Tracy Morgan looks at a British holiday tradition that didn’t seem to travel to the rest of the empire:
An actor in drag endowed with enormous boobs stands alongside an actress in male britches. Every year they tell the same jokes, flirtatiously sing silly tunes, bring a good-over-evil narrative to life and comment on everything — except much about Christmas. Yet theatergoers consider it a great holiday tradition, because nothing says Christmas to Brits quite like cross-dressing slapstick, screaming children and sexual innuendo.
British pantomimes run from late November through mid-January, and the question is not are you going, but which panto are you seeing? “For many people, a trip to the theater to see the pantomime is as big a part of Christmas as roast turkey dinner,” says Simon Sladen, assistant curator of modern and contemporary performance at London’s Victoria and Albert Museum. ’Tis the season for the goodies to take the stage to cheers while baddies slink into view amid boos. A man plays the leading dame, and a woman often plays the starring male role, retelling classic fairy tales like Cinderella or Jack and the Beanstalk with a comedic twist. Chants from ticket holders include “Oh, yes it is” to “Oh, no it isn’t,” or the classic “It’s behind you!” to warn those on stage of imminent danger.
I’d always wondered where those phrases came from…
Unlike its silent namesake, these colorful productions — aka pantos — are a mishmash of very verbal theatrical genres, from Italian commedia dell’arte’s slapstick to the medieval mystery plays and the Everyman play’s morality. Pantomime, which originally meant “imitator of all,” is “reflective of the world around it,” says Sladen, referring to how it incorporates contemporary political and cultural jokes, modern music and fashion. Members of the audience are meant to see aspects of themselves in the characters and identify with their struggles and successes.
