Obama is so swell, if we’re all filled with Hope, why is this age not producing the spate of feel-good, have-fun, get-rich movies the 80s did?

Why are our collective fantasies in the Age of Obama so single-mindedly focused on the idea of dystopia, cultural decay, and ultimately cultural destruction?

Whether liberal cultural critics want to admit it or not — and they seem very much to not want to admit it, because this is so obvious it’s painful, and yet they fail to make this obvious connection — the Obama years are years of economic want, emotional depression, and spiritual chaos, at least as reflected by entertainments resolutely focusing on the end-times and the wretched dystopias that arise after the End Times, when civilization is dead but just hasn’t stopped moving yet.

The Leftovers, The Returned, Revolution, the Walking Dead not only being a top-rated show, but spawning a top-rated spin-off — I dare anyone to find any previous moment in American history, including in the years of paranoia after Watergate, in which our fantasies have been so dark, depressive, anxious and foreboding.

This is all very obvious. The people in Hollywood turning out one cataclysm-and-dystopia entertainment after another surely sense this, as do the talentless idiots paid to comment on the culture at fluffy magazines like The Atlantic and New York and The New Yorker; and yet, another aspect of the Age of Obama — that one must never admit the horrible truth; one must always pretend it away, and give only praise to Dear Leader — keeps people from stating what is so obvious it’s increasingly uncomfortable to remain silent about it.

Ace, “Going By Movies, America Is In An Apocalyptic Frame of Mind”, Ace of Spades H.Q., 2015-10-27.

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