Quotulatiousness

October 27, 2015

Update on that $750 pill and the regulatory system that made it inevitable

Filed under: Bureaucracy, Business, Health — Tags: , , — Nicholas @ 05:00

Tim Worstall follows up on all-world scumbag Martin Shkreli and his enabled-by-the-regulator insane price increases for a decades-old drug:

We have an interesting and important economic lesson for public policy here: markets, they work. More accurately, we don’t have to worry about someone attempting to exploit their possession of a contestable monopoly. We only have to worry, possibly take action, if someone has an uncontestable monopoly. And given that there’s very few of them that we don’t create ourselves for other reasons, this means that monopoly is just one of those things we can keep a wary eye upon but not worry over excessively.

Our example comes from Martin Shkreli. The basic background is that this entrepreneur thinks he’s found a pretty cool business model. There’s a number of pharmaceuticals out there that are well out of patent but still have small and useful markets. FDA regulations (no, we’ll not go into the details of how or why this happens) mean that it’s not as easy as one might think to produce generic versions of these out of patent drugs. So, as a business plan, buy up the rights to the permit-ed (as in, with a permit, not just those allowed, as in permitted) generics and as a result of the difficulty someone else will have in getting into the same market, some pricing power is available. You can then raise the price and start to bank your considerable profits.

This caused outrage when Shkreli announced that this was exactly what he was doing:

    Turing Pharmaceuticals, the company that last month raised the price of the decades-old drug Daraprim from $13.50 a pill to $750…

A 5,000% price rise certainly indicates that Turing thinks it has pricing power and thus that it has considerable monopoly power.

[…]

Markets, they work. As Mr. Shkreli is just finding out:

    Turing Pharmaceuticals, the company that last month raised the price of the decades-old drug Daraprim from $13.50 a pill to $750, now has a competitor.

    Imprimis Pharmaceuticals, Inc., a specialty pharmaceutical company based in San Diego, announced today that it has made an alternative to Daraprim that costs about a buck a pill — or $99 for a 100-pill supply.

This is not the same drug: it’s a slight variation, a close substitute. But it’s close enough that Turing isn’t going to be making much money from what it thought was monopoly pricing power. Because it was a contestable monopoly, not an absolute one.

A dispatch from the new (Guild Wars 2) front

Filed under: Gaming, Humour — Tags: — Nicholas @ 04:00

The Guild Wars 2: Heart of Thorns expansion was announced early in January 2015, but only released this month. The Orrator has a unique viewpoint of the new front opened up in the war against the dragons:

The Orrator - HoT battle report

Recap 3: August – October 1915 – Global Escalation I THE GREAT WAR – Summary

Filed under: Europe, History, Military, WW1 — Tags: — Nicholas @ 03:00

Published on 26 Oct 2015

Every three months we publish recap episodes that summarises the events of the First World War 100 years ago. In late summer and autumn 1915 the Russians were still on their Great Retreat on the Eastern Front. The Western Front was suffering from the Fokker Scourge and erupted with the Battle of Loos and a new Champagne offensive. At the same time, Gallipoli was still in dire straits and on the Isonzo Front, Luigi Cardona could still not gain any territory against Austria-Hungary.

Cultural appropriation is bunk

Filed under: Liberty, Media, Politics, USA — Tags: , , , — Nicholas @ 02:00

At The Federalist, David Marcus explains how he considered the arguments of those pushing the idea of “cultural appropriation” … and rejected them:

I read a lot as a kid. Books were a pleasure and window into worlds. I read James Joyce and Marcel Proust, but I also read James Baldwin and Zora Neal Hurston. Every book spoke to me in its own way, and I felt a connection to their authors. I felt like I was having a private conversation with them. After finishing a book, I felt a kind of ownership of it. Each volume took a permanent place in my consciousness.

This was before the popular emergence of the idea of cultural appropriation. Nobody told me that books, music, and clothing created by people who didn’t look like me didn’t belong to me, that I was somehow borrowing them. Today, people do tell me this. They tell me that I must tread lightly when engaging in cultural forms not invented by my white ancestors.

I have listened to their arguments, read their theories, and arrived at a conclusion. They are wrong. All cultures are mine.

Over at The Atlantic, Jenni Avins writes about the dos and don’ts of cultural appropriation. To her credit, she explores how culture blending is central to the development of, well, everything. Since time immemorial, from the spice road to Times Square, cultures have influenced each other and produced the world as we know it.

[…]

But in America there is one culture that anyone and everyone is free to appropriate. White culture, be it classical music, the novel, or the business suit, is never the subject of claims of appropriation. Last week, a perfect example of this disparity was on display in an announcement from the theater world. Howlround, a website that describes itself as a theater commons and has a strong influence on the theater community, announced its call for 2020 to be a Jubilee year to promote diversity in theater.

What form will this Jubilee take? Well, it’s a doozy: “We declare the year 2020 the year of Jubilee. For the 2020–2021 season, all performances produced in the United States of America will be by women, people of color, artists of varied physical and cognitive abilities, and LBGTQA artists. Every theatre large and small is included in the vision…This is also a time for straight, white men to rejoice, to witness, to listen, and to be fed for one year by the stories they’ve also been denied. “

On its face, this is absurd nonsense. The idea that any American artists would seek to officially prohibit — in other words, ban — any artist’s work on the basis of his or her race or gender is mind-numbing. It is also quite likely that any theater company without an ethnically based mission that officially signed onto this plan would be breaking the law. Finally, it’s obviously not going to happen. But for all its preening silliness, this Jubilee fiasco tells us something interesting about cultural appropriation.

Here’s a clue: if the race or gender of an author or playwright matters more to you than the quality of the book or play, the problem isn’t the artist: the problem is you.

QotD: The new censors

Filed under: Europe, Law, Liberty, Quotations, Religion, USA — Tags: , , — Nicholas @ 01:00

Governments began to treat those threatened for their opinions almost as harshly as those attacking them. Dutch legal authorities tried repeatedly, if unsuccessfully, to prosecute Mr. Wilders for “inciting hatred” with his film. He was briefly prohibited from entering Britain. In 2006, Tony Blair’s government passed the Racial and Religious Hatred Act — a kind of “blasphemy lite” law — ostensibly designed to protect all religions against threatening expression but generally understood as intended to limit hostile criticism of Islam. Both the U.S. and the European Union have entered into a dialogue in recent years with the 56 states of the Organization of the Islamic Conference, which is seeking an international law prohibiting blasphemy. In 2011, Secretary of State Hillary Clinton told the OIC that, while the First Amendment prevented the U.S. from prohibiting speech, the administration might still “use some old-fashioned techniques of peer pressure and shaming so that people don’t feel they have the support to do what we abhor.”

Admittedly, it is difficult to draw a clear line between criticism of an Islamic belief and an attack on Muslims who believe it. If you denounce a belief as absurd, you are implicitly criticizing the believers as credulous fools. Christians have to endure explicit denunciations of their faith all the time from such writers as Richard Dawkins and Sam Harris. And so they should. If you can’t stand the heat, don’t listen to hellfire sermons from atheists.

Hearing criticisms of your own convictions and learning the beliefs of others are training for life in a multifaith society. Preventing open debate means that all believers, including atheists, remain in the prison of unconsidered opinion. The right to be offended, which is the other side of free speech, is therefore a genuine right. True belief and honest doubt are both impossible without it.

It isn’t just some Muslims who want the false comfort of censoring disagreeable opinions. Far from it. Gays, Christians, feminists, patriots, foreign despots, ethnic activists — or organizations claiming to speak for them — are among the many groups seeking relief from the criticism of others through the courts, the legislatures and the public square.

John O’Sullivan, “No Offense: The New Threats to Free Speech”, Wall Street Journal, 2014-10-31.

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